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We've recently released our Test Bench 1.8 update for Headphones! Read the R&D Article to learn more.

Sennheiser HD 490 PRO Headphones Review

Tested using Methodology v1.8
Reviewed Mar 29, 2024 at 09:55 am
Latest change: Writing modified Oct 31, 2024 at 11:36 am
Sennheiser HD 490 PRO Picture
8.5
Neutral Sound
4.1
Commute/Travel
5.6
Sports/Fitness
4.8
Office
4.7
Wireless Gaming
6.8
Wired Gaming
1.6
Phone Calls

The Sennheiser HD 490 PRO are open-back, over-ear headphones. While Sonova acquired Sennheiser's consumer audio division in 2022, Sennheiser have remained in charge of their pro audio division, releasing products designed for professional applications. These headphones are emblematic of this shift; they're designed as an analytical listening tool that can aid you in all manner of audio-related work. As a result, they come with two sets of earpads: one for 'Producing' and another for 'Mixing,' with the aim of making these over-ears as versatile as possible. Other useful features include a dual-jack, detachable cable design that allows for greater freedom of movement while wearing them.

Our Verdict

8.5 Neutral Sound

The Sennheiser HD 490 PRO are excellent for neutral sound. With their 'Producing' pads, they boast an impressive bass extension for open-back headphones, with only a small amount of low-bass roll-off, so basslines and kicks have plenty of punch and slam. Their mids and highs are also quite balanced, though they lack detail in the upper-mid. Their somewhat inconsistent treble response can render sibilants both dull and piercing, depending on their tonality. However, they excel at delivering audio consistently, even if you have thick hair or wear glasses. Their decent passive soundstage performance adds depth and openness to their sound, though it's not quite on par with higher-end audiophile headphones. Overall, factoring in the added versatility of their swappable pad design, they're a great studio Swiss army knife.

Pros
  • Two sets of earpads to tailor the sound.
  • Excellent frequency response consistency.
  • Very comfortable fit.
Cons
  • Terrible noise isolation.
4.1 Commute/Travel

The Sennheiser HD490 PRO are poor for commuting and travel as they're not designed for this purpose. Their bulky design makes it challenging to sling them in a backpack challenging while ensuring they're not damaged in transit. Their open-back design also means they have a terrible noise isolation performance that won't provide any attenuation against engine rumble or passenger conversations while on your commute. Plus, they leak a lot of audio, so you risk bothering others in transit.

Pros
  • Very comfortable fit.
Cons
  • Leak a lot of audio.
  • Terrible noise isolation.
5.6 Sports/Fitness

The Sennheiser HD490 PRO are disappointing for sports and fitness use, though they're not designed for this use. While they're lighter on the head than some open-backs and are very comfortable, they're still quite bulky and will easily fall off your head if you decide to take them on a run. Their open-back design also means their components are more susceptible to damage from sweat or moisture.

Pros
  • Very comfortable fit.
Cons
  • Leak a lot of audio.
  • Terrible noise isolation.
4.8 Office

The Sennheiser HD 490 PRO are poor for office use. While they're very comfortable, they're bulky, and their open-back design provides minimal isolation against background noise in the office. They also leak a lot of audio, so if you work in a quiet office setting, others around you will likely hear your audio, even at regular listening volumes.

Pros
  • Very comfortable fit.
Cons
  • Leak a lot of audio.
  • Terrible noise isolation.
4.7 Wireless Gaming

The Sennheiser HD 490 PRO are wired-only headphones; you can't use them wirelessly.

6.8 Wired Gaming

The Sennheiser HD 490 PRO are okay for wired gaming. While the slight low-bass roll-off will rob explosions of some of their intensity, the bass range is neutral enough that footsteps are rendered clearly. Their detailed mid-range helps bring out dialogue-driven cut scenes, too. However, their inconsistent treble response can cause sibilants to sound dull or harsh depending on their tonality. They have a decent passive soundstage performance that can help create an immersive gaming experience, and they're comfortable enough to wear for long gaming marathons. However, you'll need a standalone mic to communicate with your teammates.

Pros
  • Two sets of earpads to tailor the sound.
  • Very comfortable fit.
Cons
  • Leak a lot of audio.
  • Terrible noise isolation.
1.6 Phone Calls

The Sennheiser HD490 PRO don't have an integrated microphone, so you can't use them to take phone calls.

  • 8.5 Neutral Sound
  • 4.1 Commute/Travel
  • 5.6 Sports/Fitness
  • 4.8 Office
  • 4.7 Wireless Gaming
  • 6.8 Wired Gaming
  • 1.6 Phone Calls
  1. Updated Oct 31, 2024:

    The following test groups have been updated after Test Bench 1.8: Sound Profile, Raw Frequency Response, Bass Profile: Target Compliance, Mid-Range Profile: Target Compliance, Treble Profile: Target Compliance, and Peaks/Dips. Associated text changes have been made to match results from Test Bench 1.7 to Noise Isolation - Full Range and Noise Isolation - Common Scenarios. Text changes have also been made throughout the review to match these results.

  2. Updated Oct 28, 2024: We've converted this review to Test Bench 1.8, which updates our target curve and Sound tests. You can read more about this in our changelog.
  3. Updated Jul 12, 2024: We've converted this review to Test Bench 1.7, which updates our Noise Isolation test. We've also expanded the scope of this test to include Common Scenarios in addition to Voice Handling and Wind Handling.
  4. Updated May 07, 2024: We've raised the Build Quality score from 7.0 to 7.5 and updated this test's text after receiving feedback from users regarding their own unit's solid build quality and lack of issues with the screws.
  5. Updated Apr 25, 2024: We found an issue which affects the Passive Soundstage and Leakage scores in this review. The microphone used in this test produced a response lower than expected, artificially boosting the scores. After investigating the issue, we have retested this affected product and updated our review.
  6. Updated Mar 29, 2024: Review published.
  7. Updated Mar 20, 2024: Early access published.
  8. Updated Mar 13, 2024: Our testers have started testing this product.
  9. Updated Feb 22, 2024: The product has arrived in our lab, and our testers will start evaluating it soon.
  10. Updated Feb 01, 2024: We've purchased the product and are waiting for it to arrive in our lab.

Differences Between Sizes And Variants

The Sennheiser HD 490 PRO come in one color variant: Black. However, you can also purchase the Sennheiser HD 490 PRO Plus. This isn't a variant per se but rather an option to purchase the same headphones with an extra 9.8 ft (3 m) cable, extra padding for the headband, and a case for an additional price. You can see our unit's label.

If you encounter another variant of these headphones, let us know in the comments, and we'll update our review.

Compared To Other Headphones

The Sennheiser HD 490 PRO are wired open-back headphones designed for a range of pro audio applications. They have a unique swappable pad design that helps them stand out from other similarly priced audiophile headphones, as it lets you tailor the sound profile and pad material to suit different stages of the audio creation process or to accommodate different listening preferences. Their bulky frame means they're not a natural choice to soundtrack a commute or run, but if you're using them in the studio or for at-home listening, you'll appreciate their comfortable fit with the velour 'Producing ' pads.

They carry on the lineage of the Sennheiser HD 660S2, a similarly priced pair of open-backs from the same manufacturer, but the HD 490 PRO have the advantage of extra ear pads. While other competitors like the Audeze MM-100 use planar magnetic drivers, which create a more immersive soundstage, these drivers add extra weight to the frame, resulting in a less comfortable fit than the Sennheiser.

If you're looking for more headphones, check out our recommendations for the best studio headphones, the best headphones for music, and the best open-back headphones.

Sennheiser HD 560S

The Sennheiser HD 490 Pro and the Sennheiser HD 560S are both open-back, over-ear headphones that perform similarly. Both headphones have balanced sound profiles; the HD 490 Pro have a stronger bass response, but the HD 560S provide more detail in the mid and treble ranges. However, the HD 490 Pro have swappable pads that subtly alter the sound profile depending on what you're working on. Both are comfortable enough to wear for long periods and have great soundstage performances. That said, the HD 560S's soundstage is a touch more open and more immersive.

Sennheiser HD 600

While the Sennheiser HD 600 are audiophile headphones, the Sennheiser HD 490 PRO are more suited to professional use in the studio. The HD 490 PRO are more comfortable, deliver audio more consistently, and can reproduce stronger bass frequencies. They also come with two different sets of earpads that you can switch between depending on the task at hand. That said, the HD 600 have a more balanced mid and treble response that matches our target very well, bringing out more detail in vocals and lead instruments. They're also built more solidly and have a slightly more open-sounding soundstage.

Sennheiser HD 660S2

While the Sennheiser HD 660S2 and the Sennheiser HD 490 PRO share the same manufacturer name, the latter is a product of Sennheiser's pro audio division, which translates to a better performance for analytical listening. The HD 490 PRO are more comfortable, and you can even swap out their pads to change the sound profile somewhat. Plus, their passive soundstage is a bit more immersive. However, the HD 660S2 are well-built with a slightly more stable design. They also come with a case that can help you transport them on the go.

Beyerdynamic DT 990 PRO

The Beyerdynamic DT 990 PRO and the Sennheiser HD 490 Pro are both open-back over-ears designed for analytical listening in the studio. While both headphones have a similarly open-sounding soundstage, the Sennheiser deliver your audio more consistently. They're also more comfortable, and you can choose between the two sets of pads provided to alter the sound profile, depending on the task at hand. The Beyerdynamic are better built though, with more metal involved in their construction. 

Sennheiser HD 58X Jubilee

The Sennheiser HD 490 PRO offer a more consistent frequency response than the Sennheiser HD 58X Jubilee. The HD 490 PRO are also more comfortable and include swappable ear pads. On the other hand, the HD 58X Jubilee offer great value and can be used for similar applications like audio production.

Sennheiser HD 620S

The Sennheiser HD 490 PRO are open-back headphones, and they have a better passive soundstage than the closed-back Sennheiser HD 620S. The HD 490 PRO supply a much more consistent sound. They also include an extra set of ear pads and particularly perform better than the HD 620S for people who wear glasses. The HD 620S are well-made and comfortable with a sparser set of accessories. Their noise isolation makes them more suitable to wear in different environments. Sadly, their bass response is highly impacted by their inconsistent frequency response.

Sennheiser HD 660 S

The Sennheiser HD 660 S and the Sennheiser HD 490 PRO are similar open-back, over-ear headphones. The HD 490 PRO have a more speaker-like passive soundstage. They're also designed for audio professionals and come with two sets of pads: one for producing and one for mixing. While the HD 490 PRO are the superior headphone, the HD 660 S are slightly cheaper and still a worthy set of well-made audiophile headphones.

Audeze MM-100

The Audeze MM-100 and the Sennheiser HD 490 PRO are both open-back, over-headphones designed for studio use. They have some differences in design that might cause you to prefer one over the other. The Audeze use planar magnetic drivers, and the Sennheiser use dynamic neodymium magnets and, as a result, the Audeze have a wider, more immersive soundstage. They're also much heavier, though, and less comfortable on the head. The Sennheiser also come with two sets of pads, so you can swap them out to alter the sound profile slightly. However, the Audeze have a higher build quality that will translate to better durability in the studio.

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Test Results

perceptual testing image
Design
Design
Style
Type Over-ear
Enclosure Open-Back
Wireless No
Transducer Dynamic

The Sennheiser HD 490 PRO have a sleek look reminiscent of headphones in Sennheiser's consumer audio line. They have perforated metal grilles similar to those of the Sennheiser HD660S2, with glossy, black plastic yokes, ear cups that resemble the MOMENTUM series, and an adjustable padded headband. They come with two different sets of earpads. The 'Producing' pads are made of a black velvet-like material, while the 'Mixing' pads are made from a rougher, gray, cloth-like material. Their design also means you can plug in the audio cable on either ear cup, allowing greater flexibility and range of motion. They come in one color variant: 'Black'. It's also possible to pick up the 'Pro Plus' variant, which comes with additional headband padding.

8.0
Design
Comfort
Weight 0.58 lbs
Clamping Force
0.8 lbs

These open-backs have a very comfortable fit when using the 'Producing' pads, even if you wear glasses. The pads have a supple, velvet-like padding that feels great on the skin. While these headphones feel light on the head, they also feature soft, comfortable padding on the headband that minimizes pressure on the top of your head. The 'Mixing' pads are less comfortable but will still allow you to achieve a solid fit if you wear glasses.

0
Design
Controls
OS Compatibility
No Controls
Ease Of Use No Controls
Feedback No Controls
Call/Music Control No
Volume Control No
Microphone Control No
Channel Mixing
No
Noise Cancelling Control No
Talk-Through
No
Additional Controls No
6.1
Design
Portability
L 7.5" (19.1 cm)
W 7.4" (18.9 cm)
H 1.7" (4.4 cm)
Volume 97.50 in³ (1,597.70 cm³)
Transmitter Required No

These headphones aren't particularly portable, which is normal given that the manufacturer markets them as studio headphones that aren't designed for on-the-go use. While their ear cups swivel so they can lay flat, they're still very bulky and will take up a lot of space in a bag or backpack. They also lack a case to protect them from damage while they're being transported.

0
Design
Case
Type Pouch
L N/A
W N/A
H N/A
Volume N/A
7.5
Design
Build Quality

These headphones have a good build quality. Although they're mostly made of plastic and look cheap at first glance, this material keeps them lightweight yet sturdy. The ear cups have a nice depth, and the two sets of washable pads seem durable enough. The 'Producing' pads are made of a soft, velvety material, while the 'Mixing' pads are constructed from a coarser, cloth-like material. The headband is also easily adjustable, with replaceable padding that provides a good amount of cushion. However, the construction is let down by flimsy plastic yokes that feel less solid than the other components. Our unit also has two screws fall out of the left hinge, but this doesn't seem to be the norm for other units.

7.0
Design
Stability

These headphones have decent stability, which will be sufficient for most studio applications. They'll easily stay on your head while you sit at the mixing console but will likely fall off and need re-adjustment if you find yourself headbanging aggressively to your latest mix.

Design
Headshots 1
Design
Headshots 2
Design
Top
Design
In The Box

  • Sennheiser HD 490 PRO headphones
  • 1/8" audio cable (1.8 m/5'9")
  • 1/4" to 1/8" adapter
  • 'Producing' pads (attached to the headphones)
  • 'Mixing' pads
  • Quick start guide and warranty information

Sound
Sound
Sound Profile
Normalization Frequency
650 Hz
Bass Amount
-1.0 dB
Treble Amount
0.0 dB

The Sennheiser HD490 come with two sets of pads designed to facilitate different professional audio applications. As a result, switching between the two sets of pads results in a different sound profile. We tested these headphones with both sets of pads, but we derived our scores from the tests carried out with the 'Producing' pads, which scored better according to our methodology. Overall, these pads have a more pronounced bass response, while the 'Mixing' pads feature a slightly boosted mid-range that can be useful if you're trying to listen analytically. It's great to have this versatility, as the increased comfort and more exciting sound profile can be useful when arranging and building a track up from the ground. You can then turn to the 'Mixing' pads, with their underemphasized bass and boosted mids, to fine-tune your mix.

With the 'Producing' pads equipped, these headphones have a fairly balanced and slightly warm sound profile. They have a surprisingly good bass response for open-back headphones, though the low-bass frequencies are de-emphasized in favor of some extra high-bass boom on kick drums. While the low and mid-mids are also somewhat elevated, leading to easily intelligible lead instruments, the high-mid response sounds a little distant. This dip carries over to the low-treble range, meaning the upper harmonics of vocals and lead instruments sound a little dull and lack a bit of detailed articulation. The rest of the treble range is more excited, so there's plenty of air and high-end brilliance.

8.6
Sound
Frequency Response Consistency
Avg. Std. Deviation
0.29 dB

The frequency response consistency is amazing. Once you find a good fit, you can achieve consistent bass and treble delivery. Both sets of pads perform similarly in this regard, too, so even if you wear glasses or have thick hair, audio delivery consistency won't change if you switch out the pads. You can see a graph of the frequency response consistency with the 'Mixing' pads.

Sound
Raw Frequency Response

You can see a graph of the raw frequency response with the 'Mixing' pads.

9.3
Sound
Bass Profile: Target Compliance
RMS Deviation From Target
2.5 dB
Low-Frequency Extension
20 Hz
Low Bass
-3.17 dB
Mid Bass
-0.17 dB
High Bass
1.61 dB

The bass target compliance is remarkable, especially for open-back headphones with dynamic drivers. While the low-bass is slightly underemphasized, meaning your mixes lack low-end rumble, the rest of the range offers a healthy dose of bass. Kicks and basslines still have plenty of punch and slam for applications like sound production. On songs like Massive Attack's Teardrop, the kick sounds punchy and has a fast attack while still allowing the bassline to sound clear and present. You can see the same graph for bass with the 'Mixing' pads.

8.4
Sound
Mid-Range Profile: Target Compliance
RMS Deviation From Target
1.61 dB
Low Mid
1.38 dB
Mid-Mid
0.26 dB
High Mid
-1.86 dB

The mid-range target compliance is impressive. The response is virtually flat, though tilted to favor the low-mids, which beefs up bass instrument harmonics and rhythm guitars a bit. In the center of the mids, it's very flat for clear leads and speech. The top of the high-mid range is somewhat recessed, though, which can dull the upper harmonics of vocals and lead instruments. You can see a graph of the mid-range's target compliance with the 'Mixing' pads.

8.4
Sound
Treble Profile: Target Compliance
RMS Deviation From Target
2.27 dB
Low Treble
-0.56 dB
Mid Treble
0.68 dB
High Treble
-5.76 dB

These headphones have great treble target compliance. While the response never deviates greatly from our target curve, there are some inconsistencies across the entire range. There's a dip in the low-treble range that weakens the details of vocals and lead instruments a bit. The upper frequencies of the low-treble into mid-treble response trend towards exaggeration, which adds zing and attack to acoustic guitars and the bells of ride cymbals. For a warmer treble response, the 'Mixing' pads, as shown in this treble target compliance graph, are worth consideration.

8.2
Sound
Peaks/Dips
Peaks
0.97 dB
Dips
1.54 dB

The peaks and dips performance is great, and these headphones control their own sound profile handily for the most part. The bass and mids are very flat up until a small drip in the high-mid and low-treble, which robs instruments and vocals of their upper harmonics of detail. A series of small peaks and dips in the low treble into the mid-treble results in sibilants that alternate between sounding a little dull and bright, depending on their pitch. Finally, a sharp peak at the top of the mid-treble adds a harsh, piercing quality to higher-pitched sibilants.

8.4
Sound
Imaging
Weighted Group Delay
0.11
Weighted Phase Mismatch
1.31
Weighted Amplitude Mismatch
1.96
Weighted Frequency Mismatch
1.39

The Sennheiser HD 490 Pro have great imaging. Imaging performance generally indicates good ergonomics and quality control, which we expect from Sennheiser's professional line. Our unit's left and right drivers are well-matched in group delay, ensuring that bass response is tight and treble reproduction is transparent. They're also well-matched in phase and frequency, although there were some slight mismatches in their amplitude. This kind of imaging performance ensures that objects are well localized within the stereo field. However, imaging tends to vary between units.

7.7
Sound
Passive Soundstage
PRTF Accuracy (Std. Dev.)
2.01 dB
PRTF Size (Avg.)
4.48 dB
PRTF Distance
7.05 dB
Openness
9.2
Acoustic Space Excitation
8.0

The Sennheiser HD 490 Pro have a decent passive soundstage performance. Their open-back design helps create a soundstage that sounds open and spacious, especially compared to closed-back headphones. However, they still sound a little unnatural. They aren't as immersive as top-of-the-line audiophile headphones like the Sennheiser HD 800 S, as their design doesn't facilitate audio interaction with the outer ear in quite the same way. You can see a graph of the soundstage with the 'Mixing' pads.

0
Sound
Virtual Soundstage
Head Modeling
No
Speaker Modeling
No
Room Ambience
No
Head Tracking
No
Virtual Surround
No App
8.1
Sound
Weighted Harmonic Distortion
WHD @ 90
0.255
WHD @ 100
0.082

The weighted harmonic distortion performance is great. There's a sharp high-treble peak in the right driver when listening at regular volumes, but this will be difficult to notice with regular audio content as we lose sensitivity to this range over time. Otherwise, all frequencies fall within good limits, producing clean and pure audio at moderate and high volumes.

Sound
Test Settings
Firmware
No Firmware
Power
Passive
Connection
Wired
Codec
PCM, 24-bit, 48kHz
Test Instrument Audio Precision APx517B
EQ
No EQ
ANC
No ANC
Tip/Pad
Default
Microphone
No Microphone

These are the settings used to test the Sennheiser HD490. We used the 'Producing' pads for all tests. Our results are only valid when used in this configuration.

Isolation
1.8
Isolation
Noise Isolation - Full Range
Noise Cancelling No
Overall Attenuation
-4.06 dB
Bass
0.30 dB
Mid
-0.42 dB
Treble
-13.34 dB

The Sennheiser HD 490 Pro's full range noise isolation performance is terrible, which is normal for open-back studio headphones. As a result, they block almost no bass or mid-range noise by virtue of their design. So if a drummer is rehearsing in the studio next door, lower-pitched elements of the kit, like the kick and snare, will make their way into your audio. They provide a slight amount of passive isolation against higher-frequency noises, like fridge hum, but it's minimal. In this case, the open-backed housings have a much greater impact on their lack of noise isolation than the ear pads, both of which isolate roughly the same amount.

1.9
Isolation
Noise Isolation - Common Scenarios
Airplane Noise Attenuation
-3.60 dB
Airplane Noise Isolation Audio
Office Noise Attenuation
-3.41 dB
Office Noise Isolation Audio
Street Noise Attenuation
-3.72 dB
Street Noise Isolation Audio

The open-backed headphones are terrible at isolating noise in common scenarios. Very high-pitched sounds are slightly muffled, but keystrokes and HVAC noises still reach your ears unimpeded.

Isolation
Noise Isolation - Voice Handling
Female Voice 1
Male Voice 1
Female Voice 2
Male Voice 2
Isolation
ANC Wind Handling
ANC Wind Noise
N/A
2.8
Isolation
Leakage
Leakage Audio
Overall Leakage @ 1ft
58.71 dB

The leakage performance is terrible. While these headphones don't leak quite as much audio as other open-back models, like the Sennheiser HD 660S2, their design still means that others near you can very easily hear what you're listening to. Escaping audio is primarily concentrated in the high-mid and treble ranges, so it sounds quite tinny. If you plan to use these exclusively in a quiet studio environment, this will be fine, but if you take them on the bus or train, others around you will hear your audio at regular listening volumes.

Microphone
Microphone
Microphone Style
Integrated
No
In-Line
No
Boom
No
Detachable Boom
No
Mic No
0
Microphone
Recording Quality
Recorded Speech
N/A
LFE
N/A
FR Std. Dev.
N/A
HFE
N/A
Weighted THD
N/A
Gain
N/A
0
Microphone
Noise Handling
SpNR
N/A
Noise Gate
No
Speech + Pink Noise Handling
N/A
Speech + Pink Noise Audio Sample N/A
Speech + Subway Noise Handling
N/A
Speech + Subway Noise Audio Sample N/A
Active Features
0
Active Features
Battery
Battery Type
No Battery
Continuous Battery Life
N/A
Additional Charges
N/A
Total Battery Life
N/A
Charge Time
N/A
Power-Saving Feature
No
Audio While Charging
No
Passive Playback
Passive Headphone
Charging Port None
0
Active Features
App Support
App Name No App
iOS No
Android No
macOS No
Windows No
Equalizer
No
ANC Control
No
Mic Control No
Room Effects
No
Playback Control
No
Button Mapping No
Surround Support
No
Connectivity
9.9
Connectivity
Wired Connection
Analog Audio
Yes
USB Audio
No
Detachable
Yes
Length
5.91 ft (1.80 m)
Connector
1/8" TRS
Latency - Analog
0.2 ms
Latency - USB
N/A
Recorded Latency
Recorded Latency Connection Analog

The Sennheiser HD 490 PRO come with a 1.8m (5"9') audio cable, with a 1/8" audio jack on one side and a proprietary connection type on the other that plugs into the headphones. They also come with a 1/4" adapter, so you can use them with professional-end devices, like soundcards and headphone amps. Latency via analog connection is virtually non-existent; this is great if you ever need to use them for tracking instruments like synthesizers, as you won't experience any delay between your keystrokes and the audio signal.

0
Connectivity
Bluetooth Connection
Bluetooth Version
No Bluetooth
Multi-Device Pairing
No
Quick Pair (Android)
No
Quick Pair (iOS)
No
Line Of Sight Range
N/A
Latency - SBC
N/A
Latency - aptX
N/A
Latency - aptX Adaptive (High Quality)
N/A
Latency - aptX Adaptive (Low Latency)
N/A
Latency - LDAC
N/A
Recorded Latency
N/A
Recorded Latency Codec No Bluetooth Audio
AAC Support
No
0
Connectivity
Wireless Connection (Dongle)
Line Of Sight Range
N/A
Latency - Dongle
N/A
Recorded Latency
N/A
Connectivity
PC Compatibility
Analog
Audio Only
Wired USB
No
Non-BT Wireless
No

You can connect these open-backs to your PC via their audio cable. However, you can't send audio to your PC without purchasing a standalone mic.

Connectivity
PlayStation Compatibility
PS4 Analog
Audio Only
PS4 Wired USB
No
PS4 Non-BT Wireless
No
PS5 Analog
Audio Only
PS5 Wired USB
No
PS5 Non-BT Wireless
No

These headphones are compatible with PlayStation-family consoles; you can plug their cable directly into your controller. However, they don't have a mic, so you can't send audio.

Connectivity
Xbox Compatibility
Xbox One Analog
Audio Only
Xbox One Wired USB
No
Xbox One Non-BT Wireless
No
Xbox Series X|S Analog
Audio Only
Xbox Series X|S Wired USB
No
Xbox Series X|S Non-BT Wireless
No

These open-backs are compatible with Xbox-family consoles if you connect them to the controller's AUX port. However, you'll need a standalone mic to communicate with your teammates.

0
Connectivity
Base/Dock
Type
No Base/Dock
USB Input
No
Line In
No
Line Out
No
Optical Input
No
RCA Input
No
Dock Charging
No
Power Supply
No Base/Dock