Harman/Kardon Onyx Studio 8 vs Onyx Studio 9

Which Speaker Is Better?

Products

Harman/Kardon Onyx Studio 8
Harman/Kardon Onyx Studio 9

Tested using Methodology v0.8

Updated Jul 29, 2026 04:24 PM

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Tested using Methodology v1.0.1

Updated Aug 11, 2026 03:25 PM

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Harman/Kardon Onyx Studio 8 Picture

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Our Verdict

Harman/Kardon Onyx Studio 8

Harman/Kardon Onyx Studio 9

The Harman/Kardon Onyx Studio 8 is the predecessor to the Harman/Kardon Onyx Studio 9. Where the Studio 8 stood out for its arresting design, with the entire speaker framed by an aluminum wraparound handle, the Studio 9 has a more traditional, laid-back oval design. Both speakers are easy to carry around your house and sound fairly similar. The main difference is the addition of companion app support to the Studio 9, giving you access to a 7-band EQ to tweak the sound to your heart's desire.

4 

Variants

  • Onyx Studio 8 (Black)
  • Onyx Studio 8 (Blue)
  • Onyx Studio 9 (Black)
  • Onyx Studio 9 (Grey)

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Black
Onyx Studio 8
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Black
Onyx Studio 9
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Blue
Onyx Studio 8
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Grey
Onyx Studio 9
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Champagne
Onyx Studio 8
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Main Differences for
Music

Threshold 

0.10

Music 
 

0.0
0.0
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Full Comparison

Design

Style  

Style Photo  

Harman/Kardon Onyx Studio 8 Style Photo Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Style Photo Sample

SAMPLE

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RGB Lights  

Locked
Locked

Portability 
 

N/A
N/A

Dimensions Photo  

Harman/Kardon Onyx Studio 8 Dimensions Photo Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Dimensions Photo Sample

SAMPLE

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Volume 
 

Lock in³ (Lock cm³)
Lock in³ (Lock cm³)

Weight 
 

Lock lbs (Lock kg)
Lock lbs (Lock kg)

Power Source 
 

Locked
Locked

One-Hand Carry 
 

Locked
Locked

Build Quality 
 

N/A
N/A

Build Quality Photo  

Harman/Kardon Onyx Studio 8 Build Quality Photo Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Build Quality Photo Sample

SAMPLE

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Material Quality 
 

Locked
Locked

Water Resistance 
 

Locked
Locked

Dust Resistance 
 

Locked
Locked

Impact Resistance 
 

Locked
Locked

Floats In Water 
 

Locked
Locked

Controls 
 

N/A
N/A

Controls Photo  

Harman/Kardon Onyx Studio 8 Controls Photo Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Controls Photo Sample

SAMPLE

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Controls Photo 2  

Harman/Kardon Onyx Studio 8 Controls Photo 2 Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Controls Photo 2 Sample

SAMPLE

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Ease Of Use 
 

Locked
Locked

Feedback 
 

Locked
Locked

Music Play/Pause 
 

Locked
Locked

Call Answer/End 
 

Locked
Locked

Volume Up/Down 
 

Locked
Locked

Track Next/Previous 
 

Locked
Locked

Microphone On/Off 
 

Locked
Locked

Additional Controls 
 

Locked
Locked

In The Box 
 

In The Box Photo  

Harman/Kardon Onyx Studio 8 In The Box Photo Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 In The Box Photo Sample

SAMPLE

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Sound

Frequency Response Accuracy 
 

N/A
N/A

Frequency Response Graph  

Harman/Kardon Onyx Studio 8 Frequency Response Graph Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Frequency Response Graph Sample

SAMPLE

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Slope 
 

Lock
Lock

Std. Err. 
 

Lock dB
Lock dB

Low-Frequency Extension 
 

Lock Hz
Lock Hz

High-Frequency Extension 
 

Lock kHz
Lock kHz

Raw Frequency Response 
 

Raw Frequency Response Graph  

Harman/Kardon Onyx Studio 8 Raw Frequency Response Graph Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Raw Frequency Response Graph Sample

SAMPLE

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Binaural Recording @ 1m 
 

Binaural Recording @ 2m 
 

Directivity 
 

N/A
N/A

Directivity  

Harman/Kardon Onyx Studio 8 Directivity Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Directivity Sample

SAMPLE

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for pictures & test results

Directivity Graph  

Harman/Kardon Onyx Studio 8 Directivity Graph Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Directivity Graph Sample

SAMPLE

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Directivity Index 
 

Lock dB
Lock dB

Stereo 
 

Locked
Locked

Loudness 
 

N/A
N/A

Dynamic Range Compression  

Harman/Kardon Onyx Studio 8 Dynamic Range Compression Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 Dynamic Range Compression Sample

SAMPLE

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for pictures & test results

SPL @ Max Volume 
 

Lock dB SPL
Lock dB SPL

DRC @ Max Volume 
 

Lock dB
Lock dB
Active Features

Battery 
 

N/A
N/A

Battery Life 
 

Lock hrs
Lock hrs

Charge Time 
 

Lock hrs
Lock hrs

Power Saving 
 

Locked
Locked

Charging Port 
 

Locked
Locked

Battery Powered 
 

Locked
Locked

Voice Assistant 
 

N/A
N/A

Alexa 
 

Locked
Locked

Google Assistant 
 

Locked
Locked

Speakerphone 
 

Locked
Locked

Siri 
 

Locked
Locked

Voice Assistant 
 

Locked
Locked

Voice Activation 
 

Locked
Locked

Microphone Mute 
 

Locked
Locked

Far-Field Performance 
 

Locked
Locked

Ambient Noise Performance 
 

Locked
Locked

App 
 

N/A
N/A

App Picture  

Harman/Kardon Onyx Studio 8 App Picture Sample

SAMPLE

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Harman/Kardon Onyx Studio 9 App Picture Sample

SAMPLE

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App Name 
 

Locked
Locked

iOS 
 

Locked
Locked

Android 
 

Locked
Locked

EQ 
 

Locked
Locked

Stereo Pair Mode 
 

Locked
Locked

Party Mode 
 

Locked
Locked

Multi-Room 
 

Locked
Locked
Connectivity

Wired 
 

Aux Input 
 

Locked
Locked

USB Audio 
 

Locked
Locked

Other Ports 
 

Locked
Locked

Bluetooth 
 

N/A
N/A

Bluetooth 
 

Locked
Locked

Bluetooth Version 
 

Locked
Locked

Bluetooth iOS Latency 
 

Lock ms
Lock ms

Bluetooth Android Latency 
 

Lock ms
Lock ms

Bluetooth Range 
 

Lock ft (Lock m)
Lock ft (Lock m)

Multi-Device Pairing 
 

Locked
Locked

Wi-Fi 
 

N/A
N/A

Wi-Fi Version 
 

Locked
Locked

Wi-Fi Frequency Band 
 

Locked
Locked

Wi-Fi 
 

Locked
Locked

Apple AirPlay 
 

Locked
Locked

AirPlay Latency 
 

N/A
N/A

Google Chromecast 
 

Locked
Locked

Chromecast Latency 
 

N/A
N/A

Check Price

Black
Onyx Studio 8
SEE PRICE
Amazon
Black
Onyx Studio 9
SEE PRICE
Amazon
Blue
Onyx Studio 8
SEE PRICE
Amazon
Grey
Onyx Studio 9
Amazon
Champagne
Onyx Studio 8
SEE PRICE
Amazon
 

Harman/Kardon Onyx Studio 8

Harman/Kardon Onyx Studio 9

Comments

  1. Comparison

Harman/Kardon Onyx Studio 8 vs Harman/Kardon Onyx Studio 9: Main Discussion

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  1. 3
    2
    1

    Its said “Be careful what you wish for, it may come true” :) I was criticizing some of the calculations and tests before but with new test bench, things getting even more complicated :( Now there are several different results and calculations with test v0.8, v1.0 and v1.0.1 in site and very hard to compare different speakers with different test bench results. And unfortunately so many inconsistent test results in new test bench. I have few points to mention for future: 1)There are some problems in tests of the speakers which have “room correction feature” as its commented here about Onyx 8 and 9. Its worth to test all speakers (with this feature) again after you place them in test point and use them for awhile before starting the test. (As an example, I use HK GoPlay Play3 time to time and its previous Std Error figures were 2.15 and reduced to 3.26 with new test bench which seems not so reliable) 2)New Loudness tests and weight of Max SPL seems a bit over rated especially for daily use. Let’s take Tribit Stormbox Blast for instance. It has 101.3dB Max SPL and 4.11 DRC Max. HK GoPlay3 has 98.3 Max SPL and 2.98 DRC Max. Tribit has 8.4 Loudness rating while HK Go Play has 7.8. In daily life most of the people would prefer to listen music in 98.3dB with 2.98dB DRC, rather than 101.3db with 4.11dB DRC. For future, maybe better to test DRC@90dB (like in Soundbars) and increase its weight more than 10% in Loudness ratings. In real life usage, there is not a huge difference between 98.3dB and 101.3dB because most of the time people listen music between 80 to 95 decibels. That’s why in reality, the difference between 85db and 88dB is not the same as 99dB and 102dB.

    Thanks for the feedbacks Bashar. Normally all 1.0 speakers should have been brought up to 1.01, and the full batch of retest is completed, that is 96 speakers! Is there a specific model that you see still on 0.8 that is of interest to you?

    For automatic room correction, normally we play Pink Noise for at least 10 minutes before measuring the speakers. We will later in the year update the test bench so hopefully we can meet more of your expectations. That said 1.1 dB difference in error to a target will always be within tolerance of speaker measurements in a semi reflective room. We can make it better but it cannot be precise to 1 dB, I would not be honest to promise that.

    For the Loudness, It is also planned to update this test down the line. I think I andwered to an other comment, but the main difference you see is because we measure at 1m instead of 2.

    In all cases, we’ll take good notes and hopefully will adress your concerns.

    Best.

    Edited 9 days ago: typo
  2. 2
    1
    0

    Its said “Be careful what you wish for, it may come true” :) I was criticizing some of the calculations and tests before but with new test bench, things getting even more complicated :( Now there are several different results and calculations with test v0.8, v1.0 and v1.0.1 in site and very hard to compare different speakers with different test bench results. And unfortunately so many inconsistent test results in new test bench. I have few points to mention for future: 1)There are some problems in tests of the speakers which have “room correction feature” as its commented here about Onyx 8 and 9. Its worth to test all speakers (with this feature) again after you place them in test point and use them for awhile before starting the test. (As an example, I use HK GoPlay Play3 time to time and its previous Std Error figures were 2.15 and reduced to 3.26 with new test bench which seems not so reliable) 2)New Loudness tests and weight of Max SPL seems a bit over rated especially for daily use. Let’s take Tribit Stormbox Blast for instance. It has 101.3dB Max SPL and 4.11 DRC Max. HK GoPlay3 has 98.3 Max SPL and 2.98 DRC Max. Tribit has 8.4 Loudness rating while HK Go Play has 7.8. In daily life most of the people would prefer to listen music in 98.3dB with 2.98dB DRC, rather than 101.3db with 4.11dB DRC. For future, maybe better to test DRC@90dB (like in Soundbars) and increase its weight more than 10% in Loudness ratings. In real life usage, there is not a huge difference between 98.3dB and 101.3dB because most of the time people listen music between 80 to 95 decibels. That’s why in reality, the difference between 85db and 88dB is not the same as 99dB and 102dB.

  3. 2
    1
    0

    It’s difficult to believe that the bass extension was reduced from 46hz to 109hz. I don’t think I really ‘believe’ 46hz (it is the result of an intermittent peak), but I don’t think I believe 109hz either.

    I agree, with you that the new version don’t reproduce a whole octave lower. To be honest, there are no standardized calculation of what constitute low frequency extension. Our old measurements had quite severe room interractions in the bass that made it difficult to trust assessment of extension. In the new test bench we have been able to comppensate for most of these but in the case of speakers with room correction,which the Onyx 9 have we measure at 1m to see the behaviour, basically, not removing the room modes since the speaker should compensate for them. It is possible that your experience at home could differ.

    As for The LFE calculation, the shape of the response for this specific speaker may push the extension above what would be subjectively audible. For full transparency, we calculate the extension at the point in the roll off where the Bass response drop to lower than 70 dBSPL (or 6 dB below our reference Level). In some regards, it is fair to say that this speaker “tricked” our algorithm, since as you can see on the graph, it does fall below at 109 Hz, but then there’s a low frequency bump at 53 Hz, which altough technically in the rolling off part of the response still gives significant energy below our published Low Frequency extension.

    I would say that you are right to not trust a single number like that, the whole curve tells a different story. It is challanging to have a number all would agree with when the roll off in the response is not a smooth continuous slope.

    Hope that help and thanks for flagging this. Frequency response should not be consodered an exact universal metric. There are some quirks and it can be seen in looking at the individual responses (the grey traces), there is already large difference depending on the measurement microphone positions (we use a 15 microphones array).

  4. 2
    1
    0

    It’s difficult to believe that the bass extension was reduced from 46hz to 109hz. I don’t think I really ‘believe’ 46hz (it is the result of an intermittent peak), but I don’t think I believe 109hz either.