Nikon Z f Camera Review

The Nikon Z f is fairly portable for a full-frame camera, though it's still bigger than most crop sensor cameras. It's on the heavier side and can feel a bit imbalanced, but the weight gives it a solid feel.

The Nikon Z f feels well-built overall. It has a magnesium alloy frame and a weather-sealed exterior. The buttons and dials all feel sturdy and offer enough resistance to make adjustments without accidentally overshooting or turning anything. The shutter button is threaded, which is a nice touch if you prefer a mechanical cable release. The fully articulated screen mechanism also feels solid. That said, the battery compartment door feels a bit flimsy, and the inputs on the side of the camera are only covered by rubber flaps, though they are gasketed and seal the inputs pretty well. Overall, the materials look and feel nice, though some people may find the shiny finish of the top plate a little cheap-looking.

• Nikon Z f camera body (not pictured)
• Sensor cap
• Hot shoe cover
• Nikkor Z 40mm f/2 SE lens
• Lens cap
• Rear lens cover
• 1x Nikon EN-EL15C battery and cap
• USB-C to USB-C cable
• Shoulder strap
• User manual and documentation

The camera's ergonomics are just okay. A small bump on the side of the camera acts as a grip, but it isn't very substantial and mostly just gets in the way, particularly if you have larger hands. That said, you can also buy a compatible SmallRig grip at additional cost if you prefer a more substantial hand grip. The texture around the body is somewhat grippy, but overall, the camera doesn't feel particularly secure in the hand.

The dials, including a dedicated shutter speed and ISO dial in addition to a PSAM mode dial, give you a bit more hands-on control over settings. However, in practice, the setup isn't entirely intuitive, as the mode dial will dictate which of the dials are in play or not. In contrast, Fujifilm's dial system includes 'Auto' settings built into each dial. Here, on the other hand, you'll still have to dive into the menu to set ISO to auto, for example. That said, it's still a nice option to have these dedicated dials in addition to the front and back command dials for those who prefer a more tactile shooting experience.

Another nice touch is the aperture screen on the top plate that lets you quickly see your current aperture setting, as seen here. There's also a dedicated switch to toggle between video, photo, and the camera's dedicated black and white mode, which is a fun touch that makes it easy to quickly go from color to black and white photography. Overall, there are plenty of great ergonomic details here, but the overall experience is lacking.

The electronic viewfinder (EVF) has a 3.69 million dot resolution, which offers a nice crisp and detailed view. The viewfinder is similar in size and magnification to the one found on the Nikon Z 6II, though the rounded eyecup isn't the most comfortable to shoot with.

The Nikon Z f is the first full-frame Z-series Nikon to feature a fully articulated touchscreen. You can flip it around for videos and vlogs or tilt it for photos from different angles. It has a very high resolution, giving you a clear and detailed image when using the monitor, and it gets quite bright. You can use touch navigation to scroll the menu and adjust settings, select autofocus points, and actuate the shutter.

The user interface is fantastic. It's well-organized and easy to navigate, though some settings, like video assistants, can be hard to find. The menu also remembers where you left off, which is a nice touch that makes it easy to jump back in and adjust settings on the fly. It also has a quick menu, or 'i' menu, to access commonly used settings, and there are plenty of customization options. If you want more info about a menu item or setting, a help function explains what certain settings do.

You can use Nikon's SnapBridge app to operate some of the camera's functions through your phone, as well as transferring files directly to your phone. However, the settings included in the app are limited, and once connected, you can't change anything on the camera itself.

The Nikon Z f uses the same backside-illuminated 24.5-megapixel full-frame sensor found in the Nikon Z 6II but adds the latest EXPEED 7 processor found in the Nikon Z 8 and Nikon Z 9. It's advertised to offer significantly faster processing speeds than older generations and uses 'Deep Learning' technology, according to Nikon. With that comes more sophisticated subject detection in autofocus, the same '3D Tracking' mode found on the Z 9 and Z 8, and an expanded ISO range, with a 64,000 native max ISO and 204,800 extended ISO, along with more efficient image processing.

The Nikon Z f has great overall battery performance, although its CIPA-rated battery life isn't particularly impressive. At 360 shots through the EVF and 430 shots using the display, it's decent but still falls short of comparable full-frame mirrorless cameras. That said, CIPA ratings tend to be somewhat conservative, and your actual mileage will vary depending on how you use your camera and what settings you choose. Also, while the camera comes with a Nikon EN‑EL15c battery, it's also compatible with EN‑EL15a and EN‑EL15b battery types.

On the video side, the camera performs impressively well. The battery lasted for almost two hours of continuous video recording in 4k. If you need to extend its battery life even further, you can also use external power delivery via USB-C. However, the battery won't actively charge when the camera's turned on.

The Nikon Z f has a range of continuous shooting options. In its 'Continuous L' drive mode, you can choose from between 1 fps and 7 fps. There's also a 'Continuous H' and 'Continuous H (extended)' option, but the speeds you get using each will vary depending on your settings. According to Nikon, you'll get the following approximate speeds:

In addition, there's a 'High-Speed Frame Capture', or 'C30', mode that captures high-speed 30 fps bursts. However, this mode is restricted to JPEG format in 'Large' size image quality, with shutter speed options limited to between 1/60 to 1/8000. When using C30 mode, there's an option for 'Pre-Release Capture', which will buffer frames with a half-press of the shutter button and then save a selected number of those frames once you press the shutter all the way. This is useful if tracking unpredictable subjects, allowing you to pre-buffer shots in anticipation. You can adjust how many frames the camera saves, as well as how long the camera will continue to shoot after pressing the shutter, up to a maximum of four seconds.

Regardless of your shooting mode, the camera has a max buffer depth of 200 frames, after which it stops shooting. Having a definite cap can limit the number of frames you'll have to sift through after the fact when shooting at very fast speeds. The various options here ultimately make this a very versatile camera for action and burst photography.

The Nikon Z f has an excellent autofocus system. The Z f uses the same subject detection algorithms as the Nikon Z 9 and Nikon Z 8, advertised to use 'Deep Learning' AI. You can even use the camera's subject recognition to help with manual focus by punching in directly to your subject's face or eye, and then once you acquire focus, the focus box around the detected subject will turn green.

Like the Z 9, it implements what Nikon calls '3D Tracking', which carries over from its DSLR cameras and replaces the subject tracking system on the Nikon Z 6II. 3D Tracking works by tracking a selected subject behind the focus point with a half-press of the shutter button. This mode is great if you have a more precise subject you want to track. Otherwise, you can set the area mode to 'Auto-area AF', which will automatically detect any subjects within the entire frame. You can then switch between detected subjects with the D-pad.

The camera's continuous AF tracking ability is great. It stays with subjects quite well using the 'Auto-area AF' mode, although it can sometimes get tripped up in busier settings with multiple subjects in the frame.

If you prefer to use a single focus point, the AF is very reliable overall. So long as you keep your subject under the focus point, you'll have little trouble keeping them in focus. That said, it can sometimes overshoot or undershoot with a moving subject and not perfectly nail the focus. We tested AF using the Nikkor Z 24-70mm f/4 S lens.

The Nikon Z f has in-body image stabilization; Nikon advertises it to have up to eight stops of stabilization compensation, which is the brand's most effective IBIS system. Overall, it does an amazing job, allowing you to capture steady shots at very slow shutter speeds. We tested stabilization using the Nikkor Z 24-70mm f/4 S, which doesn't have optical stabilization. Note that stabilization performance can vary depending not only on the lens but also factors like focal length and how steady your hands are.

The camera also has a feature called 'Focus Point Stabilization', which uses the IBIS system to stabilize the frame based on the focus point, whether it's in the center of the frame or not. This lets you ensure your subject is clear, no matter where they are in the shot.

The camera's RAW dynamic range is fantastic. It retains a very wide range of shadow and highlight detail, so you don't lose detail in high-contrast scenes or in trickier lighting.

The camera's high-resolution sensor captures an impressive level of detail and sharpness. Though it can't resolve fine detail as well as higher-resolution sensors, that's most noticeable when punching in or cropping heavily.

The Nikon Z f has great RAW noise performance. It's on par with comparable full-frame cameras like the Nikon Z 6II or the Canon EOS R6 Mark II, and overall, noise is minimal in low light.

Besides our usual sample gallery images, we played around with the camera's B&W mode. You can see some sample photos below:

• B&W Sample 1
• B&W Sample 2
• B&W Sample 3

Though it isn't primarily pitched as a video-centric camera, the Nikon Z f has some impressive video specs and features under the hood. It supports 10-bit 4:2:2 video output via HDMI, as well as Log recording in N-Log to capture footage with a wider dynamic and tonal range. 4k video capture up to 30 fps is oversampled from 6k, though 4k 60p isn't. Unlike older Z series cameras, the Z f also has waveform functionality, as seen here, allowing you to better monitor exposure levels in video. You can also use the camera as a webcam, but unfortunately, you'll need to download Nikon's Webcam Utility app to use webcam functionality.

4k videos are only recorded using the H.265/HEVC codec; H.264 is only available in MP4 FHD recording at up to 60 fps. While the camera doesn't support All-Intra recording, it does support Long GOP inter-frame compression.

The Nikon Z f can shoot 4k video at up to 60 fps, though there's a significant APS-C crop when shooting at 60 fps. Still, this is great for those who want to capture clear motion and action footage or create slow-motion clips. However, the camera can't capture 4k slow-motion in-camera, as its slow-motion mode, added with firmware version 1.1, is only available in FHD.

The camera's internal recording capability is excellent. Unlike the Nikon Z 6 or Nikon Z 6II, the Nikon Z f can capture Log footage internally, which is great and accounts for the higher max bit rates possible with this model. In regular recording, the max bit rate in 4k is 295 Mbps, which is still well above what older models are capable of. In addition, it can also record 10-bit footage internally, but it's limited to 4:2:0 chroma sampling, so you won't be able to push your colors quite as much as competitors that can do 4:2:2, but the 10-bit is still better than 8-bit. While video recording isn't unlimited, it has a longer 125-minute recording time limit, which is still plenty of time for longer takes or livestreaming, for example. There's an 'Auto Temperature Cutout' setting for heat management, which you can set to either 'Standard' or 'High' if you need to prolong recording times. With the 'Standard' setting enabled, the camera overheated once after about 75 minutes of continuous video recording.

The Nikon Z f has an amazing autofocus system for video. The camera can detect between humans, cats, dogs, birds, bicycles, motorbikes, cars, aircraft, and trains. Instead of '3D Tracking', however, video mode has a 'Subject-Tracking AF' setting; it works similarly in that it'll track any subject behind the focus point with a half-press of the shutter, but you can also start and stop tracking by pressing the 'Ok' button. While it's an impressive AF system overall, it isn't as seamless or precise as it could be, especially compared to Sony's latest AF system, as seen on the Sony ZV-E1 or Sony α7C II. That said, it still works very well for most uses.

The Nikon Z f captures excellent 4k video quality. It's fantastic in more controlled lighting conditions, with sharply rendered details and pleasing colors. Even in low light, the quality is excellent, with minimal noise. It's worth noting, however, that 4k video up to 30 fps is oversampled from 6k, but 4k 60 fps capture isn't. You can compare the test scene extract above (taken at 30 fps) with the camera's video quality in 4k 60p here, 4k 60p with digital stabilization here, and 4k 30p with digital stabilization here.

Note: The test scene extract that we pulled from our test video appears flatter than it appears when playing the footage in VLC or other media players. You can see how the contrast and colors look when played in VLC in this screenshot, although this isn't representative of the actual resolution and quality of the video.

The lighting in the area where we record low light video quality has changed, so the 'Low Light Capability' sample video isn't as directly comparable with older cameras we've tested.

Unfortunately, the camera's sensor readout is quite slow, so there's heavy rolling shutter distortion in 4k. It's most noticeable when panning the camera quickly, but even with slower camera movements, you'll likely see some distracting skewing with vertical lines.

The Nikon Z f can record 1080p video at up to 120 fps, which is great for capturing high-speed action or creating slow-motion footage.

With firmware version 1.1, Nikon also added a dedicated slow-motion recording option in FHD. The camera can only record slow-motion video in MP4 H.264, recorded at 120 fps, with the option to play videos back at 30 fps (4x slow-motion), 25 fps (4.8x slow-motion), or 24 fps (5x slow-motion). There's a three-minute time limit for slow-mo video recording. You can see what the video quality in this mode looks like here.

In 1080p, the camera's internal recording specs are still superb. As with 4k, it can record 10-bit 4:2:0 video internally, and bit rates are relatively high. There is a time limit on recording, but at 125 minutes, it's plenty of time for longer recording sessions.

The AF is still excellent in 1080p. Though it isn't flawless and can sometimes trail a bit, it tracks moving subjects very well overall.

The camera's 1080p video quality is great overall. It looks particularly good in well-lit conditions, but it's still quite good even in low light. Shooting at 120 fps noticeable degrades the video quality, as you can see in this FHD 120 fps video extract here.

Note: The test scene extract that we pulled from our test video appears flatter than it appears when playing the footage in VLC or other media players. You can see how the contrast and colors look when played in VLC in this screenshot, although this isn't representative of the actual resolution and quality of the video.

The lighting in the area where we record low light video quality has changed, so the 'Low Light Capability' sample video isn't as directly comparable with older cameras we've tested.

Thankfully, there's less rolling shutter effect in FHD. There are still some skewed verticals with very quick camera pans, but it isn't nearly as bad as in 4k.

The Nikon Z f has one UHS-II SD card slot and, unusually, a secondary microSD card slot, rated for UHS-I cards. While dual SD card slots would have been great, given the camera's smaller size, the microSD slot is better than nothing for those who prefer to keep a backup or separate RAW and JPEG files. The slots are somewhat inconveniently placed within the battery compartment, making switching out cards when using a tripod a bit tougher.

The camera uses a USB-C port for charging and file transfer. The camera also has a Micro HDMI port, headphone jack, and mic input.