Nikon Z 30  Camera Review

The Nikon Z 30 is quite portable. It's similar in size to the Nikon Z 50 but without the viewfinder, making it more compact and lightweight. It isn't as portable as the comparable Sony ZV-E10, but the upshot of that is that it has a larger, more comfortable handgrip. It's on the big side for a walk-and-talk vlogging camera, but it won't be too cumbersome on a selfie stick or tripod grip.

The camera feels solidly built despite its mostly plastic construction. It's very similar in build quality to the Nikon Z 50 and, likewise, features a locking hinged door for its battery and SD card compartment, though other inputs are covered with a simple rubber flap. The buttons and dials offer good physical feedback. Unlike the Z 50, the shoulder strap attachment points are also fixed to the body, which is a nice touch to prevent them from jangling around and making noise while you record.

Note: Nikon doesn't advertise this camera to be weather-sealed, as it does with the Nikon Z 50. There may be some light degree of weather-sealing, as other reviewers have mentioned, but based on the lack of gaskets on the input flaps and battery compartment door, that doesn't appear to be the case.

• Nikon Z30 camera body
• Sensor cap
• Shoulder strap
• 1x Nikon EN-EL25 battery
• USB-A to USB-C cable
• User manual and documentation

The Nikon Z30 has great overall ergonomics. The handgrip is relatively large and comfortable, especially compared to the smaller grip of the Sony ZV-E10. It's also easy to adjust settings; there are two command dials, which is great for manual shooters who prefer to have a bit more hands-on control. However, it's still an entry-level camera with fewer physical controls, so adjusting things like ISO or exposure compensation will require pressing multiple buttons at once or accessing the menu.

For vlogging, the ergonomics aren't ideal if you don't have a tripod or grip. The handgrip isn't designed to be held from the front, unlike the Sony ZV-E10, which has a flatter grip that makes it easier to hold in a selfie position. Still, a nice touch for vloggers is its large video recording button. However, you can't start recording unless you switch to video mode. In photo mode, you can customize the video record button for different functions. That said, if you use a tripod or grip, the button can also be hard to reach, and there's no option to stop/start recording through the touchscreen, as you can with the Canon EOS M50 Mark II, for example. That's where a remote like the one in the Creator's Accessory Kit can come in handy. Otherwise, you can use the Nikon SnapBridge app to start recording remotely.

Unlike the Nikon Z 50 or competing budget models like the Canon EOS R50, this camera doesn't have a viewfinder.

The screen is fully articulated, and the hinge mechanism feels sturdy. It's quite large and has full touch capability. You can use it to navigate menus, select focus points, or as a touch shutter, but, as mentioned earlier, there's no way to start recording video from the touchscreen, which is unfortunate. Thankfully, the screen gets very bright, so glare isn't an issue even in brighter conditions.

Like the Nikon Z fc, the Nikon Z 30 switches into 'Self-Portrait' mode whenever you flip the screen around to face you. This mode automatically sets a three-second timer for photos and videos, showing fewer on-screen options. In this mode, you can also change the shutter speed, aperture, and ISO via the touchscreen. However, it prevents you from accessing the menu, quick menu, or playback function.

The menu system is fantastic. It's intuitively laid out and easy to navigate using the physical directional pad or touchscreen. While the number of settings can be overwhelming, there's also a customizable 'i' quick menu through which you can access commonly used settings. See the different menus and the quick menu in action here.

The optional Nikon SnapBridge app, on the other hand, isn't the greatest, particularly when trying to use it to control the camera remotely. The settings included in the app are limited, and once connected, you can't change anything on the camera itself. If you're using the app for live view, there's also significant lag while recording, as demonstrated here. That said, it's useful for quick file transfers and makes uploading videos from your phone easy.

The Nikon Z 30 uses the same APS-C sensor and EXPEED 6 processor as the Nikon Z 50 and Nikon Z fc.

The Nikon Z 30 has okay battery life. It's CIPA-rated for 330 photos on a full charge, though take these numbers with a grain of salt, as they'll vary depending on how you use your camera. Still, based on the CIPA rating, it's a little more efficient than the Nikon Z 50 and the Nikon Z fc, but it's worse than the Sony ZV-E10. Ultimately, that means you can get a fair amount of shots out of it in a day, but if you tend to shoot more frequently or do a lot of burst shooting, for example, don't expect it to last too long.

When it comes to video, battery life is underwhelming. It lasted under an hour and a half in our video battery life test in 4k at 30 fps, notably shorter than the Z 50 or the Sony ZV-E10. It also overheats quickly when shooting in 4k, which isn't great. On the upside, it has a USB-C port and supports use with an external power supply, so you can extend the battery life with a power bank or dummy battery if needed.

With a max burst rate of 11 fps in its 'Continuous High (Extended)' mode, the Nikon Z30 is well-equipped to capture quick moments of fast action. In 'Continuous High' mode, the burst rate drops to 5 fps, and in 'Continuous Low', you can choose between frame rates of 1 to 4 fps.

At the max burst rate, using a high-performance SD card, you can fire off over 30 RAW frames before the buffer fills and the camera slows down. That isn't especially large but isn't bad for a beginner camera. If you shoot in JPEG, you'll have a larger capacity. If you fill the buffer, you'll have to wait about 10 seconds for it to empty. That's better than a camera like the Sony ZV-E10, but it could still slow you down at a critical moment.

The Nikon Z 30 uses a hybrid autofocus system with 209 phase- and contrast-detection AF points, just like the Nikon Z 50 and Nikon Z fc. It supports face and eye detection, as well as animal detection.

There are several different AF area modes, but the subject tracking is only available when using the Wide-Area or Auto-Area AF. The tracking feature works quite well. Though it can sometimes be slow to keep up with faster-moving subjects, you can still get a decently high keeper rate when shooting continuously. Overall, it's not far off from how the Sony ZV-E10 performs, but Sony's real-time AF tracking is more seamlessly integrated.

When using a single center focus point, the camera is super reliable. It has no trouble staying with a moving subject under the focus point, especially when using a lens with a quick focusing motor.

There's no in-body image stabilization, which is unfortunate for a vlogging camera but isn't surprising given the camera's price point. For steadier handheld shots, you'll have to rely on lenses with Nikon's optical VR (vibration reduction). The DX 16-50mm f/3.5-6.5 does include VR, and it works very well, allowing you to capture steady images at very slow shutter speeds. That said, stabilization performance can vary depending not just on your lens but also on factors like focal length and how steady your hands are.

The camera's dynamic range is excellent. It's on par with the other Z-series APS-C cameras and retains a lot of detail in high-contrast scenes. It's notably better than the Sony ZV-E10 in this respect, especially when shooting at base ISO.

Like the Nikon Z 50, the Nikon Z 30 has a 20.9-megapixel sensor. It's a lower resolution than some of its peers, like the Sony ZV-E10 or the Fujifilm X-S10, so it can't capture as much fine detail. However, that's still more than enough resolution for most uses, and you likely won't notice a huge difference in sharpness unless you pixel-peep or crop in heavily.

The camera has good RAW noise handling. It's similar to other crop sensor cameras, though it performs marginally better in low light than peers like the Sony ZV-E10.

While the camera doesn't have IBIS, the optical VR (vibration reduction) on the 16-50mm kit lens reduces camera shake while vlogging. Compare vlogging footage taken without VR settings here versus footage with optical VR enabled here. As you can see, there's a noticeable reduction in camera shake, but if you want smoother footage, you'll have to use a gimbal or stabilizer. The camera also has an electronic VR setting, which incurs a very slight crop. The optical VR will suffice for most situations, as the E-VR doesn't make too much of a noticeable difference compared to optical VR alone.

Unfortunately, the camera doesn't have any Log profiles, but it does have a 'Flat' profile. It won't give you as much dynamic and tonal range as a true Log profile, but it's a good starting point for those who want to color-grade and have a bit more control over the final look of their footage.

Unlike the Nikon Z 50, there's a tally light on the front of the camera, too, which is nice to have so you can see when it's recording from in front of the camera.

Additional features include webcam/streaming capability via USB-C, though you need to download the Nikon Webcam Utility app to take advantage of that.

The Nikon Z30 has a stereo microphone, with left and right mics built into the camera's top plate. If you want to stick with the internal mic rather than use an external microphone, some useful settings help you fine-tune the audio. These include sensitivity adjustment, an audio 'Attenuator' setting to reduce ambient noise in loud environments, and a 'Frequency Response' setting that lets you choose between 'Wide Range' or 'Vocal Range' to optimize for recording voices. Nikon also sells a wind muff accessory for the mic, which you can buy separately to reduce wind noise while shooting outdoors.

The Nikon Z30 can record 4k video at up to 30 fps without a crop. That's a bit of a leg up on the Sony ZV-E10, which adds a noticeable crop when recording at 30 fps. For an entry-level camera, a max of 30 fps is fairly standard, so if you want to shoot at 60 fps or higher for smoother action footage or slow-motion, you'll have to record in 1080p.

The Nikon Z30 has good internal recording capability, but it's prone to overheating when recording in 4k. That can be an issue if you record longer takes. While the camera doesn't impose a recording time limit, your effective recording time will still be limited by battery life and overheating. On the upside, the camera warns you when it's about to overheat. The tally light starts to blink, and the screen gives you a warning with a countdown until it shuts down, both of which are nice touches.

The autofocus is great for moving subjects in video. It supports face and eye tracking, though it's only available when using the 'Wide-area AF' or 'Auto-area AF' modes. Overall, the camera does an impressive job of detecting and keeping human subjects in focus and can even detect eyes through sunglasses. It generally works very well for vlogging purposes. The biggest drawback is that it can be somewhat slow to adjust focus if your subject moves.

The video quality is decent overall in 4k. It's great in more controlled lighting conditions, with punchy colors straight out of the camera and plenty of detail. However, it struggles in low light, with some loss of detail and visible noise.

Rolling shutter effect isn't too bad on the Nikon Z30. It's significantly less wobbly and distracting than the Sony ZV-E10, but you'll still get some skewing of vertical lines with quicker camera pans.

The camera can record standard Full HD video at up to 60 fps. It also has a few slow-motion recording options, capturing 1080p video at 120 fps and recording it at a slowed-down frame rate. Options include a 30 fps (x4 slow-motion) and 24 fps (x5 slow-motion) playback speed. There's no sound recorded when using these settings, but it's a useful option for adding super slow-motion flourishes to your videos.

The camera's internal recording capability is great overall in 1080p. As with 4k, there's no recording time limit. You're also less likely to experience overheating issues in FHD.

The autofocus works very well in Full HD. It can track moving human subjects easily, though it can still lose faster or more erratic subjects. It can be slow to adjust focus after a subject has moved, but it works well if you prefer to rely on autofocus in video.

The video quality is good in brighter lighting, but it's just okay in low light. There's some noise and loss of detail, but it isn't bad overall.

There's even less rolling shutter effect in FHD, which is great. There's very little distortion or skewed lines, except when panning the camera very quickly. That means that wobbling won't really be noticeable in the background of vlogs, for example, but you might still see a bit of skewing if you're tracking a car or other fast subject.

The camera has okay dynamic range in video, but its lack of Log support holds it back. As a result, you'll have very little headroom to make exposure adjustments and won't get the most dynamic range out of the camera's sensor.

Tested settings:

• Resolution: 4k
• Frame Rate: 30 fps
• Log Format: N/A

Most of the camera's dynamic range is allocated below middle gray, but since the camera doesn't record in Log format, the flexibility in both the highlights and shadows is very limited across the entire ISO range.

Tested settings:

• Resolution: 4k
• Frame Rate: 30 fps
• Log Format: N/A

There's just a single UHS-I SD card slot, which is fine for an entry-level camera. The slot is inside the battery compartment, making switching out cards when using a tripod a little harder.

Unlike the Sony ZV-E10, there's no headphone jack here, which makes it harder to monitor your audio in-camera. Still, there's a microphone input if you want to use an external mic. The camera also has a USB-C port for charging and file transfer, a slight upgrade over the Micro USB port on the Nikon Z 50. Finally, there's a Micro HDMI port to connect an external display.