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Reviewed on Jun 08, 2018 , Marc Henney, Yannick Khong

Cowin E8
HEADPHONES REVIEW

Usage Ratings - Version 1.2

Test Benches:

  • 1.2: Winter 2018
  • 1.1: Summer 2017
  • 1.0: Winter 2017
  • 0.9: Winter 2016
6.8
Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
6.9
Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
7.1
Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
6.5
Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
7.1
Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
5.9
TV
Score components:
5.5
Gaming
Score components:
Type : Over-ear
Enclosure : Closed-Back
Wireless : Yes
Noise-Cancelling : Yes
Mic : Yes
Transducer : Dynamic

The Cowin E8 are decent mixed-usage headphones with good noise cancellation. They're better-built than the other Cowin headphones we've tested, and their isolation performance is suitable for commuting in noisy environments. Unfortunately, they have a fairly bulky and cumbersome design that won't be for everyone, and they may sound a bit too muddy and boomy for more critical listeners. They also leak a lot at high volumes.

Pros
  • Good noise isolation.
  • Comfortable.
  • Good build quality.
Cons
  • High leakage.
  • Bulky, cumbersome design.
  • Slightly muddy audio reproduction.

Test Results
Design 7.0
Sound 6.9
Isolation 7.0
Microphone 6.3
Active Features 6.2
Connectivity 5.9

Check Price

7.0

Design

Score components:
Cowin E8 Design Picture

The Cowin E8 are decently well-designed headphones with a good build quality, comfortable pads and easy to use controls. They're a little bulky and cumbersome and protrude quite a bit once on your head, but their design feels a lot more durable and more premium than the Cowin E-7 and Cowin E-7 Pro. They're also a little tight for some listeners, but the amply padded earcups help reduce some of that clamping sensation. Unfortunately, the ear cups are not very breathable which will make your ears warmer than most closed-back designs after an hour's worth of listening. They also look a little cheap in some parts especially compared to headphones within their price range like the Plantronics BackBeat Pro 2.

Style
Cowin E8 Design Picture 2

The Cowin E8 look a lot more high-end than the Cowin E7 and the E7 Pro. They have larger ear cups than the previous models, and a sturdier headband, that makes use of gold or silver accents (depending on the color variant you choose) to make their design feel more premium. The ear cups are well padded, and the hinge design looks good and somewhat reminiscent of the Parrot Zik 3.0. Unfortunately, the ear cups and the buttons still look a bit cheap when compared to other headphones in their price range.

7.5 Comfort
What it is: Adjustability and degrees of freedom, pressure, stiffness and weight.
When it matters: When the headphones are going to be used for long durations.
Score components: Subjectively assigned
Cowin E8 Comfort Picture
Weight : 0.8 lbs
Clamping Force
What it is: The force that the headphones exert on your head, once you have them on. This is purely a measurement of the force applied, which does not take into account the earpad's surface area and the resulting pressure you will feel, on or around your ears.
When it matters: The tighter the headphones, the more force they put on your head. This can get uncomfortable or cause pain and soreness during long listening sessions.
:
1.2 lbs

The Cowin E8 are comfortable, well-padded headphones. They are a bit heavy and slightly tight on the head. The ear cups also have a narrow opening that may not fit as well around all ears despite being fairly large ear cups when compared to other closed back design. On the upside, if they fit well around your ears, the amply padded cups are comfortable enough to wear for hours. You will most likely feel the lack of breathability before the fatigue caused by the tight fit. The headband is also decently well padded, but the pads are not as soft or as comfortable as the ear cups.

7.0 Controls
What it is: The control scheme of the headphones, the number of functions provided, button layout and ergonomics as well as the quality of tactile feedback.
When it matters: If you want to control volume, pause your music or make phone calls without directly interacting with your audio device.
Cowin E8 Controls Picture
Ease of use : Above-average
Feedback : Good
Call/Music Control : Yes
Volume Control : Yes
Microphone Control : No
Channel Mixing
What it is: Being able to mix audio channels directly on the headphones.
When it matters: This is most useful when using a separate chat software so that you can mix in-game audio and chat audio depending on your needs.
:
No
Noise Canceling Control : N/A
Talk-Through : N/A
Additional Buttons : N/A

The Cowin E8 have a fairly efficient control scheme with good feedback. They provide all the essential functions for wireless noise-canceling headphones; call/music, track-skipping, volume controls and a dedicated button to turn the noise cancellation on and off. The power button also initiates the pairing procedure if you press and hold when turning the headphones on. The buttons are a little small and cramped on the right ear cup which isn't always as easy to use but overall it's a good control scheme that's pretty intuitive once you get familiar with the layout of the buttons.

6.1 Breathability
What it is: How hot the headphones get when you wear them for an extended period of time.
When it matters: If you often have long listening sessions or use your headphones while doing physical activities like running or working out.
Score components:
Cowin E8 Breathability After Picture
Avg.Temp.Difference : 6.8 C

These headphones get fairly hot during longer listening sessions which may get a bit bothersome and may force you to take breaks during your listening session. The ear cups are larger than most but not as deep as you would expect. That, combined with the relatively narrow opening of the pads means that if they seal your ears correctly, they will obstruct a lot of airflow and make your ears warmer than typical closed-back designs. They will not be suitable for high-intensity activities like running and sports.

5.9 Portability
What it is: The volume of space occupied by the headphones when folded into their most compact format.
When it matters: If you're often on the move and need to carry your headphones in a bag, purse , or pocket.
Score components:
Cowin E8 Portability Picture
L : 8.2 "
W : 7 "
H : 2 "
Volume : 115 Cu. Inches
Stand required : N/A

The Cowin E8 have bulkier and thicker ear cups than most closed-back wireless over-ears. The ear cups lay flat but it doesn't save that much space, and they do not fold into a more compact format. This makes them bulky, cumbersome headphones that will be a hassle to carry around on your person if you do not have a bag.

7.5 Case
What it is: The provided carrying options to protect your headphones when transporting them.
When it matters: To prevent damaging your headphones, if you often carry them in your bag or pocket.
Score components: Subjectively assigned
Cowin E8 Case Picture
Type : Hard case
L : 9 "
W : 9 "
H : 3 "
Volume : 243 Cu. Inches

The Cowin E8 come with a good but bulky hard case. On the upside, it will shield your headphones from scratches, drops, and impacts. It also has enough room to carry all the accessories that come with the headphones.

7.5 Build Quality
What it is: Durability, material quality, cheap/expensive feel.
When it matters: When the headphones are going to be used by multiple users (classes/studios), by children, in tough conditions, on a daily basis, or for exercise.
Score components: Subjectively assigned
Cowin E8 Build Quality Picture

The Cowin E8 are better built than the Cowin E7 and the E7 Pro. They have larger and thicker ear cups that look and feel more premium than that of the other Cowin models. The headband is also a bit sturdier with a metal frame that makes them decently flexible yet durable enough to handle the wear and tear of using them on a daily basis. The hinges, however, are durable as some of the other wireless headphones we've tested in the E8's price range. They connect to only one side if the ear cups which would have been fine if they were made out of metal like the parrot Zik 3.0 but since they are plastic they will most likely be the most susceptible part of Cowin's design. Unfortunately, the buttons also look and feel a little cheap.

6.0 Stability
What it is: How the headphones are designed to prevent them from slipping off your ears or falling off your head.
When it matters: If you plan on using the headphones while doing sports or other physical activities that requires a lot of movement.
Score components: Subjectively assigned
Cowin E8 Stability Picture

The Cowin E8 are moderately stable headphones thanks to their tight fit. They will stay put during more casual listening sessions, but the large protruding ear cups will sway a lot and may slip off your ears during more demanding activities. They will not be the best headphones to run with or for sports but should be fine for most day to day use cases.

Cable
Cowin E8 Cable Picture
Detachable : Yes
Length : 3.7 ft
Connection : 1/8" TRS

The Cowin E8 come with two cables; a 1/8" TRS audio cable and USB charging cable.

Top
Headshots 1
Headshots 2
6.9

Sound

What it is: How accurately the audio is reproduced. The tests are performed with the headphones' most commonly used features enabled (noise-cancelling, wireless, etc.)
Cowin E8 Frequency Response

The Cowin E-8 is an average sounding pair of closed-back over-ear headphones. These headphones have a powerful, and consistent bass, an even and well-balanced mid-range, and great imaging, making them a decent choice for fans of bass and bass-heavy music. However, their bass is a bit hyped and muddy, their mid-range is slightly overpowering and cluttered, and their treble is rather uneven. It lacks detail and brightness but could also sound too sharp on uncertain frequencies, making them a sub-optimal choice for vocal-centric music.

The Cowin E8 have a sound profile similar to the original E-7, but better balanced. However, it sounds noticeably different from the E7 Pro, by having a more pronounced lower mid-range and a less-pronounced lower-treble, making it a bit heavier in bass and darker sounding in comparison.

7.4 Bass
What it is: Frequency Response from 20Hz-250Hz
When it matters: When the material is heavy on bass frequencies, such as those of kick drums and bass guitar.
Score components:
Cowin E8 Bass
Std. Err.
What it is: The amount of deviation (weighted standard error) in bass frequency response (20Hz-250Hz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) bass performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
3.83 dB
Low-Frequency Extension
What it is: The lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: Shows how extended the bass is.
Good value: <40Hz
Noticeable difference: 5Hz
:
12.6 Hz
Low-Bass
What it is: The average amount of over/under-emphasis in frequency response from 20Hz-60Hz.
When it matters: Kick drums and low frequency effects get their 'thump' from this range. Mostly felt than heard.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.0 dB
Mid-Bass
What it is: The average amount of over/under-emphasis in frequency response from 60Hz-120Hz.
When it matters: Melodic bass instruments have most of their fundamental frequencies in this range. This is where the 'body' and 'punch' of the bass sits.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
3.99 dB
High-Bass
What it is: The average amount of over/under-emphasis in frequency response from 120Hz-250Hz.
When it matters: Most instruments get their warmth and full-ness from this range. When over-emphasized, mixes tend to get muddy and boomy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
5.66 dB

The Cowin E8 have an above-average bass. LFE (low-frequency extension) is at 13Hz, which is great. Low-bass, responsible for the thump and rumble common to bass-heavy music is under target but just 1dB. However, mid-bass, responsible for punch and body, and high-bass, responsible for warmth, are overemphasized by more than 4dB. This makes the overall bass of the Cowin a bit too heavy and muddy.

7.6 Mid
What it is: Frequency Response from 250Hz-2KHz
When it matters: When the material is heavy on mid-range frequencies. This is the case for the majority of audio content.
Score components:
Cowin E8 Mid
Std. Err.
What it is: The amount of deviation (weighted standard error) in mid frequency response (250Hz-2.5KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) mid performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
3.23 dB
Low-Mid
What it is: The average amount of over/under-emphasis in frequency response from 250Hz-500Hz.
When it matters: Most instruments have their fundamentals or low harmonics in this range. Over-emphasis in this range sounds muddy and cluttered. Under-emphasis, thins out the vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
3.29 dB
Mid-Mid
What it is: The average amount of over/under-emphasis in frequency response from 500Hz-1KHz.
When it matters: This range is occupied mostly by upper harmonics. Over-emphasis sounds forward and boxy. Under-emphasis pushes instruments to the back of the mix.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
2.28 dB
High-Mid
What it is: The average amount of over/under-emphasis in frequency response from 1KHz-2KHz.
When it matters: Most instruments, especially vocals, get their intensity and clarity from this range. Over-emphasis sounds honky and harsh, under-emphasis sounds weak and distant.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.16 dB

The mid-range is good. Low-mid is even and flat but overemphasized by more than 3dB. This thickens vocals a little bit and adds some clutter to the mix. Mid-mid is also over our neutral target by 2dB, which along with the hyped low-bass, makes the sound of the Cowin a bit mid-rangy.

6.9 Treble
What it is: Frequency Response from 2KHz-20KHz
When it matters: When the material is heavy on high-range frequencies, such as voice, cymbals, and any other material where brightness, brilliance and airiness is desired.
Score components:
Cowin E8 Treble
Std. Err.
What it is: The amount of deviation (weighted standard error) in treble frequency response (2.5KHz-20KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) treble performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
4.4 dB
Low-Treble
What it is: The average amount of over/under-emphasis in frequency response from 2KHz-5KHz.
When it matters: Almost all instruments rely on this range for their presence, detail, and articulation. Over-emphasis can sound harsh and painful. Under-emphasis hurts the comprehensibility of vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-5.0 dB
Mid-Treble
What it is: The average amount of over/under emphasis in frequency response from 5KHz-10KHz.
When it matters: This is the sibilance range. Cymbals, vocals, and lead instruments rely on this range for brightness and presence. Over-emphasis sounds piercing and painful, under-emphasis sounds dull and lispy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.32 dB
High-Treble
What it is: The average amount of over/under-emphasis in frequency response from 10KHz-20KHz.
When it matters: This range gives brilliance and airiness to the sound. Over-emphasis sounds hissy, under-emphasis sounds closed-up and lifeless.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-6.33 dB

The Cowin E8 have a decent treble range performance. Low-treble is even, but consistently under our neutral target by 5dB. This has a negative effect on the detail and articulation of vocals and other lead instruments. The sharp peak at 5.5KHz makes certain frequencies in vocals, leads, and cymbals noticeably sharp and piercing.

Raw Frequency Response
What it is: The average uncompensated frequency response of the headphone. For in-ears and earbuds, this corresponds to the average of 5 measurements/re-seats on the dummy head (HMS). For over/on-ear headphones, this corresponds to the average of 5 measurements/re-seats on the HMS (Head Measurement System) for the mid and treble ranges, and 5 measurements/re-seats on 5 human subjects for the bass range.
When it matters: This is for those who want to see the raw and uncompensated frequency response of the headphone. Some of the more advanced users, are able to read and evaluate headphone frequency response in its raw form and without compensation. This will be especially useful to them if they have their own headphone compensation/target curve, which may differ from the compensation curve/target response used by RTINGS.com.
Score components:
8.7 Frequency Response Consistency
What it is: The amount of deviation of each frequency response pass, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Score components:
Cowin E8 Consistency L Cowin E8 Consistency R
Avg. Std. Deviation
What it is: The average amount of deviation in frequency response of 5 re-seats, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Good value: <0.5
Noticeable difference: 0.1
:
0.26 dB

The Cowin E8 have very good frequency response consistency. In the bass range, the maximum deviation across our five human subjects is less than 1dB, which great. The also have a very consistent delivery in the treble range, below 10KHz, and the response doesn't change much across multiple re-seats and positions.

8.4 Imaging
What it is: Imaging qualities are inherent to the audio content, the headphones have to 'reproduce' them rather than 'create' them. They determine how accurately the objects are positioned in the stereo image, and how transparent the imaging is.
When it matters: When accurate positioning of the objects in the stereo image, and clear and transparent imaging is desired.
Cowin E8 Group Delay Cowin E8 Phase Response
Weighted Group Delay
What it is: The average amount of group delay calculated based on a perceptual weighting filter. Group delay indicates how long it takes for each frequency to reach their maximum amplitude. This is a monaural quality and can be perceived even with one ear.
When it matters: Headphones with lower group delay have more transparent imaging and a tighter bass. Headphones with higher group delay in the bass range tend to have a wimpy and loose bass, and headphones with higher group delay in the treble range tend to have a less transparent imaging.
Good value: <0.5
Noticeable difference: 0.1
:
0.29
Weighted Amplitude Mismatch
What it is: The Left/Right balance of our test unit, that is, the amount of amplitude difference between the left and right drivers. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When a properly balanced stereo image and low manufacturing tolerance is desired. A poor score indicates a noticeable difference in level between the left and right drivers.
Good value: <1.5
Noticeable difference: 0.1
:
0.88
Weighted Frequency Mismatch
What it is: The amount of difference (Std. Err.) between the frequency response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance, is desired. A poor score indicates there may be 'holes' in the stereo image at certain frequencies.
Good value: <2
Noticeable difference: 0.1
:
2.13
Weighted Phase Mismatch
What it is: The amount of difference (Std. Err.) between the phase response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance is desired. A poor score indicates there may be inaccuracies in the stereo image reproduction at certain frequencies.
Good value: <16
Noticeable difference: 3
:
4.1

The imaging performance of the E8 is great. Weighted group delay is at 0.29, which is good. The GD graph also shows that almost the entire group delay response is within the audibility threshold. This results in a tight bass and a transparent treble reproduction. Additionally, the L/R drivers of our test unit were very well-matched in amplitude, frequency and phase response. This ensures an accurate placement and localization of objects (voices, instruments, video game effects) in the stereo field.

4.6 Soundstage
What it is: Soundstage qualities are not inherent to the audio content, the headphones have to 'create' them rather than 'reproduce' them. They determine whether the sound is perceived to be coming from inside or in front of the head, how open and spacious the soundstage is, how much the headphones acoustically interact with the environment, and how strong the phantom center is.
When it matters: When an accurately produced, large and spacious soundstage, similar to that of a stereo loudspeaker setup is desired.
Cowin E8 PRTF
PRTF Accuracy (Std. Dev.)
What it is: The standard deviation of the PRTF (Pinna-related transfer function) of the headphones compared to a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: An accurate pinna activation is mainly responsible for how natural and speaker-like the soundstage is perceived to be. The less error in the shape of the PRTF, the more natrual and speaker-like the perception of the soundstage will be. High amounts of error may indicate a soundstage that is unnatural or odd.
Good value: <2.5
Noticeable difference: 0.1
:
4.04 dB
PRTF Size (Avg.)
What it is: The average amplitude of the PRTF (Pinna-related transfer function) of the headphones compared to that of a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is responsible for the perceived size of the soundstage. The higher the value, the larger the perceived size of the soundstage. However, values above the reference (5.0dB) could result in a soundstage that is perceived as unnatural or odd.
Good value: >3.7
Noticeable difference: 0.1
:
3.44 dB
PRTF Distance
What it is: The depth of the "10KHz notch" of the headphone's PRTF, which is caused by phase cancellations at the concha. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is mainly responsible for the perceived distance and elevation of the soundstage. A small distance value may result in a soundstage that is perceived to be located inside the head. Larger values may help pull the soundstage out from inside of the head and bring it to the front.
Good value: >13
Noticeable difference: 1
:
6.12 dB
Openness
What it is: How open the headphones are, and how open and spacious they sound. This quality is monaural and can be perceived even with one ear. This test differentiates between acoustically and electronically produced crosstalk and only takes the acoustically generated crosstalk into account. This value is the inverse of the Noise Isolation test score, and could be indirectly related the acoustic impedance of the headphones.
When it matters: When a headphone with a sense of an open, and spacious soundstage is desired. A value of 10 indicates a fully open headphone, and a value of 0 indicates a fully closed headphone.
Good value: >7.5
Noticeable difference: 0.5
:
2.3
Acoustic Space Excitation
What it is: How loud the headphones are, and how much they excite their environment acoustically. If the headphones are loud and open enough, the sound leaking from the headphones will be affected by the environment (reflections/reverb) before reflecting back into the open headphones and to the listener's ears. This quality is monaural and can be perceived even with one ear. This value is the inverse of the Leakage test score.
When it matters: Headphones with higher excitation values, similar to openness, tend to have soundstages that are perceived as more open and spacious.
Good value: >7.5
Noticeable difference: 0.5
:
5.1
Correlated Crosstalk
What it is: How strong and solid the phantom center is. This is mostly a stereo quality and its effects on mono content are minimal. This test is sensitive to the phase of the crosstalk and whether it is produced acoustically or electronically.
When it matters: When a true reproduction of the stereo image is desired. A value of 0 indicates no crosstalk, or that the existing crosstalk is not correlated enough to affect the phantom center. A negative score means the crosstalk is out of phase with the original signal, resulting in a slightly wider stereo image at the expense of creating a 'hole' at the center of the stereo field. A positive score means the crosstalk is in phase and positively affecting the phantom center.
Good value: >1dB
Noticeable difference: 0.3dB
:
0.0 dB

The E8 have a sub-par soundstage. The PRTF graph shows a decent amount of pinna activation, however, the interaction is not accurate, and there's not a 10KHz notch present either. This and their closed-back design suggest a soundstage that is perceived to be located inside the listener's head, as opposed to in-front.

6.3 Total Harmonic Distortion
What it is: The subtle, unwanted frequencies (harmonics) produced alongside the intended frequencies.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Score components:
Cowin E8 Distortion
Weighted THD @ 90
What it is: The overall amount of harmonic distortion measured at 90dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at moderate listening levels.
Good value: <0.100
Noticeable difference: 0.1
:
5.257
Weighted THD @ 100
What it is: The overall amount of harmonic distortion measured at 100dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at loud listening levels.
Good value: <0.300
Noticeable difference: 0.1
:
22.776

The harmonic distortion performance of the Cowin E8 is ordinary. The overall amount of THD produced is elevated throughout the range and shows a couple of spikes in the treble range. However, there is not a jump in THD present at 100dB SPL, which is good.

7.0

Isolation

Score components:

The Cowin E-8 ANC have a pretty good noise canceling performance but leak quite a bit at moderate to high volumes. They cancel enough noise to be a suitable option for loud environments and commuting. Unfortunately, they are also quite leaky which will be distracting to anyone in your vicinity, especially in quieter conditions. They may not be the ideal option for the office, but on the upside, they isolate way more than the other Cowin headphones that we've tested so you won't hear the ambient chatter if you're playing a little music.

7.7 Noise Isolation
What it is: How much outside noise is blocked out by putting the headphones on.
When it matters: If the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
Score components:
Cowin E8 Noise Isolation
Isolation Audio
What it is: The simulated noise isolation of the headphones, demonstrating how much outside noise is blocked out by putting the headphones on. This recording is created using an EQ and is not an actual recording. For headphones with ANC (active noise cancellation), the playback simulates the isolation with ANC enabled.
When it matters: When the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
:
Overall Attenuation
What it is: The overall amount of environmental noise reduction in dB.
When it matters: In loud envinronments like planes, trains, offices, etc.
Good value: <-20dB
Noticeable difference: 1dB
:
-24.71 dB
Bass
What it is: The overall amount of noise isolation in the bass range (20Hz-250Hz).
When it matters: When the outside noise is bass-heavy, like in airplanes.
Good value: <-15dB
Noticeable difference: 1dB
:
-17.61 dB
Mid
What it is: The overall amount of noise isolation in the mid-range (250Hz-2.5KHz).
When it matters: When the environment's noise is mid-heavy, like in an office.
Good value: <-15dB
Noticeable difference: 1dB
:
-20.63 dB
Treble
What it is: The overall amount of noise isolation in the treble range (2.5KHz-20KHz).
When it matters: When the environment's noise is treble-heavy. Although uncommon, areas with sharp sounds fall under this category.
Good value: <-30dB
Noticeable difference: 1dB
:
-35.99 dB
Self-Noise
What it is: The amount of noise created by the active electronics of the headphones (if applicable), measured from 300Hz-20KHz. Applies mostly to wireless and noise-cancelling headphones.
When it matters: If too loud, it could become distracting when listening to quiet material like podcasts and audiobooks.
Good value: <16dB
Noticeable difference: 1dB
:
22.85 dB

The Cowin E8 have a good isolation performance. With the ANC (active noise cancellation) enabled, they achieve more than 17dB of isolation in the bass range, which is quite good. This means they can cancel out the rumble of airplane and bus engines to a good degree. In the mid-range, important for blocking out speech, they isolate by more than 20dB, which is very good. In the treble range, occupied by sharp sounds like S and Ts, they isolate by 36dB, which is also good.

5.6 Leakage
What it is: The amount of sound bleeding out of the headphones.
When it matters: When the listener doesn't want people around them (in office, recording studio, etc.) to hear what is being listened to.
Score components:
Cowin E8 Leakage
Leakage Audio
What it is: The simulated sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal. This recording is created using an EQ and is not an actual recording.
When it matters: When you don't want people hear what you are listening to.
:
Overall Leakage @ 1ft
What it is: The amount of sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal.
When it matters: When you don't want people hear what you are listening to.
Good value: <35dB
Noticeable difference: 1dB
:
46.86 dB

The leakage performance of the E8 is sub-par. The significant portion of their leakage is spread between 400Hz and 6KHz, which is a broad range, spanning both the mid and treble ranges. However, the overall level of the leakage is not too loud. With the music at 100dB SPL, the leakage at 1 foot away averages at 47dB SPL and peaks at 60dB SPL, which is a bit louder than the noise floor of an average offices.

6.3

Microphone

What it is: The microphone section shows the quality of speech capture and transmission by the mic, as well as how well the microphone under test handles noisy environments.
When it matters: For your speech to be transmitted to and understood properly by the listener, the microphone needs to have a good recording quality. If the environment the microphone is being used in is noisy, a microphone with a good noise handling performance would be needed as well.
Score components:
Integrated
What it is: The microphone integrated in the ear cup or ear bud of a wireless headphone.
When it matters: For calls, gaming and voice over IP software or for any other use of the microphone.
Good value: Yes
:
Yes
In-line
What it is: The microphone inside the in-line remote of audio cables for wired and wireless headsets.
When it matters: In-line microphone are usually better than integrated mics. If you need better recording quality and noise handling for calls, gaming and voice over IP software then use the audio cable of your wired or wireless headphone if it has an inline microphone.
Good value: Yes
:
No
Boom
What it is: A typically better microphone, that's also adjustable and extends so that the mic is closer to your mouth.
When it matters: Much better recording quality and noise handling than in-line or integrated mics. Primarily used for gaming and voice over IP software.
Good value: Yes
:
No
Detachable Boom
What it is: A boom mic that is detachable from the headset.
When it matters: If you want to use your headphone outdoors without the bulk and hassle of the Boom mic.
:
N/A

The Cowin E-8 have a mediocre integrated microphone. In quiet environments, speech recorded or transmitted with this mic will sound relatively thin, and noticeably muffled and lacking in detail. In noisy situations, it will struggle to fully separate speech from background noise even in moderately loud environments, like a busy street.

6.3 Recording Quality
What it is: Microphone recording quality shows how natural, neutral, extended and intelligible speech would be with the device under test, in a quiet environment.
When it matters: A microphone with a good recording quality ensures that the person listening to you would hear a full, clear, and easily understandable speech. Therefore, it is important whenever a good quality of speech transmission and intelligibility is needed.
Score components:
Cowin E8 Microphone Frequency Response
Recorded Speech
What it is: Actual audio recording of the headphone's microphone, recorded while placed on the dummy head, with speech being played back through the dummy head's mouth simulator.
When it matters: When a clean, full, and intelligible speech transmission is required.
:
LFE
What it is: Low-frequency extension shows how deep the bass response of the microphone is, and therefore, how deep and full your voice would sound to the listener. It is the lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: LFE is not a big factor in speech intelligibility and even speech recorded with a mic that has an LFE of 500Hz could still be easily understood. Therefore, it is mostly important if you are concerned with how deep and full your voice would be heard.
Good value: <150Hz
Noticeable difference: 30Hz
:
246.75 Hz
FR Std. Dev.
What it is: Frequency Response Standard Deviation shows how accurately and balanced sound is captured by the microphone at each frequency. FR Std. Dev. is calculated between LFE and HFE, and the rest of the spectrum is ignored.
When it matters: A good frequency response is desired when a natural and neutral speech quality is desired. As opposed to HFE which is more a metric for speech intelligibility, frequency response could be considered as a metric for a natural and neutral sound.
Good value: >3.5dB
Noticeable difference: 0.5dB
:
4.39 dB
HFE
What it is: High-frequency extension is the highest frequency at which the frequency response reaches -3dB of the target response. It shows how extended the treble response of the microphone is.
When it matters: HFE is one the most important factors in speech intelligibility. The higher the HFE, the brighter, more open, and more extended the speech quality will be which makes it a lot easier to understand by the listener.
Good value: >8KHz
Noticeable difference: 1KHz
:
3466.89 Hz
Weighted THD
What it is: The unwanted frequencies (harmonics) produced alongside the intended frequencies, which cause deformation of an output signal compared to its input.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Good value: <1.5
Noticeable difference: 1.0
:
2.432
Gain
What it is: Shows how much louder the microphone can go above our reference loudness level. The gain value is reported relative to our reference level, which is 94dB at a distance of 5cm from the mouth.
When it matters: A microphone with a high gain is important when the input signal (speech) is very quiet. For example when whispering, or talking on the phone in a library.
Good value: >18dB
Noticeable difference: 3dB
:
17.12 dB

The recording quality of the microphone is mediocre. LFE (low-frequency extension) of 247Hz suggests that speech recorded/transmitted with this mic will sound relatively thin. The HFE (high-frequency extension) is at 3.5KHz, resulting in the speech to lack detail and sound a bit muffled. The response between the LFE and HFE points is rather uneven too, negatively affecting the intelligibility of speech.

6.3 Noise Handling
What it is: How well the microphone is able to separate speech from background noise, so that the transmission would include more voice and less noise.
When it matters: When a clean and intelligible speech transmission is desired in a noisy situation like talking on the phone on a busy street or on the bus.
Score components:
Cowin E8 SpNR
Speech + Pink Noise :
Speech + Subway Noise :
SpNR
What it is: Speech to Noise Ratio is the difference in level between speech and background noise as heard by the listener
When it matters: If the microphone is going to be used in a noisy environment, it is important for it to be able to separate the speech from background noise, so the voice would be easily audible and understandable.
Good value: >24dB
Noticeable difference: 3dB
:
15.55 dB

The integrated microphone of the Cowin E8 is mediocre at noise handling. In our SpNR test, it achieved a speech-to-noise ratio of 16dB, indicating it is best suited for quiet environments, and they may struggle to fully separate speech from ambient noise even in moderately loud places.

6.2

Active Features

What it is: Headphones with active components that require a battery. This includes noise cancelling and wireless headphones that actively reduce noise or transmit audio via a wireless connection.
When it matters: How suitable the power and wireless specifications of an active headphone will be, depending on your listening habits. The range and/or discharge time of the active headphone you select will be important if you're often on the move or have long uninterrupted listening sessions.
Score components:

The Cowin E8 have a decent battery life, but like the E7 and E7 Pro, they are slow to recharge. On the upside, they can be used passively and while charging, which is nice. However, there is no companion app and the sound cannot be customized.

6.9 Battery
What it is: The power source of your headphones. All headphones with active features have a battery that will deplete over time.
When it matters: To continue using the active features of your headphones. Some models lose features or switch off completely when the battery is drained, which limits what you can do with them until the next charge.
Battery Type
What it is: The type of battery that the headphones use. Usually AAA or embedded, Li-ion rechargeable batteries.
When it matters: When your headphones run out of power. Rechargeable batteries usually charge via the headphones Micro-USB port whereas AAA batteries have to be replaced or charged with an external device.
:
Rechargable
Battery Life
What it is: The amount of time it takes for a headphones' battery to be completely drained. Battery life will vary depending on the active features used and volume level.
When it matters: For active headphones that connect wirelessly, have noise cancellation or other audio-enhancing features, that cease to work once the battery is dead.
Good value: >10hrs
Noticeable difference: 0.5hrs
:
21 hrs
Charge Time
What it is: The amount of time your active headphones have to be connected to a power source to charge from 0 to a 100%. However, charging time will vary depending on your power source.
When it matters: To be able to use the active features of your headphones. Especially, wireless ones that completely switch off and need to be recharged when the battery is dead.
Good value: 2h or less
Noticeable difference: 0.25h
:
3.2 hrs
Power Saving Feature
What it is: A feature that turns off the headphones, after a set time, when they're not in use.
When it matters: To prolong battery life when the headphones are not being used, or if you forget to manually turn off your headphones.
:
No
Audio while charging
What it is: Some active headphones remain usable while charging. They continue to stream audio and do not disable other active features.
When it matters: This makes sure that your headphones's battery are not being drained when your relatively close to a power source. However, this means wireless headphones will need a wired connection to the power source during the charging process.
:
Yes
Passive Playback
What it is: Active headphones that still work when all their active features are turned off or out of power.
When it matters: If you run out of power and do not have spare AA/AAA batteries or access to a power source to recharge your headphones.
:
Yes

The Cowin E8 have a decent battery life. They will last an average day without losing battery, but they are a little slow to recharge. Like the E7 and E7 Pro, they don't automatically turn off when not used and must be turned off manually to not drain the battery.

0 App Support
What it is: The additional app provided to enhance your listening experience. They typically deliver a set of practical features that give you more control over the sound, noise cancelling and effects that the headphones produce.
When it matters: An app with a lot of features allows you to customize your listening experience to suit your taste and preferences. For example, additions like an equalizer can give you more bass or treble and room effects can simulate a bigger Soundstage in closed back headphones.
Score components: Subjectively assigned
App Name : N/A
iOS : N/A
Android : N/A
Mac OS : N/A
Windows : N/A
Equalizer
What it is: Parametric, graphic or preset sound profiles that slightly alter the frequency response.
When it matters: If you want to tailor, your listening experience. Depending on what you're listening to you may want more or less bass for some tracks or more mid-range for vocals-heavy audio.
:
N/A
ANC control
What it is: Control over the Active noise canceling technology. This could be either a simple on/off button, and adjustable slider or even adaptive self-regulating noise cancellation.
When it matters: If you're in an environment where you need to monitor your surroundings or completely isolate yourself from ambient noise.
:
N/A
Mic Control : N/A
Room effects
What it is: Room effects that enhance the audio quality to make it more immersive.
When it matters: If you want to further tweak your listening experience. Adding room effects, can simulate a more spacious Soundstage or deliver a surround sound-like feel.
:
N/A
Playback control
What it is: An in-app player that gives you access to play/stop, track skipping or volume controls directly with the app.
When it matters: It's a shortcut that allows you to control your audio without leaving the application.
:
N/A
Button Mapping : N/A
Surround Sound : N/A

There is no companion app and the EQ cannot be customized.

5.9

Connectivity

What it is: The inputs and outputs of wired and wireless headphones, as well as their latency performance and range.
When it matters: To know how compatible your Bluetooth device, console or PC will be with your wired or wireless headset.
Score components:
  • 10% Bluetooth
  • 33% Wired
  • 10% Base/Dock
  • 22% Wireless Range
  • 25% Latency

The Cowin E8 have disappointing connectivity. They have an excellent wireless range even when obstructed. Unfortunately, they don't support NFC unlike the E7 and E7 Pro, so they are a bit more complicated to pair. Also, like most Bluetooth headsets, they have too much latency to be used for watching videos.

6.0 Bluetooth
What it is: Bluetooth support for wireless headphones.
When it matters: To connect wirelessly to Bluetooth sources like your phone, tablet, console, PC and TV.
Score components:
  • 80% Multi-Device Pairing
  • 20% NFC
  • <1% PS4 Compatible
  • <1% Xbox One Compatible
Bluetooth Version : 4.0
Multi-Device Pairing
What it is: A Bluetooth profile that allows some headphones to be simultaneously connected to multiple Bluetooth sources, and have full call and media support on both/all devices they are connected to.
When it matters: To quickly switch between your Bluetooth sources. For example, switching from your phone to your home or work PC and still have call and media support on both devices.
Good value: 2 devices.
:
No
NFC
What it is: Near Field Communication technology that allows you to quickly, pair your headphones with your Bluetooth and NFC-enabled device.
When it matters: This makes pairing with an NFC-enabled device a lot easier than the typical and often tedious hold-to-pair procedure that most wireless headphones have.
Good value: Yes
:
No
PS4 Compatible
What it is: Bluetooth compatibility with the PlayStation 4.
When it matters: To connect your headphones wirelessly with your PS4.
Good value: Audio + Microphone
:
No
Xbox One Compatible
What it is: Bluetooth compatibility with the Xbox One.
When it matters: To connect your headphones wirelessly with your Xbox one.
Good value: Audio + Microphone
:
No

The Cowin E8 support Bluetooth to a single device only. Unlike the E7 and E-7 Pro, they do not support NFC and must be paired manually.

7.2 Wired
What it is: The type and compatibility of audio cables for wired and wireless headphones.
When it matters: For all devices with a regular audio jack (line-out) and also compatibility of the in-line remote/boom microphone with consoles and Personal computers.
Score components:
  • 13% Analog
  • 9% USB
  • 26% PS4 Compatible
  • 26% Xbox One Compatible
  • 26% PC Compatible
Cable Tested : Not OS specific
Analog
What it is: A regular 1/8" TRS audio jack or a 1/4 or 1/16 TRS with a 1/8 TRS adapter.
When it matters: For all devices with a line out.
Good value: Yes
:
Yes
USB
What it is: A USB or USB adapter to connect to your devices for audio and microphone.
When it matters: A digital USB adapter usually offers a slight advantages over a regular audio jack, like a DAC, and amplifier module or software support and compatibility with PCs. However it may not be as compatible with consoles.
Good value: Yes
:
No
PS4 Compatible
What it is: PS4 compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PS4
Good value: Audio + Microphone
:
Audio Only
Xbox One Compatible
What it is: Xbox One compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your Xbox One
Good value: Audio + Microphone
:
Audio Only
PC Compatible
What it is: PC compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PC.
Good value: Audio + Microphone
:
Audio Only

The Cowin E8 can be used wired, great for while they are being charged or if the battery dies. There is no in-line mic or remote, so they can be used with any device but only for audio.

0 Base/Dock
What it is: The base station, dock or dongle transmitter of wireless headphones that receive data/audio via a proprietary frequency range.
When it matters: Knowing the inputs and outputs of the base/dock/dongle as well as its compatibility with consoles and Personal Computers. Also whether the base supports dock charging to easily recharge the headphones without any cables.
Score components:
  • 5% Optical Input
  • 22% Line In
  • 5% Line Out
  • 22% USB Input
  • 4% RCA Input
  • 9% PS4 Compatible
  • 9% Xbox One Compatible
  • 9% PC Compatible
  • 2% Power Supply
  • 13% Dock Charging
Wireless Type
What it is: The type of wireless connection used by the base station/dock to communicate with the headphones.
When it matters: For latency and range. For example Radio frequency has low latency but mediocre range when obstructed and proprietary docks have their own 2.x GHz or 5 GHz frequency which varies in performance.
:
N/A
Optical Input
What it is: Optical input for audio.
When it matters: Optical can carry a bit more data at faster speeds than typical wired connection which allows for more high quality, lossless audio.
Good value: Yes
:
N/A
Line In
What it is: The regular wired input via a 1/8" TRS audio jack.
When it matters: For any device that has a line out for audio transmission.
Good value: Yes
:
N/A
Line Out
What it is: A regular 1/8TRS audio jack output.
When it matters: If you need to share the audio source with other devices. A line out lets you connect other headphones or speakers to the dock/base station.
Good value: Yes
:
N/A
USB Input
What it is: A digital USB input instead of a typical 1/8 TRS line-in.
When it matters: A USB connection can provide both an audio input and power to the Dock or Base station.
:
N/A
RCA Input
What it is: Audio input using via an RCA connectors.
When it matters: Provides better stereo audio to the dock/base that's then transmitted to the headphones.
Good value: Yes
:
N/A
PS4 Compatible
What it is: Dock/Base station compatibility with the PlayStation 4.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Dock/Base station compatibility with the Xbox One.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
:
N/A
PC Compatible
What it is: Dock/Base station compatibility with your Personal Computer.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Power Supply
What it is: The connector type of the power source.
When it matters: The accessibility of the power source. For example a power supply with USB/USB-C connects to multiple devices, PC , PS4, Xbox One or even with your regular phone charger whereas a A/C adapter is less common.
Good value: USB/USB-C
:
N/A
Dock Charging
What it is: Charging the headphones via the dock/base station instead of a charging cable.
When it matters: It makes charging your headphones easier and gives you a sport to store your headphones when they are not in use.
Good value: Yes
:
N/A

There is no base or dock for the Cowin E-8. If you want a good wireless headset with a dock, check out the SteelSeries Arctis 7.

9.0 Wireless Range
What it is: Headphones that offer a cable-free listening experience over a wireless network, typically via Bluetooth or radio frequency.
When it matters: If you don't want to be limited by the length of an audio cable. This means having the freedom to move around in your home or office with a much greater range than an audio cable could provide, especially, if the Bluetooth source is heavy or difficult to carry.
Score components:
Obstructed Range
What it is: The range that the wireless headphones can reach before dropping any audio when the Bluetooth source was placed in another room.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in an indoor environment. Although, the obstructed wireless range will slightly depend on your home or office layout.
Good value: >35ft
Noticeable difference: 5ft
:
50 ft
Line of Sight Range
What it is: The range that the wireless headphones can reach before dropping any audio when in direct line of sight of the Bluetooth device.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in a large and open environment.
Good value: 170ft or more
Noticeable difference: 10ft
:
188 ft

The Cowin E8 have an excellent wireless range, both indoors and out, slightly surpassing both the Cowin E-7 and E7 Pro.

3.7 Latency
What it is: How long it takes for audio to play through your headphones once the audio signal has been sent from a source.
When it matters: When gaming or watching movies. High latency means you will hear the audio much later than the images you see on screen.
Score components:
Default Latency
What it is: The Base RF latency or the default sub-band coding (SBC) of most Bluetooth headphones.
When it matters: When watching videos a high latency can cause sync issues between the images you see and the audio you hear.
Good value: 50ms or less
Noticeable difference: 15ms
:
163 ms
aptX Latency
What it is: An audio coding algorithm (Codec) that improves bit rate efficiency. It reduces latency and improves sound quality over Bluetooth.
When it matters: For better sound quality if your often streaming music over Bluetooth. Also it slightly improves latency when watching videos with wireless headphones.
Good value: 50ms or less
Noticeable difference: 15ms
:
N/A
aptX(LL) Latency
What it is: Low latency variation of aptX that significantly reduces sync issues between video and sound when using Bluetooth headphones.
When it matters: When watching videos or gaming latency is a lot more noticeable than just listening to music.
Good value: 50ms or less
Noticeable difference: 5ms
:
N/A

These Bluetooth headphones have very high latency when used wireless. The latency is too high for watching videos. They can be used wired as well, in which case the latency is essentially zero.

In the box

Cowin E8 In the box Picture

  • Cowin E-8 Headphones
  • Carrying case
  • Cable pouch
  • Audio cable
  • USB cable
  • Airline adapter
  • 1/8" to 1/4" adapter
  • Manual

Compared to other Headphones

Cowin E8 Compare Picture

The Cowin E8 are slightly better headphones for commuting and mixed usage than the Cowin E7 headphones. They have a decent build and sound quality although they do look a little cheap in some parts and their audio reproduction can be a bit muddy and boomy. On the upside, they have a great wireless range and fairly long battery life. Their bulky and somewhat cumbersome design will not be for everyone and they lack a bit of polish and features compared to some of the headphones below. See our recommendations for the best budget noise cancelling headphones and the best wireless over-ear headphones

Cowin E7

The Cowin E8 are better noise canceling headphones than the Cowin E7. The E8 have a better noise canceling performance and are a bit more comfortable than the E7. They also have easier to use controls and a better-balanced sound overall. On the other hand, the E7 have more bass which some listeners may prefer. They also have a longer battery life and support NFC so they're a bit easier to pair with your phone. 

Cowin E7 Pro

The Cowin E8 are better noise canceling headphones than the Cowin E7 Pro. The E8 have a better noise canceling performance and are a bit more comfortable than the E7 Pro. They also have easier to use controls and a bit more bass which some may prefer. On the other hand, the E7 Pro have a more detail oriented sound quality that pushes instruments and vocals to the front of the mix but can sound a bit sharp. They also have a longer battery life than the E8 and they support NFC so they're a bit easier to pair with your phone. 

Plantronics BackBeat Pro 2

The Plantronics BackBeat Pro 2 better-balanced and much better noise canceling headset than the Cowin E8. The Plantronics have a better build quality, a longer battery life and a more exciting, bass-rich sound that's also better balanced with instruments and vocals than the E8. The Plantronics also have a much more intuitive control scheme, a better build quality and support multiple codecs. On the other hand, the E8 block a bit more noise with their ANC feature than the Plantronics.

Skullcandy Hesh 3

The Cowin E8 are slightly better headphones than the Skullcandy Hesh 3 but not by much. The Skullcandy charge much faster than the E8 which is convenient if you forget to charge them overnight. They also have an easier to use control scheme, a better sound quality with more bass and a better wireless range. On the other hand, the E8 have a slightly more comfortable over-ear fit and a more sturdy design. They also have a longer battery life and with a good case that makes them decently portable although the Hesh 3 are a bit more compact since they fold.

Mpow Bluetooth Over-Ear

The Mpow 059 are also decent mixed usage budget wireless headphones, but they're not as suitable for commuting since they're not noise-canceling like the Cowins. On the upside, they're a bit more comfortable, they have better controls and a more bass-rich sound. If you're going to use your headphones mostly while commuting, then the get the Cowin E-8. However, for a more comfortable design, the Mpows are a good cheaper alternative.

+ Show more

Conclusion

6.8Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
Decent for mixed usage. The Cowin E8 have good isolation and a more premium design than the previous models. This makes them a good choice for commuting and to cancel the noise of a noisy office environment. Unfortunately, they are a little bulky and cumbersome so they won't be the easiest headphones to carry around and won't be the best option for running and sports. They also make your ears fairly warm during long listening sessions but on the upside, they are better built than most Cowin headphones.
6.9Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
Average for critical listening. The Cowin E8 have a lot of bass but can sound a bit muddy and boomy. The slight dip in the higher frequencies also makes instruments and vocals sound a bit less clear and detailed than typical critical listening headphones. They also have a poor soundstage since they are closed-back noise-canceling headphones. They won't be the best choice for more critical listeners but should sound good enough for most.
7.1Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
Above-average for commuting. They cancel enough noise for commute and travel. They're also comfortable and easy to use. However, they're a bit bulky and are not the most portable headphones to carry around on your person.
6.5Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
Average for sports. They're wireless and have a tight fit which prevents them from easily falling off your head. However, they're too bulky for running and will hinder your movements when working out. They also make your ears fairly warm even during casual listening sessions, so they will not be the best option for sports.
7.1Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Decent for office use. They leak a lot so they won't be the ideal option for a quiet office but on the upside, they are comfortable, sound good and isolate well enough to cancel the ambient chatter in a lively and noisy work environment.
5.9TV
Score components:
Below-average for home theater use. They have a great wireless range and are comfortable, but have too much latency for watching a lot of video content. They do come with an audio cable which would make latency negligible, but it's relatively short and you will need an extension cord for most home theater setups, unless you're watching movies on your tablet, phone or PC.
5.5Gaming
Score components:
Sub-par for gaming. The Cowin E8 have too much latency, they're not compatible with consoles via Bluetooth and cannot be customized to the extent of other gaming headphones. They also have a mediocre integrated microphone and their audio cable will only provide audio and not chat support when connected to your console's controller.

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