Get insider access
Preferred store
Your browser is not supported or outdated so some features of the site might not be available.
We've recently released our Test Bench 1.7 update for Headphones! Read the Noise isolation R&D Article to learn more.

Audeze MM-100 Headphones Review

Tested using Methodology v1.6
Reviewed Jan 19, 2024 at 11:08 am
Latest change: Writing modified Mar 29, 2024 at 11:41 am
Audeze MM-100 Picture
7.7
Neutral Sound
3.6
Commute/Travel
5.2
Sports/Fitness
4.3
Office
4.3
Wireless Gaming
6.4
Wired Gaming
1.4
Phone Calls

The Audeze MM-100 are wired open-back headphones with planar magnetic drivers. They're one of two headphones designed in collaboration with Grammy award-winning engineer/producer Manny Marroquin, intended as a mid-range alternative to the more premium Audeze MM-500. They're designed with studio applications in mind, so they sport gel-filled earpads and an adjustable ski-band-style headband that aims to make long recording sessions as comfortable as possible. Their low sensitivity and impedance also mean you can use them with a phone or laptop without a dedicated amp or sound card to drive them.

Our Verdict

7.7 Neutral Sound

The Audeze MM-100 are very good for neutral sound. Their open-back, planar magnetic design means they have a sound profile that lacks rumble and thump in the bass range but reproduces vocals and other mid-range instruments with plenty of detail and clarity. The recessed low and mid-treble dulls sibilants somewhat but can be advantageous in avoiding ear fatigue over long mixing sessions. Their soundstage performance is impressive and provides ample separation of instruments in the stereo field. While the comfortable, gel-filled earpads go a long way in offsetting the heft of their planar drivers, they can still feel heavy on the head after extended use.

Pros
  • Immersive, open-sounding soundstage performance.
  • Comfortable fit and excellent build quality.
Cons
  • Bulky and heavy design.
3.6 Commute/Travel

The Audeze MM-100 are studio headphones that aren't intended for use on the go. As a result, they're a poor choice for commuting and travel use as their bulky design means they're not very portable. Their open-back design also provides almost no isolation against external noise, and they leak enough audio for others around you to hear on the bus or train. On the upside, though, they're comfortable and well-built enough to survive long journeys.

Pros
  • Comfortable fit and excellent build quality.
Cons
  • Bulky and heavy design.
  • Poor noise isolation performance.
  • Leak a lot of audio.
5.2 Sports/Fitness

The Audeze MM-100 are disappointing for sports and fitness use as they're not intended for this purpose. Their bulky design is prone to falling off your head during more intense movements, and it's easy to get the audio cable snagged on things while you're in motion. They also lack any controls to change the track or adjust the volume on the fly.

Pros
  • Comfortable fit and excellent build quality.
Cons
  • Bulky and heavy design.
  • Leak a lot of audio.
4.3 Office

The Audeze MM-100 are studio headphones that aren't designed for use in an office setting. While they're comfortable enough to wear at your desk, they provide almost no isolation against external noise, so it's easy to get distracted by office chatter. They also leak a lot of audio, so within the average office setting, others can hear what you're listening to.

Pros
  • Comfortable fit and excellent build quality.
Cons
  • Bulky and heavy design.
  • Poor noise isolation performance.
  • Leak a lot of audio.
4.3 Wireless Gaming

The Audeze MM-100 are wired headphones; you can't use them to game wirelessly.

6.4 Wired Gaming

The Audeze MM-100 are passable for wired gaming. They're comfortable enough for extended gaming sessions and provide a low latency performance via their wired connection. Their immersive soundstage makes it easy to localize sound effects, like footsteps, in the stereo field, and their accurate high-bass response helps bring them out further. They lack an integrated mic, so you'll need to purchase a standalone mic or opt for Audeze's boom mic-equipped cable.

Pros
  • Immersive, open-sounding soundstage performance.
  • Comfortable fit and excellent build quality.
Cons
  • Bulky and heavy design.
  • Poor noise isolation performance.
1.4 Phone Calls

The Audeze MM-100 are wired studio headphones with no integrated mic, so they're not suitable for taking phone calls. However, Audeze manufactures a cable with a built-in mic that you can use with these headphones.

  • 7.7 Neutral Sound
  • 3.6 Commute/Travel
  • 5.2 Sports/Fitness
  • 4.3 Office
  • 4.3 Wireless Gaming
  • 6.4 Wired Gaming
  • 1.4 Phone Calls
  1. Updated Mar 29, 2024: We've added a comparison between these headphones and the Sennheiser HD 490 Pro in Comfort.
  2. Updated Jan 19, 2024: Review published.
  3. Updated Jan 15, 2024: Early access published.
  4. Updated Jan 11, 2024: Our testers have started testing this product.
  5. Updated Jan 03, 2024: The product has arrived in our lab, and our testers will start evaluating it soon.
  6. Updated Oct 10, 2023: We've purchased the product and are waiting for it to arrive in our lab.

Differences Between Sizes And Variants

The Audeze MM-100 are available in one color: gunmetal gray with a black headband and black grilles.

Please let us know in the comments if you encounter another variant of these headphones.

Compared To Other Headphones

The Audeze MM-100 are wired, open-back headphones designed for studio use and reference listening. Like the Audeze LCD 2 Classic/LC2C, they feature planar magnetic drivers and a rock-solid build quality. They also share a similar sound profile: one that lacks low-bass but features very neutral mids and a recessed treble range. They're heavy on the head, even compared to other planar magnetic headphones like the HiFiMan Sundara 2020. That said, they're not as heavy as the closed-back Audeze Maxwell Wireless, and the manufacturer has introduced gel-filled earpads with the MM-100 that aim to offset the weight better with a comfortable seal.

If you're looking for more headphones, check out our recommendations for the best studio headphones, the best headphones for music, and the best open-back headphones.

HiFiMan Sundara 2020

The Audeze MM-100 and the HiFiMan Sundara 2020 are both open-back headphones with planar magnetic drivers. However, the two have quite different sound profiles, with the HiFiMan sounding more neutral overall. They're also slightly more comfortable, and it's easier to get consistent audio delivery between listening sessions when using them. That said, the Audeze are considerably better built and more likely to be a durable, long-term option in the studio.

Audeze LCD 2 Classic/LC2C

The Audeze LCD 2 Classic/LC2C and the Audeze MM-100 are open-back, planar magnetic headphones from the same manufacturer. As a result, they share a lot of similar traits, with little to differentiate between them. They're both comfortable and well-built, with both headphones employing adjustable ski-band style headbands. They also have extremely similar sound profiles, with an underemphasized bass response and a recessed treble range. The main difference between the two is the soundstage, where the LCD 2 Classic sound a touch more wide and open. The LCD 2 Classic also have a higher impedance, and you'll need an amp or soundcard to drive them.

Sennheiser HD 490 PRO

The Audeze MM-100 and the Sennheiser HD 490 PRO are both open-back, over-headphones designed for studio use. They have some differences in design that might cause you to prefer one over the other. The Audeze use planar magnetic drivers, and the Sennheiser use dynamic neodymium magnets and, as a result, the Audeze have a wider, more immersive soundstage. They're also much heavier, though, and less comfortable on the head. Regarding the sound profile, the Sennheiser have a more accurate bass response and are less inconsistent in the treble range. They also come with two sets of pads, so you can swap them out to alter the sound profile slightly. However, the Audeze have a higher build quality that will translate to better durability in the studio.

Beyerdynamic DT 990 PRO

The Beyerdynamic DT 990 PRO and the Audeze MM-100 are both wired, open-back audiophile headphones with slightly different strengths. The Audeze are better built using more premium materials, and their planar magnetic drivers help them create a more spacious, immersive soundstage. While both headphones have relatively neutral sound profiles, the Beyerdynamic have a more accurate bass and treble response. That said, the Beyerdynamic's slightly overemphasized treble can be fatiguing to listen to over long periods, which is less of an issue with the Audeze due to their veiled treble response.

Sennheiser HD 6XX

The Audeze MM-100 and the Sennheiser HD 6XX are both open-back, wired headphones designed for audiophiles and music professionals. Choosing between them will depend on personal preference. The Audeze are more comfortable and better built, with a more expansive-sounding soundstage. However, the Sennheiser have a more neutral sound profile overall. Both headphones lack low-bass, which is normal for open-back designs, and both excel at reproducing mid-range sounds with clarity and accuracy. However, they differ slightly in their treble accuracy, where the Sennheiser follow our target curve more closely.

+ Show more

Video

Test Results

perceptual testing image
Design
Design
Style
Type Over-ear
Enclosure Open-Back
Wireless No
Transducer Planar Magnetic

The Audeze MM-100 are sleek, modern-looking, over-ear, open-back headphones that share some cosmetic similarities with the Audeze Maxwell Wireless, like the adjustable ski-band design used for the headband. Their distinctive black grilles are embossed with the Audeze logo, accented by gunmetal gray earcups and yokes. They have a unique design whereby the detachable audio cable can be plugged into an input on either earcup, allowing for greater freedom of movement while puttering about the studio.

7.5
Design
Comfort
Weight 1.02 lbs
Clamping Force
1.3 lbs

Despite their bulky look, they're comfortable headphones. Their planar magnetic drivers add weight to the frame, and they fit quite tightly on the head, but this is offset by the plush, thick ear cup padding that feels comfortable on the skin. Unfortunately, they only come with one set of earpads and don't have a swappable design like the Sennheiser HD 490 PRO. Although they have a ski-band-style headband, which helps distribute the weight more evenly around your head, the sheer weight of these headphones can still cause some discomfort on the top of your head, where the ski-band rests, during longer listening sessions. The headband is only adjustable via three sets of notches, so you can't get the best fit for your head beyond these settings.

0
Design
Controls
OS Compatibility
No Controls
Ease Of Use No Controls
Feedback No Controls
Call/Music Control No
Volume Control No
Microphone Control No
Channel Mixing
No
Noise Cancelling Control No
Talk-Through
No
Additional Controls No
5.9
Design
Portability
L 8.5" (21.7 cm)
W 7.4" (18.8 cm)
H 1.9" (4.9 cm)
Volume 121.99 in³ (1,999.04 cm³)
Transmitter Required No

These headphones have a bulky frame. While they don't take up as much space as the Audeze Maxwell Wireless, they're still too cumbersome to carry around on your person for on-the-go use. Fortunately, they fold flat, so you can more easily stow them in a bag or in the included carrying pouch.

6.5
Design
Case
Type Pouch
L N/A
W N/A
H N/A
Volume N/A

These headphones come with a large carrying pouch. It's made of a good quality material that's felt-like on the outside and softer on the inside to better protect your headphones. The pouch is roomy enough to fit the headphones and cables and still have space to spare.

8.5
Design
Build Quality

The Audeze MM-100's built quality is excellent. They feel durable and are made of premium materials like magnesium, steel, aluminum, and dense plastic, with a faux leather material used across the ear cups and headband. However, the braided cable doesn't feel quite as sturdy as the headphones and lacks a sleeve, making them more susceptible to wear and tear. The holes that attach the leather headband to the body will also likely degrade over time, especially if multiple people use the headphones and you're constantly readjusting the size. Overall, though, these headphones feel like they can withstand extended use in the studio.

6.0
Design
Stability

These headphones aren't very stable. Their heavy frame makes it very easy for them to shift around on your head during movements despite the tight seal they form over your ears. Intense head movements, like headbanging along to your finished mix, will cause them to slip off your head entirely.

Design
Headshots 1
Design
Headshots 2
Design
Top
Design
In The Box

  • Audeze MM-100
  • 1/4" to 1/8" TRS cable (61.5" (2.32m))
  • User guide and authenticity card
  • Carrying pouch

Sound
Sound
Sound Profile
Bass Amount
-3.67 dB
Treble Amount
-2.81 dB

The Audeze MM-100 have a fairly well-balanced sound profile that's comparable to other open-back headphones equipped with planar magnetic drivers, like the HiFiMan Sundara 2020. They have a recessed low-bass, which is normal for open-back designs. The mid-range is extremely detailed and accurate, resulting in a crisp and natural reproduction of vocals. However, a noticeable dip in the low and mid-treble veils some of the high-end brilliance found in the upper harmonics of vocals and dulls the sizzle of sibilants, like open hi-hats. The underemphasis in this range can help reduce ear fatigue over longer listening sessions.

These headphones also have a low impendence and relatively high sensitivity that makes them suitable for driving a range of devices, like laptops and phones, while still pairing well with soundcards, amps, and other studio gear.

7.8
Sound
Frequency Response Consistency
Avg. Std. Deviation
0.44 dB

The frequency response consistency is very good. Their treble and bass delivery can vary depending on fit and positioning. If you wear glasses, you'll experience inconsistencies in the bass range as the arms of your glasses can prevent a proper seal from being created. Overall, though, if you take some time to adjust the fit, you'll achieve consistent audio delivery.

Sound
Raw Frequency Response
6.8
Sound
Bass Accuracy
Std. Err.
4.13 dB
Low-Frequency Extension
100.79 Hz
Low-Bass
-7.75 dB
Mid-Bass
-3.51 dB
High-Bass
-0.29 dB

The bass accuracy is okay. Like most open-back designs, they struggle to reproduce low-bass, and the range as a whole is underemphasized and lacking in boom and rumble. However, the high-bass is flat and adds some low-end warmth to mixes.

9.0
Sound
Mid Accuracy
Std. Err.
1.37 dB
Low-Mid
0 dB
Mid-Mid
-0.34 dB
High-Mid
-1.05 dB

The mid accuracy is outstanding. The response throughout this range is very flat and follows our target curve extremely well, resulting in a clear and accurate reproduction of vocals and lead instruments. In songs like Marvin Gaye's What's Happening Brother, the strings and rhythm guitar sound smooth and balanced, while the lead vocal sounds forward in the mix, thanks to the slight bump between the mid-mid and high-mid.

5.7
Sound
Treble Accuracy
Std. Err.
6.13 dB
Low-Treble
-3.43 dB
Mid-Treble
-4.55 dB
High-Treble
-8.81 dB

The treble accuracy is sub-par. The range as a whole is quite underemphasized, and there's a large dip between the low and mid-treble that dulls the upper harmonics of vocals and reduces the brilliance of sibilants, like cymbals.

7.5
Sound
Peaks/Dips
Peaks
1.44 dB
Dips
1.68 dB

They have good peaks and dips performance, meaning they control their sound profile well. There's a small bump in the high-bass that adds warmth to the mix and a slight dip in low-bass. There are two peaks in the high-mid and low-treble that add presence to vocals and lead instruments, followed by a significant dip between the low and mid-treble that dulls lower-frequency sibilants. A sharp peak at the top of the mid-treble range adds air and excitement to the high-end of mixes.

8.7
Sound
Imaging
Weighted Group Delay
0.07
Weighted Phase Mismatch
5.9
Weighted Amplitude Mismatch
0.56
Weighted Frequency Mismatch
1.86

The imaging performance is amazing. Imaging can be a good indicator of quality control and ergonomics. However, it's worth keeping in mind that planar magnetic drivers, like those used in these headphones, are more prone to L/R mismatches due to their complex design, compared to dynamic drivers. Our unit's drivers are well-matched in group delay, resulting in tight bass and transparent highs. The L/R drivers are also generally well-matched in frequency, amplitude, and phase response. While some slight bumps are visible in the phase response in the mid-mid and low-treble, these aren't noticeable with real-life content, and instruments are correctly placed in the stereo field.

8.2
Sound
Passive Soundstage
PRTF Accuracy (Std. Dev.)
3.17 dB
PRTF Size (Avg.)
5.09 dB
PRTF Distance
11.81 dB
Openness
9.6
Acoustic Space Excitation
7.9

The Audeze MM-100 have an impressive soundstage performance. Their open-back design allows for a good amount of interaction with your outer ear, and their soundstage feels wide and immersive as a result. Audio sounds like it's coming from speakers placed in the room around you rather than from inside your head.

0
Sound
Virtual Soundstage
Head Modeling
No
Speaker Modeling
No
Room Ambience
No
Head Tracking
No
Virtual Surround
No
7.6
Sound
Weighted Harmonic Distortion
WHD @ 90
0.323
WHD @ 100
0.149

These headphones have a good weighted harmonic distortion performance. While there's some slight distortion present at both moderate and elevated listening volumes in both drivers across the low to mid-treble, it's hard to hear with real-life content unless you have extremely well-attuned ears.

Sound
Test Settings
Firmware
No Firmware
Power
Passive
Connection
Wired
Codec
PCM, 24-bit, 48kHz
EQ
No EQ
ANC
No ANC
Tip/Pad
Default
Microphone
No Microphone

These are the settings used to test these headphones. Our results are only valid when used in this configuration.

Isolation
0.9
Isolation
Noise Isolation
Isolation Audio
Overall Attenuation
-1.67 dB
Noise Cancelling No
Bass
-0.22 dB
Mid
1.52 dB
Treble
-5.97 dB

The noise isolation performance is very bad, which is normal for open-back headphones. They're not designed to block out any external sound, so you'll hear almost everything happening around you.

2.9
Isolation
Leakage
Leakage Audio
Overall Leakage @ 1ft
58.5 dB

The leakage performance is bad. Their open-back design leaks a lot of audio, which is mostly concentrated in the mid and treble ranges. If you're sitting listening to music at high volume in a reasonably quiet environment, like an office, people around you will hear what you're listening to.

Microphone
Microphone
Microphone Style
Integrated
No
In-Line
No
Boom
No
Detachable Boom
No
Mic No
0
Microphone
Recording Quality
Recorded Speech
N/A
LFE
N/A
FR Std. Dev.
N/A
HFE
N/A
Weighted THD
N/A
Gain
N/A
0
Microphone
Noise Handling
SpNR
N/A
Noise Gate
No
Speech + Pink Noise Handling
N/A
Speech + Pink Noise Audio Sample N/A
Speech + Subway Noise Handling
N/A
Speech + Subway Noise Audio Sample N/A
Active Features
0
Active Features
Battery
Battery Type
No Battery
Continuous Battery Life
N/A
Additional Charges
N/A
Total Battery Life
N/A
Charge Time
N/A
Power-Saving Feature
No
Audio While Charging
No
Passive Playback
Passive Headphone
Charging Port None
0
Active Features
App Support
App Name No App
iOS No
Android No
macOS No
Windows No
Equalizer
No
ANC Control
No
Mic Control No
Room Effects
No
Playback Control
No
Button Mapping No
Surround Support
No
Connectivity
9.9
Connectivity
Wired Connection
Analog Audio
Yes
USB Audio
No
Detachable
Yes
Length
7.61 ft (2.32 m)
Connector
1/4" TRS
Latency - Analog
0.2 ms
Latency - USB
N/A
Recorded Latency
Recorded Latency Connection Analog

These headphones come with a long (91.5 inch) 1/4" TRS to 1/8" TRS cable that you can plug into either the left or right ear cup. This feature can come in very handy if you don't want the cable to interfere with moving your dominant hand. Latency is very low via this analog connection, and you'll experience no issues with video and audio falling out of sync.

0
Connectivity
Bluetooth Connection
Bluetooth Version
No Bluetooth
Multi-Device Pairing
No
Quick Pair (Android)
No
Quick Pair (iOS)
No
Line Of Sight Range
N/A
Latency - SBC
N/A
Latency - aptX
N/A
Latency - aptX Adaptive (High Quality)
N/A
Latency - aptX Adaptive (Low Latency)
N/A
Latency - LDAC
N/A
Recorded Latency
N/A
Recorded Latency Codec No Bluetooth Audio
AAC Support
No
0
Connectivity
Wireless Connection (Dongle)
Line Of Sight Range
N/A
Latency - Dongle
N/A
Recorded Latency
N/A
Connectivity
PC Compatibility
Analog
Audio Only (Adapter not included)
Wired USB
No
Non-BT Wireless
No

You can easily connect these headphones to a PC via an analog connection for audio compatibility, but you'll need a 1/4" to 1/8" adapter to fit most PC headphone inputs. While there's no integrated mic, Audeze manufactures a cable with a built-in mic that you can use with these headphones.

Connectivity
PlayStation Compatibility
PS4 Analog
Audio Only (Adapter not included)
PS4 Wired USB
No
PS4 Non-BT Wireless
No
PS5 Analog
Audio Only (Adapter not included)
PS5 Wired USB
No
PS5 Non-BT Wireless
No

You can connect these headphones to PlayStation family consoles via an analog connection for audio compatibility, but you'll need a 1/4" to 1/8" adapter to fit the jack on your controller. However, you'll need to purchase a cable with a built-in mic or a standalone mic to communicate with your teammates.

Connectivity
Xbox Compatibility
Xbox One Analog
Audio Only (Adapter not included)
Xbox One Wired USB
No
Xbox One Non-BT Wireless
No
Xbox Series X|S Analog
Audio Only (Adapter not included)
Xbox Series X|S Wired USB
No
Xbox Series X|S Non-BT Wireless
No

These headphones can connect to Xbox family consoles via an analog connection. However, you'll need a 1/4" to 1/8" adapter to fit the jack on your controller, and you'll only receive audio. While they don't have a built-in mic, you can purchase a cable from Audeze with a built-in mic that you can use with these headphones.

0
Connectivity
Base/Dock
Type
No Base/Dock
USB Input
No
Line In
No
Line Out
No
Optical Input
No
RCA Input
No
Dock Charging
No
Power Supply
No Base/Dock