Preferred headphones store
Reviewed on Feb 28, 2019 , Sam Vafaei, Simon Barbier, Jean-Simon Bonneterre, Yannick Khong

JBL Everest 310 Wireless
HEADPHONES REVIEW

Usage Ratings - Version 1.2

Test Benches:

  • 1.2: Winter 2018
  • 1.1: Summer 2017
  • 1.0: Winter 2017
  • 0.9: Winter 2016
6.7
Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
7.0
Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
6.9
Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
6.9
Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
6.9
Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
5.7
TV
Score components:
5.3
Gaming
Score components:
Type : On-ear
Enclosure : Closed-Back
Wireless : Yes
Noise-Cancelling : No
Mic : Yes
Transducer : Dynamic

The JBL Everest 310 are decent, mixed-usage, on-ear headphones. They have decent audio reproduction but are more suited for bass-heavy genres and won’t be ideal for vocal-centric music. These Bluetooth headphones have a great 24-hour battery life and can also be used wired, even if there’s no power left. Unfortunately, their on-ear design doesn’t isolate much ambient noise and isn’t the most comfortable, making them a bit less versatile than some over-ear headphones. On the upside, the Everest 310 can connect to two devices simultaneously and have a unique feature that lets you share your music with any pair of Bluetooth headphones.

Test Results
Design 6.8
Sound 7.1
Isolation 6.6
Microphone 6.3
Active Features 7.3
Connectivity 6.3
Pros
  • Decent audio reproduction.
  • Unique music sharing feature.
  • Great battery life.
Cons
  • On-ear design might not be as comfortable for everyone.
  • Slightly creaky build quality.

Check Price

6.8

Design

Score components:
JBL Everest 310 Wireless Design Picture

The JBL Everest 310 are decently-designed headphones. Their on-ear fit might not be the most comfortable for most, and their design is a bit large and might constrain the top of your ears. They have a nice control scheme and a unique share feature that lets you transmit your music to other Bluetooth headphones. While the headphones seem sturdy, they creak a lot when manipulating them, which gives them a cheap feel. On the upside, they come with a great hard case that protects the headphones well.

Style
JBL Everest 310 Wireless Design Picture 2

The Everest 310 are very similar to the Everest Elite 700, but have an on-ear design that more closely resembles that of the JBL E45BT. They look decently well-built and have thick padding on the ear cups. The headphones are mostly made of thick plastic, and they have decent padding on the headband as well. You can also see the buttons, which protrude a bit out of the edge of the ear cups.

6.5 Comfort
What it is: Adjustability and degrees of freedom, pressure, stiffness and weight.
When it matters: When the headphones are going to be used for long durations.
Score components: Subjectively assigned
JBL Everest 310 Wireless Comfort Picture
Weight : 0.5 lbs
Clamping Force
What it is: The force that the headphones exert on your head, once you have them on. This is purely a measurement of the force applied, which does not take into account the earpad's surface area and the resulting pressure you will feel, on or around your ears.
When it matters: The tighter the headphones, the more force they put on your head. This can get uncomfortable or cause pain and soreness during long listening sessions.
:
0.8 lbs

These are somewhat comfortable headphones, but the on-ear fit won’t be for everyone. They're fairly lightweight, but the cups are a bit large for on-ears, which might constrain the top of your ears and cause a bit more ear fatigue during long listening sessions. However, the headband is decently padded and puts less pressure on your head than the E45BT. You can also check out the over-ear, more comfortable variant, the JBL Everest 710.

7.4 Controls
What it is: The control scheme of the headphones, the number of functions provided, button layout and ergonomics as well as the quality of tactile feedback.
When it matters: If you want to control volume, pause your music or make phone calls without directly interacting with your audio device.
JBL Everest 310 Wireless Controls Picture
Ease of use : Good
Feedback : Above-average
Call/Music Control : Yes
Volume Control : Yes
Microphone Control : No
Channel Mixing
What it is: Being able to mix audio channels directly on the headphones.
When it matters: This is most useful when using a separate chat software so that you can mix in-game audio and chat audio depending on your needs.
:
N/A
Noise Canceling Control : N/A
Talk-Through : N/A
Additional Buttons : Bluetooth Sync + Share

The Everest 310 have a decent control scheme that is easy to use. The physical buttons are right on the edge of the ear cups, and you get access to common functionalities like call/music management, volume control, and track skipping. You also get two additional buttons for Bluetooth sync and sharing your music. This means you can connect any second pair of Bluetooth headphones to the JBL Everest 310 and both can listen to the same audio content. The buttons are easy to distinguish as the middle play/pause button is raised, but the feedback is not the best, and some presses can feel a bit mushy.

7.0 Breathability
What it is: How hot the headphones get when you wear them for an extended period of time.
When it matters: If you often have long listening sessions or use your headphones while doing physical activities like running or working out.
Score components:
JBL Everest 310 Wireless Breathability After Picture
Avg.Temp.Difference : 4.0 C

Like most on-ears, the Everest 310 aren’t very breathable, but they trap less heat than over-ear headphones. Their design allows a bit of airflow to cool your ears, but you might still feel a slight difference in temperature when wearing these. They won’t be ideal for sports like in-ears, since you might get a bit of extra sweat when working out with them.

6.3 Portability
What it is: The volume of space occupied by the headphones when folded into their most compact format.
When it matters: If you're often on the move and need to carry your headphones in a bag, purse , or pocket.
Score components:
JBL Everest 310 Wireless Portability Picture
L : 5.3 "
W : 5.2 "
H : 2.7 "
Volume : 74 Cu. Inches
Transmitter required : N/A

The Everest 310 are not very portable on-ears. Even if they are smaller than most over-ears, they aren’t easy to carry around. Thankfully, their cups can swivel to lay flat, making it easier to carry them around your neck or slide them into a bag. They also fold into a more compact format and fit inside their great hard case, which doesn’t add too much bulk and protects the headphones well.

8.0 Case
What it is: The provided carrying options to protect your headphones when transporting them.
When it matters: To prevent damaging your headphones, if you often carry them in your bag or pocket.
Score components: Subjectively assigned
JBL Everest 310 Wireless Case Picture
Type : Hard case
L : 7.5 "
W : 6.9 "
H : 2.4 "
Volume : 124 Cu. Inches

The JBL Everest 310 come with a great hard case that protects the headphones against minor water exposure, scratches, and impacts. The case is somewhat molded to help keep the headphones in place and limit the wiggling room.

7.0 Build Quality
What it is: Durability, material quality, cheap/expensive feel.
When it matters: When the headphones are going to be used by multiple users (classes/studios), by children, in tough conditions, on a daily basis, or for exercise.
Score components: Subjectively assigned
JBL Everest 310 Wireless Build Quality Picture

The JBL Everest 310 have a decent build quality. They creak a lot when unfolding them and putting them on, but the headband has a metal frame that makes it solid. The ear cups are also dense enough that they won't get damaged if the headphones fall once or twice. However, the hinges are somewhat weak points, and the plastic coating on the ear cups and headband feels prone to scratches.

6.5 Stability
What it is: How the headphones are designed to prevent them from slipping off your ears or falling off your head.
When it matters: If you plan on using the headphones while doing sports or other physical activities that requires a lot of movement.
Score components: Subjectively assigned
JBL Everest 310 Wireless Stability Picture

These headphones have a somewhat loose fit and aren’t very stable on-ears. They are definitely less stable than the JBL E45BT and could come off your head easily during physical activity. The Everest 310 won’t be a great option for sports. However, since they are wireless, you don’t have to worry about a cable getting stuck on something and yanking the headphones off your head.

Cable
JBL Everest 310 Wireless Cable Picture
Detachable : Yes
Length : 4.1 ft
Connection : 1/8" TRRS

The Everest 310 come with a 4.1-foot long 1/8” TRRS audio cable. The other end of that cable is a 1/16” TRRS connection going into the headphones. They also come with a micro-USB charging cable.

Top
Headshots 1
Headshots 2
7.1

Sound

What it is: How accurately the audio is reproduced. The tests are performed with the headphones' most commonly used features enabled (noise-cancelling, wireless, etc.)
JBL Everest 310 Wireless Frequency Response

The JBL Everest 310 are decent-sounding, on-ear, closed-back headphones. They have a deep, consistent, and powerful bass, a well-balanced mid-range, and decent treble. Their bass is slightly overly thumpy, but some people may prefer this. Also, vocals and lead instruments in the mid-range may sound a bit thin, while their treble is lacking in detail and brightness. Overall, the headphones are better suited for bass-heavy genres but may not be ideal for vocal-centric music. Most users should be satisfied with their sound quality.

8.5 Bass
What it is: Frequency Response from 20Hz-250Hz
When it matters: When the material is heavy on bass frequencies, such as those of kick drums and bass guitar.
Score components:
JBL Everest 310 Wireless Bass
Std. Err.
What it is: The amount of deviation (weighted standard error) in bass frequency response (20Hz-250Hz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) bass performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
2.26 dB
Low-Frequency Extension
What it is: The lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: Shows how extended the bass is.
Good value: <40Hz
Noticeable difference: 5Hz
:
10 Hz
Low-Bass
What it is: The average amount of over/under-emphasis in frequency response from 20Hz-60Hz.
When it matters: Kick drums and low frequency effects get their 'thump' from this range. Mostly felt than heard.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
3.64 dB
Mid-Bass
What it is: The average amount of over/under-emphasis in frequency response from 60Hz-120Hz.
When it matters: Melodic bass instruments have most of their fundamental frequencies in this range. This is where the 'body' and 'punch' of the bass sits.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.62 dB
High-Bass
What it is: The average amount of over/under-emphasis in frequency response from 120Hz-250Hz.
When it matters: Most instruments get their warmth and full-ness from this range. When over-emphasized, mixes tend to get muddy and boomy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.8 dB

The JBL Everest 310 bass performance is great. Their LFE (low-frequency extension) is at 10Hz, which is excellent. The bass response is fairly flat and even, but there is a 3dB bump in low-bass, resulting in a bit of excess in thump and rumble. However, there’s not a lot of music with low-bass frequencies, so this might not be too audible. Mid-bass, responsible for bass guitars and kick drums, is flat and is very close to our target curve. However, high-bass is slightly underemphasized by about 2dB, which will result in a slightly thin sounding bass and lack of warmth.

8.6 Mid
What it is: Frequency Response from 250Hz-2KHz
When it matters: When the material is heavy on mid-range frequencies. This is the case for the majority of audio content.
Score components:
JBL Everest 310 Wireless Mid
Std. Err.
What it is: The amount of deviation (weighted standard error) in mid frequency response (250Hz-2.5KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) mid performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
1.86 dB
Low-Mid
What it is: The average amount of over/under-emphasis in frequency response from 250Hz-500Hz.
When it matters: Most instruments have their fundamentals or low harmonics in this range. Over-emphasis in this range sounds muddy and cluttered. Under-emphasis, thins out the vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-2.2 dB
Mid-Mid
What it is: The average amount of over/under-emphasis in frequency response from 500Hz-1KHz.
When it matters: This range is occupied mostly by upper harmonics. Over-emphasis sounds forward and boxy. Under-emphasis pushes instruments to the back of the mix.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.85 dB
High-Mid
What it is: The average amount of over/under-emphasis in frequency response from 1KHz-2KHz.
When it matters: Most instruments, especially vocals, get their intensity and clarity from this range. Over-emphasis sounds honky and harsh, under-emphasis sounds weak and distant.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.43 dB

The mid-range performance of the Everest 310 is also very good. The response is flat and even throughout the range, which indicates an accurate reproduction of vocals and lead instruments. However, the small underemphasis in low-mid will make vocals sound a bit thin.

7.0 Treble
What it is: Frequency Response from 2KHz-20KHz
When it matters: When the material is heavy on high-range frequencies, such as voice, cymbals, and any other material where brightness, brilliance and airiness is desired.
Score components:
JBL Everest 310 Wireless Treble
Std. Err.
What it is: The amount of deviation (weighted standard error) in treble frequency response (2.5KHz-20KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) treble performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
4.34 dB
Low-Treble
What it is: The average amount of over/under-emphasis in frequency response from 2KHz-5KHz.
When it matters: Almost all instruments rely on this range for their presence, detail, and articulation. Over-emphasis can sound harsh and painful. Under-emphasis hurts the comprehensibility of vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-2.13 dB
Mid-Treble
What it is: The average amount of over/under emphasis in frequency response from 5KHz-10KHz.
When it matters: This is the sibilance range. Cymbals, vocals, and lead instruments rely on this range for brightness and presence. Over-emphasis sounds piercing and painful, under-emphasis sounds dull and lispy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-3.12 dB
High-Treble
What it is: The average amount of over/under-emphasis in frequency response from 10KHz-20KHz.
When it matters: This range gives brilliance and airiness to the sound. Over-emphasis sounds hissy, under-emphasis sounds closed-up and lifeless.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.29 dB

Their treble performance is decent. The range is fairly even other than the broad dip centered around 5KHz, meaning the Everest 310 will lack a bit of brightness and detail surrounding these frequencies. However, they might be slightly sharp and piercing on sounds around 10KHz for some people.

Raw Frequency Response
What it is: The average uncompensated frequency response of the headphone. For in-ears and earbuds, this corresponds to the average of 5 measurements/re-seats on the dummy head (HMS). For over/on-ear headphones, this corresponds to the average of 5 measurements/re-seats on the HMS (Head Measurement System) for the mid and treble ranges, and 5 measurements/re-seats on 5 human subjects for the bass range.
When it matters: This is for those who want to see the raw and uncompensated frequency response of the headphone. Some of the more advanced users, are able to read and evaluate headphone frequency response in its raw form and without compensation. This will be especially useful to them if they have their own headphone compensation/target curve, which may differ from the compensation curve/target response used by RTINGS.com.
7.8 Frequency Response Consistency
What it is: The amount of deviation of each frequency response pass, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Score components:
JBL Everest 310 Wireless Consistency L JBL Everest 310 Wireless Consistency R
Avg. Std. Deviation
What it is: The average amount of deviation in frequency response of 5 re-seats, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Good value: <0.5
Noticeable difference: 0.1
:
0.44 dB

The Everest 310 have a good frequency response consistency. The treble range is quite consistent across multiple re-seats, with the maximum deviation below 10KHz being about 3dB. In the bass range, the delivery is also quite consistent across re-seats and multiple human subjects, with a maximum deviation of about 4dB. Users should get very similar results if they manage to put on these on-ear headphones in a similar position every time.

8.6 Imaging
What it is: Imaging qualities are inherent to the audio content, the headphones have to 'reproduce' them rather than 'create' them. They determine how accurately the objects are positioned in the stereo image, and how transparent the imaging is.
When it matters: When accurate positioning of the objects in the stereo image, and clear and transparent imaging is desired.
JBL Everest 310 Wireless Group Delay JBL Everest 310 Wireless Phase Response
Weighted Group Delay
What it is: The average amount of group delay calculated based on a perceptual weighting filter. Group delay indicates how long it takes for each frequency to reach their maximum amplitude. This is a monaural quality and can be perceived even with one ear.
When it matters: Headphones with lower group delay have more transparent imaging and a tighter bass. Headphones with higher group delay in the bass range tend to have a wimpy and loose bass, and headphones with higher group delay in the treble range tend to have a less transparent imaging.
Good value: <0.5
Noticeable difference: 0.1
:
0.31
Weighted Amplitude Mismatch
What it is: The Left/Right balance of our test unit, that is, the amount of amplitude difference between the left and right drivers. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When a properly balanced stereo image and low manufacturing tolerance is desired. A poor score indicates a noticeable difference in level between the left and right drivers.
Good value: <1.5
Noticeable difference: 0.1
:
0.7
Weighted Frequency Mismatch
What it is: The amount of difference (Std. Err.) between the frequency response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance, is desired. A poor score indicates there may be 'holes' in the stereo image at certain frequencies.
Good value: <2
Noticeable difference: 0.1
:
1.78
Weighted Phase Mismatch
What it is: The amount of difference (Std. Err.) between the phase response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance is desired. A poor score indicates there may be inaccuracies in the stereo image reproduction at certain frequencies.
Good value: <16
Noticeable difference: 3
:
3.13

The imaging for the Everest 310 is great. Their weighted group delay is 0.31, which is within very good limits. The GD graph also shows that the group delay response is almost entirely below the audibility threshold. This ensures a tight and fast bass, and a transparent treble. Additionally, the L/R drivers of our test unit were well-matched in frequency, amplitude, and phase response. This helps with the accurate placement and localization of objects, (voice, instruments, footsteps), in the stereo image. However, these results are only valid for our unit, and yours may perform differently.

3.2 Soundstage
What it is: Soundstage qualities are not inherent to the audio content, the headphones have to 'create' them rather than 'reproduce' them. They determine whether the sound is perceived to be coming from inside or in front of the head, how open and spacious the soundstage is, how much the headphones acoustically interact with the environment, and how strong the phantom center is.
When it matters: When an accurately produced, large and spacious soundstage, similar to that of a stereo loudspeaker setup is desired.
JBL Everest 310 Wireless PRTF
PRTF Accuracy (Std. Dev.)
What it is: The standard deviation of the PRTF (Pinna-related transfer function) of the headphones compared to a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: An accurate pinna activation is mainly responsible for how natural and speaker-like the soundstage is perceived to be. The less error in the shape of the PRTF, the more natrual and speaker-like the perception of the soundstage will be. High amounts of error may indicate a soundstage that is unnatural or odd.
Good value: <2.5
Noticeable difference: 0.1
:
3.61 dB
PRTF Size (Avg.)
What it is: The average amplitude of the PRTF (Pinna-related transfer function) of the headphones compared to that of a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is responsible for the perceived size of the soundstage. The higher the value, the larger the perceived size of the soundstage. However, values above the reference (5.0dB) could result in a soundstage that is perceived as unnatural or odd.
Good value: >3.7
Noticeable difference: 0.1
:
1.71 dB
PRTF Distance
What it is: The depth of the "10KHz notch" of the headphone's PRTF, which is caused by phase cancellations at the concha. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is mainly responsible for the perceived distance and elevation of the soundstage. A small distance value may result in a soundstage that is perceived to be located inside the head. Larger values may help pull the soundstage out from inside of the head and bring it to the front.
Good value: >13
Noticeable difference: 1
:
0.65 dB
Openness
What it is: How open the headphones are, and how open and spacious they sound. This quality is monaural and can be perceived even with one ear. This test differentiates between acoustically and electronically produced crosstalk and only takes the acoustically generated crosstalk into account. This value is the inverse of the Noise Isolation test score, and could be indirectly related the acoustic impedance of the headphones.
When it matters: When a headphone with a sense of an open, and spacious soundstage is desired. A value of 10 indicates a fully open headphone, and a value of 0 indicates a fully closed headphone.
Good value: >7.5
Noticeable difference: 0.5
:
3.9
Acoustic Space Excitation
What it is: How loud the headphones are, and how much they excite their environment acoustically. If the headphones are loud and open enough, the sound leaking from the headphones will be affected by the environment (reflections/reverb) before reflecting back into the open headphones and to the listener's ears. This quality is monaural and can be perceived even with one ear. This value is the inverse of the Leakage test score.
When it matters: Headphones with higher excitation values, similar to openness, tend to have soundstages that are perceived as more open and spacious.
Good value: >7.5
Noticeable difference: 0.5
:
2.7
Correlated Crosstalk
What it is: How strong and solid the phantom center is. This is mostly a stereo quality and its effects on mono content are minimal. This test is sensitive to the phase of the crosstalk and whether it is produced acoustically or electronically.
When it matters: When a true reproduction of the stereo image is desired. A value of 0 indicates no crosstalk, or that the existing crosstalk is not correlated enough to affect the phantom center. A negative score means the crosstalk is out of phase with the original signal, resulting in a slightly wider stereo image at the expense of creating a 'hole' at the center of the stereo field. A positive score means the crosstalk is in phase and positively affecting the phantom center.
Good value: >1dB
Noticeable difference: 0.3dB
:
0.0 dB

The JBL Everest 310 has a poor soundstage. Due to their on-ear design, the drivers don't have enough distance to activate the resonances of the pinna (outer ear) like a loudspeaker, and that shows in the inadequate PRTF accuracy and size values. Also, they don't show a notch in the 10KHz region, further indicating that their soundstage will be perceived to be small and located inside the listener's head as opposed to in-front.

7.8 Total Harmonic Distortion
What it is: The subtle, unwanted frequencies (harmonics) produced alongside the intended frequencies.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Score components:
JBL Everest 310 Wireless Distortion
Weighted THD @ 90
What it is: The overall amount of harmonic distortion measured at 90dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at moderate listening levels.
Good value: <0.100
Noticeable difference: 0.1
:
1.098
Weighted THD @ 100
What it is: The overall amount of harmonic distortion measured at 100dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at loud listening levels.
Good value: <0.300
Noticeable difference: 0.1
:
1.544

The harmonic distortion performance of the Everest 310 is decent. The amount of distortion in within good limits but the peaks around 4-5KHz are slightly elevated and could make the sound of those regions a bit harsh and fatiguing.

6.6

Isolation

Score components:

The JBL Everest 310 don’t have a noise canceling feature, and aren’t a great option for commuting since they don’t block out lower frequencies like bus engines. However, you’ll be able to block more noise, as they don’t leak too much, so you’ll be able to raise your listening volume without bothering the people surrounding you.

6.0 Noise Isolation
What it is: How much outside noise is blocked out by putting the headphones on.
When it matters: If the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
Score components:
JBL Everest 310 Wireless Noise Isolation
Isolation Audio
What it is: The simulated noise isolation of the headphones, demonstrating how much outside noise is blocked out by putting the headphones on. This recording is created using an EQ and is not an actual recording. For headphones with ANC (active noise cancellation), the playback simulates the isolation with ANC enabled.
When it matters: When the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
:
Overall Attenuation
What it is: The overall amount of environmental noise reduction in dB.
When it matters: In loud envinronments like planes, trains, offices, etc.
Good value: <-20dB
Noticeable difference: 1dB
:
-17.33 dB
Bass
What it is: The overall amount of noise isolation in the bass range (20Hz-250Hz).
When it matters: When the outside noise is bass-heavy, like in airplanes.
Good value: <-15dB
Noticeable difference: 1dB
:
-2.42 dB
Mid
What it is: The overall amount of noise isolation in the mid-range (250Hz-2.5KHz).
When it matters: When the environment's noise is mid-heavy, like in an office.
Good value: <-15dB
Noticeable difference: 1dB
:
-16.7 dB
Treble
What it is: The overall amount of noise isolation in the treble range (2.5KHz-20KHz).
When it matters: When the environment's noise is treble-heavy. Although uncommon, areas with sharp sounds fall under this category.
Good value: <-30dB
Noticeable difference: 1dB
:
-34.23 dB
Self-Noise
What it is: The amount of noise created by the active electronics of the headphones (if applicable), measured from 300Hz-20KHz. Applies mostly to wireless and noise-cancelling headphones.
When it matters: If too loud, it could become distracting when listening to quiet material like podcasts and audiobooks.
Good value: <16dB
Noticeable difference: 1dB
:
20.91 dB

The isolation of the Everest 310 is mediocre. Since they don’t have an ANC feature, they don’t reduce outside noise in the bass range, which is important to cancel out the rumble of bus and airplane engines. In the mid-range, important for blocking speech, they achieved 17dB of isolation, which is good. In the treble range, occupied by sharp S and T sounds and fan noises like A/C systems, they reduce outside noise by more than 34dB, which is also good.

7.7 Leakage
What it is: The amount of sound bleeding out of the headphones.
When it matters: When the listener doesn't want people around them (in office, recording studio, etc.) to hear what is being listened to.
Score components:
JBL Everest 310 Wireless Leakage
Leakage Audio
What it is: The simulated sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal. This recording is created using an EQ and is not an actual recording.
When it matters: When you don't want people to hear what you are listening to.
:
Overall Leakage @ 1ft
What it is: The amount of sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal.
When it matters: When you don't want people hear what you are listening to.
Good value: <35dB
Noticeable difference: 1dB
:
35.89 dB

These headphones have a good leakage performance. The significant portion of their leakage is spread from 400Hz to 4KHz, which is a relatively broad range and will mostly consist of speech, leads, and cymbals. The overall level of the leakage is not very loud, either. With the music at 100dB SPL, the leakage at 1 foot away will average around 36 dB SPL and peaks at 49dB SPL, which is just under the noise floor of most offices.

6.3

Microphone

What it is: The microphone section shows the quality of speech capture and transmission by the mic, as well as how well the microphone under test handles noisy environments.
When it matters: For your speech to be transmitted to and understood properly by the listener, the microphone needs to have a good recording quality. If the environment the microphone is being used in is noisy, a microphone with a good noise handling performance would be needed as well.
Score components:
Integrated
What it is: The microphone integrated in the ear cup or ear bud of a wireless headphone.
When it matters: For calls, gaming and voice over IP software or for any other use of the microphone.
Good value: Yes
:
Yes
In-line
What it is: The microphone inside the in-line remote of audio cables for wired and wireless headsets.
When it matters: In-line microphone are usually better than integrated mics. If you need better recording quality and noise handling for calls, gaming and voice over IP software then use the audio cable of your wired or wireless headphone if it has an inline microphone.
Good value: Yes
:
Yes
Boom
What it is: A typically better microphone, that's also adjustable and extends so that the mic is closer to your mouth.
When it matters: Much better recording quality and noise handling than in-line or integrated mics. Primarily used for gaming and voice over IP software.
Good value: Yes
:
No
Detachable Boom
What it is: A boom mic that is detachable from the headset.
When it matters: If you want to use your headphone outdoors without the bulk and hassle of the Boom mic.
:
N/A

The integrated microphone on the Everest 310 has a mediocre performance. In quiet environments, speech recorded/transmitted with this mic will sound a bit thin, and quite muffled and lacking detail. However, it would still be decently understandable. In noisy situations, it will struggle to separate speech from ambient noise, even in moderately loud environments, like a busy street. These headphones also come with an included audio cable that has an in-line microphone, which we expect to perform better than the integrated one.

6.5 Recording Quality
What it is: Microphone recording quality shows how natural, neutral, extended and intelligible speech would be with the device under test, in a quiet environment.
When it matters: A microphone with a good recording quality ensures that the person listening to you would hear a full, clear, and easily understandable speech. Therefore, it is important whenever a good quality of speech transmission and intelligibility is needed.
Score components:
JBL Everest 310 Wireless Microphone Frequency Response
Recorded Speech
What it is: Actual audio recording of the headphone's microphone, recorded while placed on the dummy head, with speech being played back through the dummy head's mouth simulator.
When it matters: When a clean, full, and intelligible speech transmission is required.
:
LFE
What it is: Low-frequency extension shows how deep the bass response of the microphone is, and therefore, how deep and full your voice would sound to the listener. It is the lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: LFE is not a big factor in speech intelligibility and even speech recorded with a mic that has an LFE of 500Hz could still be easily understood. Therefore, it is mostly important if you are concerned with how deep and full your voice would be heard.
Good value: <150Hz
Noticeable difference: 30Hz
:
261.43 Hz
FR Std. Dev.
What it is: Frequency Response Standard Deviation shows how accurately and balanced sound is captured by the microphone at each frequency. FR Std. Dev. is calculated between LFE and HFE, and the rest of the spectrum is ignored.
When it matters: A good frequency response is desired when a natural and neutral speech quality is desired. As opposed to HFE which is more a metric for speech intelligibility, frequency response could be considered as a metric for a natural and neutral sound.
Good value: >3.5dB
Noticeable difference: 0.5dB
:
3.26 dB
HFE
What it is: High-frequency extension is the highest frequency at which the frequency response reaches -3dB of the target response. It shows how extended the treble response of the microphone is.
When it matters: HFE is one the most important factors in speech intelligibility. The higher the HFE, the brighter, more open, and more extended the speech quality will be which makes it a lot easier to understand by the listener.
Good value: >8KHz
Noticeable difference: 1KHz
:
3319.91 Hz
Weighted THD
What it is: The unwanted frequencies (harmonics) produced alongside the intended frequencies, which cause deformation of an output signal compared to its input.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Good value: <1.5
Noticeable difference: 1.0
:
3.499
Gain
What it is: Shows how much louder the microphone can go above our reference loudness level. The gain value is reported relative to our reference level, which is 94dB at a distance of 5cm from the mouth.
When it matters: A microphone with a high gain is important when the input signal (speech) is very quiet. For example when whispering, or talking on the phone in a library.
Good value: >18dB
Noticeable difference: 3dB
:
35.94 dB

The microphone has a below-average recording quality. The LFE (low-frequency extension) is at 261Hz, suggesting speech transmitted/recorded to be noticeably thin. The HFE (high-frequency extension) of 3.3KHz results in speech that is muffled and lacks detail.

6.1 Noise Handling
What it is: How well the microphone is able to separate speech from background noise, so that the transmission would include more voice and less noise.
When it matters: When a clean and intelligible speech transmission is desired in a noisy situation like talking on the phone on a busy street or on the bus.
Score components:
JBL Everest 310 Wireless SpNR
Speech + Pink Noise :
Speech + Subway Noise :
SpNR
What it is: Speech to Noise Ratio is the difference in level between speech and background noise as heard by the listener
When it matters: If the microphone is going to be used in a noisy environment, it is important for it to be able to separate the speech from background noise, so the voice would be easily audible and understandable.
Good value: >24dB
Noticeable difference: 3dB
:
13.6 dB

The integrated microphone is mediocre at noise handling. In our SpNR test, they achieved a speech-to-noise ratio of 14dB, indicating that the microphone performs best in quiet environments and may struggle in moderate and loud environments.

7.3

Active Features

What it is: Headphones with active components that require a battery. This includes noise cancelling and wireless headphones that actively reduce noise or transmit audio via a wireless connection.
When it matters: How suitable the power and wireless specifications of an active headphone will be, depending on your listening habits. The range and/or discharge time of the active headphone you select will be important if you're often on the move or have long uninterrupted listening sessions.
Score components:

The JBL Everest 310 have a great battery life that lasts about a full day, so you won’t have to charge them daily. However, some may find their 10-minute auto-off feature a bit aggressive and too quick, especially that they still turn off even if you’re using their microphone. Thankfully, they can be used wired, even if the battery is dead. Unfortunately, they don’t have a companion app to enhance your listening experience with customization options. 

8.1 Battery
What it is: The power source of your headphones. All headphones with active features have a battery that will deplete over time.
When it matters: To continue using the active features of your headphones. Some models lose features or switch off completely when the battery is drained, which limits what you can do with them until the next charge.
Battery Type
What it is: The type of battery that the headphones use. Usually AAA or embedded, Li-ion rechargeable batteries.
When it matters: When your headphones run out of power. Rechargeable batteries usually charge via the headphones Micro-USB port whereas AAA batteries have to be replaced or charged with an external device.
:
Rechargable
Battery Life
What it is: The amount of time it takes for a headphones' battery to be completely drained. Battery life will vary depending on the active features used and volume level.
When it matters: For active headphones that connect wirelessly, have noise cancellation or other audio-enhancing features, that cease to work once the battery is dead.
Good value: >10hrs
Noticeable difference: 0.5hrs
:
23.8 hrs
Charge Time
What it is: The amount of time your active headphones have to be connected to a power source to charge from 0 to a 100%. However, charging time will vary depending on your power source.
When it matters: To be able to use the active features of your headphones. Especially, wireless ones that completely switch off and need to be recharged when the battery is dead.
Good value: 2h or less
Noticeable difference: 0.25h
:
2.2 hrs
Power Saving Feature
What it is: A feature that turns off the headphones, after a set time, when they're not in use.
When it matters: To prolong battery life when the headphones are not being used, or if you forget to manually turn off your headphones.
:
Auto-Off Timer
Audio while charging
What it is: Some active headphones remain usable while charging. They continue to stream audio and do not disable other active features.
When it matters: This makes sure that your headphones's battery are not being drained when you're relatively close to a power source. However, this means wireless headphones will need a wired connection to the power source during the charging process.
:
No
Passive Playback
What it is: Active headphones that still work when all their active features are turned off or out of power.
When it matters: If you run out of power and do not have spare AA/AAA batteries or access to a power source to recharge your headphones.
:
Yes

They have a great battery life that will last you a whole workday without a problem. We’ve measured about 24 hours of continuous playback, although JBL advertises its battery life to be at 20hrs. They only take about 2 hours to charge fully, which is great. They also turn off automatically after 10 minutes to save some power. However, if you’re using their microphone and are talking for 10 minutes straight, the headphones will still turn off if no audio is fed through the drivers. They can also be used wired, even when the battery is dead.

0 App Support
What it is: The additional app provided to enhance your listening experience. They typically deliver a set of practical features that give you more control over the sound, noise cancelling and effects that the headphones produce.
When it matters: An app with a lot of features allows you to customize your listening experience to suit your taste and preferences. For example, additions like an equalizer can give you more bass or treble and room effects can simulate a bigger Soundstage in closed back headphones.
Score components: Subjectively assigned
App Name : N/A
iOS : N/A
Android : N/A
Mac OS : N/A
Windows : N/A
Equalizer
What it is: Parametric, graphic or preset sound profiles that slightly alter the frequency response.
When it matters: If you want to tailor, your listening experience. Depending on what you're listening to you may want more or less bass for some tracks or more mid-range for vocals-heavy audio.
:
N/A
ANC control
What it is: Control over the Active noise canceling technology. This could be either a simple on/off button, and adjustable slider or even adaptive self-regulating noise cancellation.
When it matters: If you're in an environment where you need to monitor your surroundings or completely isolate yourself from ambient noise.
:
N/A
Mic Control : N/A
Room effects
What it is: Room effects that enhance the audio quality to make it more immersive.
When it matters: If you want to further tweak your listening experience. Adding room effects, can simulate a more spacious Soundstage or deliver a surround sound-like feel.
:
N/A
Playback control
What it is: An in-app player that gives you access to play/stop, track skipping or volume controls directly with the app.
When it matters: It's a shortcut that allows you to control your audio without leaving the application.
:
N/A
Button Mapping : N/A
Surround Sound : N/A

These headphones are not compatible with the JBL Headphones app, even if they are an Everest model.

6.3

Connectivity

What it is: The inputs and outputs of wired and wireless headphones, as well as their latency performance and range.
When it matters: To know how compatible your Bluetooth device, console or PC will be with your wired or wireless headset.
Score components:
  • 10% Bluetooth
  • 33% Wired
  • 10% Base/Dock
  • 22% Wireless Range
  • 25% Latency

These headphones are Bluetooth-compatible and can also be used wired, even if the battery is dead. They can connect to two devices, which is useful, and you can also connect any other pair of Bluetooth headphones to them to share your music. Their latency is average for Bluetooth headphones, and you might notice a delay between audio and video. On the upside, their wireless range is very good.

6.8 Bluetooth
What it is: Bluetooth support for wireless headphones.
When it matters: To connect wirelessly to Bluetooth sources like your phone, tablet, console, PC and TV.
Score components:
  • 80% Multi-Device Pairing
  • 20% NFC
  • <1% PS4 Compatible
  • <1% Xbox One Compatible
Bluetooth Version : 4.1
Multi-Device Pairing
What it is: A Bluetooth profile that allows some headphones to be simultaneously connected to multiple Bluetooth sources, and have full call and media support on both/all devices they are connected to.
When it matters: To quickly switch between your Bluetooth sources. For example, switching from your phone to your home or work PC and still have call and media support on both devices.
Good value: 2 devices.
:
2 Devices
NFC
What it is: Near Field Communication technology that allows you to quickly, pair your headphones with your Bluetooth and NFC-enabled device.
When it matters: This makes pairing with an NFC-enabled device a lot easier than the typical and often tedious hold-to-pair procedure that most wireless headphones have.
Good value: Yes
:
No
PS4 Compatible
What it is: Bluetooth compatibility with the PlayStation 4.
When it matters: To connect your headphones wirelessly with your PS4.
Good value: Audio + Microphone
:
No
Xbox One Compatible
What it is: Bluetooth compatibility with the Xbox One.
When it matters: To connect your headphones wirelessly with your Xbox one.
Good value: Audio + Microphone
:
No

These headphones are Bluetooth compatible and can be connected to two devices simultaneously, which is useful if you want to switch between your work computer and cellphone. Also, they can act as a Bluetooth transmitter with their share functionality. You can connect any other Bluetooth headset to these and listen to the same content simultaneously.

9.1 Wired
What it is: The type and compatibility of audio cables for wired and wireless headphones.
When it matters: For all devices with a regular audio jack (line-out) and also compatibility of the in-line remote/boom microphone with consoles and Personal computers.
Score components:
  • 13% Analog
  • 9% USB
  • 26% PS4 Compatible
  • 26% Xbox One Compatible
  • 26% PC Compatible
Cable Tested : Not OS specific
Analog
What it is: A regular 1/8" TRS audio jack or a 1/4 or 1/16 TRS with a 1/8 TRS adapter.
When it matters: For all devices with a line out.
Good value: Yes
:
Yes
USB
What it is: A USB or USB adapter to connect to your devices for audio and microphone.
When it matters: A digital USB adapter usually offers a slight advantages over a regular audio jack, like a DAC, and amplifier module or software support and compatibility with PCs. However it may not be as compatible with consoles.
Good value: Yes
:
No
PS4 Compatible
What it is: PS4 compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PS4 controller.
Good value: Audio + Microphone
:
Audio + Microphone
Xbox One Compatible
What it is: Xbox One compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your Xbox One controller.
Good value: Audio + Microphone
:
Audio + Microphone
PC Compatible
What it is: PC compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PC.
Good value: Audio + Microphone
:
Audio + Microphone

You can use these headphones passively with the included 1/8” TRRS audio cable. It also has an in-line microphone that will be supported on PCs and consoles.

0 Base/Dock
What it is: The base station, dock or dongle transmitter of wireless headphones that receive data/audio via a proprietary frequency range.
When it matters: Knowing the inputs and outputs of the base/dock/dongle as well as its compatibility with consoles and Personal Computers. Also whether the base supports dock charging to easily recharge the headphones without any cables.
Score components:
  • 5% Optical Input
  • 22% Line In
  • 5% Line Out
  • 22% USB Input
  • 4% RCA Input
  • 9% PS4 Compatible
  • 9% Xbox One Compatible
  • 9% PC Compatible
  • 2% Power Supply
  • 13% Dock Charging
Wireless Type
What it is: The type of wireless connection used by the base station/dock to communicate with the headphones.
When it matters: For latency and range. For example Radio frequency has low latency but mediocre range when obstructed and proprietary docks have their own 2.x GHz or 5 GHz frequency which varies in performance.
:
N/A
Optical Input
What it is: Optical input for audio.
When it matters: Optical can carry a bit more data at faster speeds than typical wired connection which allows for more high quality, lossless audio.
Good value: Yes
:
N/A
Line In
What it is: The regular wired input via a 1/8" TRS audio jack.
When it matters: For any device that has a line out for audio transmission.
Good value: Yes
:
N/A
Line Out
What it is: A regular 1/8TRS audio jack output.
When it matters: If you need to share the audio source with other devices. A line out lets you connect other headphones or speakers to the dock/base station.
Good value: Yes
:
N/A
USB Input
What it is: A digital USB input instead of a typical 1/8 TRS line-in.
When it matters: A USB connection can provide both an audio input and power to the Dock or Base station.
:
N/A
RCA Input
What it is: Audio input using via an RCA connectors.
When it matters: Provides better stereo audio to the dock/base that's then transmitted to the headphones.
Good value: Yes
:
N/A
PS4 Compatible
What it is: Dock/Base station compatibility with the PlayStation 4.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Dock/Base station compatibility with the Xbox One.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
:
N/A
PC Compatible
What it is: Dock/Base station compatibility with your Personal Computer.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Power Supply
What it is: The connector type of the power source.
When it matters: The accessibility of the power source. For example a power supply with USB/USB-C connects to multiple devices, PC , PS4, Xbox One or even with your regular phone charger whereas a A/C adapter is less common.
Good value: USB/USB-C
:
N/A
Dock Charging
What it is: Charging the headphones via the dock/base station instead of a charging cable.
When it matters: It makes charging your headphones easier and gives you a sport to store your headphones when they are not in use.
Good value: Yes
:
N/A

The Everest 310 don’t have a base or dock. If you're looking for headphones with a dock for customization options, look at the Arctis Pro Wireless. If you want a charging dock, look at the Astro A50, and if you're looking for wireless headphones for watching TV, look at the Sennheiser RS 185.

9.3 Wireless Range
What it is: Headphones that offer a cable-free listening experience over a wireless network, typically via Bluetooth or radio frequency.
When it matters: If you don't want to be limited by the length of an audio cable. This means having the freedom to move around in your home or office with a much greater range than an audio cable could provide, especially, if the Bluetooth source is heavy or difficult to carry. Note that wireless range also depends on your Bluetooth sources' signal strength which may vary from device to device or depending on your phone model.
Score components:
Obstructed Range
What it is: The range that the wireless headphones can reach before dropping any audio when the Bluetooth source was placed in another room. We test our obstructed range with a Moto E4 Plus. Results may vary depending on your phone model or Bluetooth source.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in an indoor environment. Although, the obstructed wireless range will slightly depend on your home or office layout. Note that wireless range also depends on your Bluetooth sources' signal strength which may vary from device to device or depending on your phone model.
Good value: >35ft
Noticeable difference: 5ft
:
57 ft
Line of Sight Range
What it is: The range that the wireless headphones can reach before dropping any audio when in direct line of sight of the Bluetooth device.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in a large and open environment.
Good value: 170ft or more
Noticeable difference: 10ft
:
191 ft

The wireless range on the Everest 310 is very good. With 57ft of distance when the source is obstructed by walls, you will be able to walk around a small office or go to the next-door room without getting too many audio cuts. You shouldn’t have any problem if you keep your audio source on or even near you. However, the wireless range is very dependent on your device’s signal strength, so your experience may vary.

2.2 Latency
What it is: How long it takes for audio to play through your headphones once the audio signal has been sent from a source.
When it matters: When gaming or watching movies. High latency means you will hear the audio much later than the images you see on screen.
Score components:
Default Latency
What it is: The Base RF latency or the default sub-band coding (SBC) of most Bluetooth headphones.
When it matters: When watching videos a high latency can cause sync issues between the images you see and the audio you hear.
Good value: 50ms or less
Noticeable difference: 15ms
:
197 ms
aptX Latency
What it is: An audio coding algorithm (Codec) that improves bit rate efficiency. It reduces latency and improves sound quality over Bluetooth.
When it matters: For better sound quality if your often streaming music over Bluetooth. Also it slightly improves latency when watching videos with wireless headphones.
Good value: 50ms or less
Noticeable difference: 15ms
:
N/A
aptX(LL) Latency
What it is: Low latency variation of aptX that significantly reduces sync issues between video and sound when using Bluetooth headphones.
When it matters: When watching videos or gaming latency is a lot more noticeable than just listening to music.
Good value: 50ms or less
Noticeable difference: 5ms
:
N/A

The latency of the Everest 310 is average for Bluetooth headphones. You might notice a delay when watching video content. However, some devices and apps seem to offer some sort of compensation so you might not notice this delay as much. Nevertheless, 197ms will still be too high for gaming.

In the box

JBL Everest 310 Wireless In the box Picture

  • JBL Everest 310 headphones
  • 1/8” TRRS audio cable
  • Micro-USB charging cable
  • Hard carrying case
  • Manuals

Compared to other Headphones

JBL Everest 310 Wireless Compare Picture

The JBL Everest 310 are decent-sounding headphones that set themselves apart by their unique music sharing feature. However, their on-ear design is a bit bulky and isn’t the most comfortable, and they don’t block much noise like over-ear headphones. If you still prefer the on-ear fit, look at our recommendations for the best on-ear headphones. See also our recommendations for the best wireless headphones and the best noise cancelling over-ear headphones.

JBL E45BT Wireless

The JBL Everest 310 and JBL E45BT are very similar on-ear headphones. Both have a sound profile that is better suited for bass-heavy genres due to their recessed mid-range. However, the Everest model feels slightly better-built than the E45BT. They also isolate more noise due to their cups covering the ear more. On the other hand, the E45BT have slightly lower latency, so you might not notice the delay as much on these. They are also noticeably more stable, which is good for sports. Also, the Everest 310 has a unique music sharing feature that lets you connect another pair of Bluetooth headphones to the Everest and listen to the same audio content.

JBL Everest 710 Wireless

The JBL Everest 710 and JBL Everest 310 are basically the same headphones, but the 710 is the over-ear model while the 310 is the on-ear one. The Everest 710 are more versatile as they are more comfortable and better-built. They also have a more accurate bass and an overall better sound. On the other hand, the Everest 310 are more consistent across different users and are slightly less bulky than their over-ear variant.

Beats Solo3 Wireless

The Beats Solo3 Wireless are better on-ear headphones than the JBL Everest 310. Their design is more comfortable, and they have a more accurate audio reproduction, especially in the treble range. Also, their battery is incredible and offers 42 hours of continuous playback. The Beats are also better built and feel more high-end than the squeaking JBLs. On the other hand, the Everest 310 can connect to two devices simultaneously and have a unique music sharing feature. They also isolate a bit more noise than the Beats.

Bose SoundLink On-Ear Wireless

The Bose SoundLink On-Ear are better headphones than the JBL Everest 310. They are one of the most comfortable on-ears we’ve tested so far, and are well-built as well. They also have a great neutral sound profile that is common to Bose headphones. They also have a slightly lower latency. On the other hand, the JBLs will be better suited for bass-heavy music and come with a much nicer hard case. You can also share your music with another Bluetooth headset thanks to their unique music share feature.

Sony WH-CH500 Wireless

The JBL Everest 310 are better mixed usage headphones the Sony WH-CH500. They feel better built and have a noticeably longer battery life. Their sound quality is also a bit more neutral and you can share your music with another Bluetooth headset, which is a unique feature. However, the Sonys feel more stable on your head and are more breathable, which can be great for sports. Nevertheless, the JBL should still be the best option between the two since they also isolate more noise. They can be used wired, which you can’t do with the Sonys.

+ Show more

Conclusion

6.7Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
Decent for mixed usage. They have a decent audio reproduction for critical listening but might be better suited for bass-heavy genres. Also, their on-ear design is not the most comfortable and doesn’t isolate much noise, which means they aren’t the best option for commuting or at the office. However, they are a bit less bulky than over-ears and are more breathable, which is good for sports. Unfortunately, they aren’t stable, and their latency may be too high for watching TV and gaming.
7.0Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
Decent for critical listening. They have a deep, consistent, and powerful bass, a well-balanced mid-range, and a decent treble. Their bass is slightly overly thumpy, but some people may prefer this. Also, vocals and lead instruments in the mid-range may sound a bit thin, while their treble is lacking in detail and brightness. They will be better suited for bass-heavy music, but most people should be satisfied with their sound profile.
6.9Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
Okay for commuting. Their on-ear design doesn’t passively block a lot of noise, and since they don’t have any ANC, they’ll let in a lot of noise into your audio, especially lower frequencies like engines rumble. Also, their large on-ear design might not be the most comfortable to wear during long bus rides or flights, as it might constrain the top of your ear.
6.9Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
Decent for sports. They have decent sound quality, and their thumpy bass can keep you pumped during your workouts, but their design won’t be ideal for physical activity. They aren’t very stable on the head and aren’t as portable as in-ears.
6.9Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Decent for the office. They isolate a good amount of ambient chatter and higher-frequencies, which could help you concentrate on your task. They also don’t leak too much so you shouldn’t bother colleagues surrounding you. They have a great battery life that won’t need daily charging and will last you a few work shifts. Also, even if your battery is dead, you can still use them wired, which can be useful. They can connect to two devices simultaneously, which is convenient if you often switch from your work computer and phone.
5.7TV
Score components:
Sub-par for watching TV. Their latency might be too high for watching video content, as you could notice a delay between the audio and video feed. Also, the on-ear fit won’t be ideal for watching long movies or binge-watching, as you’ll feel ear soreness. On the upside, you can use them wired to get rid of the latency issues, and some devices and apps offer some sort of compensation to reduce the Bluetooth delay, so you might not notice it that much.
5.3Gaming
Score components:
Poor for gaming. Their latency is too high for gaming, and their microphone performance is mediocre. The on-ear design of these headphones won’t be comfortable enough for long gaming sessions too. However, they come with an audio cable with an in-line microphone which gets rid of latency issues, and we expect this mic to perform better than the integrated one.

Recommended Articles

LOG IN

JOIN RTINGS.com

Be part of the most informed community and take advantage of our advanced tools to find the best product for your needs.
Join our mailing list:

Create Discussion