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Reviewed on Aug 22, 2018 , Marc Henney

Sennheiser HD1 On-Ear / Momentum 2.0 On-Ear
HEADPHONES REVIEW

Usage Ratings - Version 1.2

Test Benches: test

  • 1.2: Winter 2018
  • 1.1: Summer 2017
  • 1.0: Winter 2017
  • 0.9: Winter 2016
6.0
Mixed Usage
What it is This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
6.8
Critical Listening
What it is The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
5.5
Commute/Travel
What it is How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
6.1
Sports/Fitness
What it is How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
5.6
Office
What it is How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
5.6
Home Theater
Score components:
6.4
Gaming
Score components:
Type : On-ear
Enclosure : Closed-Back
Wireless : No
Noise-Cancelling : No
Mic : Yes
Transducer : Dynamic

The Sennheiser HD1 On-Ear are well built but mediocre wired on-ears for most use cases. They have a decent but slightly uneven sound quality that won't be ideal for more critical listeners but should be good enough for most. They have a sturdy build quality like the rest of the HD1 lineup but their on-ear fit won't be as comfortable for everyone. They also do not block a lot of noise so they won't be the ideal headphones to use in loud, noisy environments.

Test Results
Design 6.9
Sound 6.7
Isolation 4.8
Microphone 6.5
Active Features 0
Connectivity 5.3
Pros
  • Lightweight, sturdy design.
  • Great audio reproduction.
Cons
  • Leaks quite a bit of sound.
  • Poor isolation.
Update 2/16/2018: Converted to Test Bench 1.2.
Update 10/2/2017: The microphone has been tested with our new methodology, as explained here
Update 8/10/2017: Converted to Test Bench 1.1. Learn more about our new versioned test bench system here.

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6.9

Design

Score components:
Sennheiser Momentum 2.0 On-Ear Design Picture

The Sennheiser HD1 On-Ear have the same look and feel as the HD1 Over-Ear but in a smaller more portable on-ear format. They feel sturdy and durable and have a fairly easy to use controls scheme. Unfortunately, they lack padding on the headband and small on-ear cups are not the most comfortable for everyone. Also, they're not the most stable headphones for sports and physical activity so they won't be a good choice for running or working out.

Style
Sennheiser Momentum 2.0 On-Ear Design Picture 2

The Sennheiser HD1 On-Ear are a more compact version of the HD1 Over-Ear, and keep the same old-school design language and color scheme. They have dark gray oval ear cups with black padding, covered in a suede-like, soft fabric. The metal headband is covered with hard faux leather. They also come in a couple color variants to better match your style and preference.

6.5 Comfort
What it is: Adjustability and degrees of freedom, pressure, stiffness and weight.
When it matters: When the headphones are going to be used for long durations.
Score components: Subjectively assigned
Sennheiser Momentum 2.0 On-Ear Comfort Picture
Weight : 0.39 lbs
Clamping Force
What it is: The force that the headphones exert on your head, once you have them on. This is purely a measurement of the force applied, which does not take into account the earpad's surface area and the resulting pressure you will feel, on or around your ears.
When it matters: The tighter the headphones, the more force they put on your head. This can get uncomfortable or cause pain and soreness during long listening sessions.
:
0.65 lbs

The Sennheiser HD1 On-Ear are relatively comfortable. The on-ear cups are well padded and covered in a soft fabric that feels nice on the skin. Unfortunately, the on-ear design may not be ideal for everybody and the lack of padding on the headband further reduces their comfortability.

7.1 Controls
What it is: The control scheme of the headphones, the number of functions provided, button layout and ergonomics as well as the quality of tactile feedback.
When it matters: If you want to control volume, pause your music or make phone calls without directly interacting with your audio device.
Sennheiser Momentum 2.0 On-Ear Controls Picture
Ease of use : Average
Feedback : Above-average
Call/Music Control : Yes
Volume Control : Yes
Microphone Control : No
Channel Mixing
What it is: Being able to mix audio channels directly on the headphones.
When it matters: This is most useful when using a separate chat software so that you can mix in-game audio and chat audio depending on your needs.
:
N/A
Noise Canceling Control : N/A
Talk-Through : N/A
Additional Buttons : No

The Sennheiser HD1 On-Ear deliver a solid button layout with decent functionality. The inline cable includes volume controls and a multi-purpose call/music button that allows you to for play, stop and skip tracks. The buttons also provide good feedback and are easy to find by touch alone.

7.3 Breathability
What it is: How hot the headphones get when you wear them for an extended period of time.
When it matters: If you often have long listening sessions or use your headphones while doing physical activities like running or working out.
Score components:
Sennheiser Momentum 2.0 On-Ear Breathability After Picture
Avg.Temp.Difference : 3.4 C

The Sennheiser Momentum 2.0 On-Ear are a bit more breathable than most over-ears. They do not fully cover the ear like the HD1 Over-Ear and therefore obstruct less airflow. This means you should be able to wear these headphones for a little longer than with the over-ears but comfort and fit will be a bigger deciding factor.

6.5 Portability
What it is: The volume of space occupied by the headphones when folded into their most compact format.
When it matters: If you're often on the move and need to carry your headphones in a bag, purse , or pocket.
Score components:
Sennheiser Momentum 2.0 On-Ear Portability Picture
L : 4.33 "
W : 6.50 "
H : 2.17 "
Volume : 60.92 Cu. Inches
Stand required : N/A

These headphones have a moderately portable design. They fold up for easier transport and take up less space. However, they are on the larger side for on-ear headphones, and although they would fit relatively comfortably in a backpack or handbag, it will not fit in most pockets.

7.0 Case
What it is: The provided carrying options to protect your headphones when transporting them.
When it matters: To prevent damaging your headphones, if you often carry them in your bag or pocket.
Score components: Subjectively assigned
Sennheiser Momentum 2.0 On-Ear Case Picture
Type : Soft case
L : 6.5 "
W : 7.68 "
H : 2.36 "
Volume : 117.8 Cu. Inches

The Sennheiser HD1 On-Ear, like the HD1 Over-Ear and the HD1 Wireless, have the same soft case that will protect the headphones from scratches and will fit all the gear that is provided with headphone. Unfortunately, the soft case will not protect the headphones much, from hard falls and impacts like a hard case would.

7.5 Build Quality
What it is: Durability, material quality, cheap/expensive feel.
When it matters: When the headphones are going to be used by multiple users (classes/studios), by children, in tough conditions, on a daily basis, or for exercise.
Score components: Subjectively assigned
Sennheiser Momentum 2.0 On-Ear Build Quality Picture

Good build quality. The Sennheiser HD1 On-Ear have a sturdy metal headband that feels durable. The ear cups are dense enough to withstand a couple of drops without breaking; the overall build quality and design feel fairly high-end and premium. Unfortunately, the thin cabling connecting the ear cups is exposed and susceptible to damage from wear and tear.

6.5 Stability
What it is: How the headphones are designed to prevent them from slipping off your ears or falling off your head.
When it matters: If you plan on using the headphones while doing sports or other physical activities that requires a lot of movement.
Score components: Subjectively assigned
Sennheiser Momentum 2.0 On-Ear Stability Picture

The Sennheiser Momentum 2.0 On-Ear are decently stable headphones. They maintain their position during casual listening sessions. Unfortunately, they're not stable enough for sports or high-intensity activities like running and jumping. Their audio cable is detachable but can be locked into the ear cups. This means, that if the cable is locked and gets hooked by something in your environment, the headphones will be pulled off your head, unlike the wireless model.

Cable
Sennheiser Momentum 2.0 On-Ear Cable Picture
Detachable : Yes
Length : 4.49 ft
Connection : 1/8" TRS

These headphones come with a 1/8" TRRS-TRRS cable with inline controls.

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Headshots 1
Headshots 2
6.7

Sound

What it is: How accurately the audio is reproduced. The tests are performed with the headphones' most commonly used features enabled (noise-cancelling, wireless, etc.)
Sennheiser Momentum 2.0 On-Ear Frequency Response

The Sennheiser HD1 On-Ear are an average sounding pair of closed-back on-ear headphones. They have a consistent, deep and powerful bass, a good and even mid-range, and an average treble. However, their bass is a bit heavy on the heavy side, which fans of heavy-bass may like, their mid-range is noticeably thin and recessed especially on vocals, and their treble lacks a bit of detail and could sound a bit sharp on S and T sounds. Overall, they are a good choice for a wide variety of genres especially bass-heavy music, but not the ideal choice for vocal-centric music.

8.3 Bass
What it is: Frequency Response from 20Hz-250Hz
When it matters: When the material is heavy on bass frequencies, such as those of kick drums and bass guitar.
Score components:
Sennheiser Momentum 2.0 On-Ear Bass
Std. Err.
What it is: The amount of deviation (weighted standard error) in bass frequency response (20Hz-250Hz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) bass performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
2.47 dB
Low-Frequency Extension
What it is: The lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: Shows how extended the bass is.
Good value: <40Hz
Noticeable difference: 5Hz
:
10 Hz
Low-Bass
What it is: The average amount of over/under-emphasis in frequency response from 20Hz-60Hz.
When it matters: Kick drums and low frequency effects get their 'thump' from this range. Mostly felt than heard.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
2.32 dB
Mid-Bass
What it is: The average amount of over/under-emphasis in frequency response from 60Hz-120Hz.
When it matters: Melodic bass instruments have most of their fundamental frequencies in this range. This is where the 'body' and 'punch' of the bass sits.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
2.87 dB
High-Bass
What it is: The average amount of over/under-emphasis in frequency response from 120Hz-250Hz.
When it matters: Most instruments get their warmth and full-ness from this range. When over-emphasized, mixes tend to get muddy and boomy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
2.82 dB

The bass of the Sennheiser HD1 On-Ear is very good. The LFE (low-frequency extension) is at 10Hz, which is excellent. Overall, the bass response is flat and even, but consistently over our neutral target by about 2.5dB. This results in a deep and extended bass which is slightly hyped and on the heavy side, which fans of heavy-bass my like.

7.7 Mid
What it is: Frequency Response from 250Hz-2KHz
When it matters: When the material is heavy on mid-range frequencies. This is the case for the majority of audio content.
Score components:
Sennheiser Momentum 2.0 On-Ear Mid
Std. Err.
What it is: The amount of deviation (weighted standard error) in mid frequency response (250Hz-2.5KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) mid performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
3.13 dB
Low-Mid
What it is: The average amount of over/under-emphasis in frequency response from 250Hz-500Hz.
When it matters: Most instruments have their fundamentals or low harmonics in this range. Over-emphasis in this range sounds muddy and cluttered. Under-emphasis, thins out the vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-2.46 dB
Mid-Mid
What it is: The average amount of over/under-emphasis in frequency response from 500Hz-1KHz.
When it matters: This range is occupied mostly by upper harmonics. Over-emphasis sounds forward and boxy. Under-emphasis pushes instruments to the back of the mix.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-3.46 dB
High-Mid
What it is: The average amount of over/under-emphasis in frequency response from 1KHz-2KHz.
When it matters: Most instruments, especially vocals, get their intensity and clarity from this range. Over-emphasis sounds honky and harsh, under-emphasis sounds weak and distant.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.87 dB

The Sennheiser HD1 On-Ear have a good bass performance. The response throughout the range is quite even, but the broad 5dB recess centered around 500Hz nudges vocals and lead instruments towards the back of the mix by giving more emphasis to the bass and treble regions. It will also slightly thin out the vocals and lead instruments.

6.8 Treble
What it is: Frequency Response from 2KHz-20KHz
When it matters: When the material is heavy on high-range frequencies, such as voice, cymbals, and any other material where brightness, brilliance and airiness is desired.
Score components:
Sennheiser Momentum 2.0 On-Ear Treble
Std. Err.
What it is: The amount of deviation (weighted standard error) in treble frequency response (2.5KHz-20KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) treble performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
4.49 dB
Low-Treble
What it is: The average amount of over/under-emphasis in frequency response from 2KHz-5KHz.
When it matters: Almost all instruments rely on this range for their presence, detail, and articulation. Over-emphasis can sound harsh and painful. Under-emphasis hurts the comprehensibility of vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.95 dB
Mid-Treble
What it is: The average amount of over/under emphasis in frequency response from 5KHz-10KHz.
When it matters: This is the sibilance range. Cymbals, vocals, and lead instruments rely on this range for brightness and presence. Over-emphasis sounds piercing and painful, under-emphasis sounds dull and lispy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.67 dB
High-Treble
What it is: The average amount of over/under-emphasis in frequency response from 10KHz-20KHz.
When it matters: This range gives brilliance and airiness to the sound. Over-emphasis sounds hissy, under-emphasis sounds closed-up and lifeless.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-3.56 dB

The treble range performance is about average. The overall response is rather uneven, and the dip centered around 4KHz negatively affect the detail and presence of vocals and lead instruments. The peak around 9KHz, makes the S and Ts a bit sharp, especially for those with sensitive ears. This will be mostly noticeable on vocals and cymbals.

Raw Frequency Response
What it is: The average uncompensated frequency response of the headphone. For in-ears and earbuds, this corresponds to the average of 5 measurements/re-seats on the dummy head (HMS). For over/on-ear headphones, this corresponds to the average of 5 measurements/re-seats on the HMS (Head Measurement System) for the mid and treble ranges, and 5 measurements/re-seats on 5 human subjects for the bass range.
When it matters: This is for those who want to see the raw and uncompensated frequency response of the headphone. Some of the more advanced users, are able to read and evaluate headphone frequency response in its raw form and without compensation. This will be especially useful to them if they have their own headphone compensation/target curve, which may differ from the compensation curve/target response used by RTINGS.com.
Score components:
7.9 Frequency Response Consistency
What it is: The amount of deviation of each frequency response pass, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Score components:
Sennheiser Momentum 2.0 On-Ear Consistency L Sennheiser Momentum 2.0 On-Ear Consistency R
Avg. Std. Deviation
What it is: The average amount of deviation in frequency response of 5 re-seats, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Good value: <0.5
Noticeable difference: 0.1
:
0.42 dB

The Sennheiser Momentum 2.0 On-Ear have a very good frequency response consistency. The consistency of their bass delivery across our 5 human subjects is above-average. Our measurements shows that if a proper fit/seal is achieved, the maximum deviation at 20Hz will be less than 3dB which is negligible. However, without a proper fit/seal, the user may experience a noticeable drop in bass. These headphones are even more consistent in the treble range, especially below 10KHz. This is most likely due to their small ear cups and on-ear design which makes the possible variations in positioning and placement across multiple re-seats quite limited.

8.5 Imaging
What it is: Imaging qualities are inherent to the audio content, the headphones have to 'reproduce' them rather than 'create' them. They determine how accurately the objects are positioned in the stereo image, and how transparent the imaging is.
When it matters: When accurate positioning of the objects in the stereo image, and clear and transparent imaging is desired.
Sennheiser Momentum 2.0 On-Ear Group Delay Sennheiser Momentum 2.0 On-Ear Phase Response
Weighted Group Delay
What it is: The average amount of group delay calculated based on a perceptual weighting filter. Group delay indicates how long it takes for each frequency to reach their maximum amplitude. This is a monaural quality and can be perceived even with one ear.
When it matters: Headphones with lower group delay have more transparent imaging and a tighter bass. Headphones with higher group delay in the bass range tend to have a wimpy and loose bass, and headphones with higher group delay in the treble range tend to have a less transparent imaging.
Good value: <0.5
Noticeable difference: 0.1
:
0.19
Weighted Amplitude Mismatch
What it is: The Left/Right balance of our test unit, that is, the amount of amplitude difference between the left and right drivers. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When a properly balanced stereo image and low manufacturing tolerance is desired. A poor score indicates a noticeable difference in level between the left and right drivers.
Good value: <1.5
Noticeable difference: 0.1
:
0.99
Weighted Frequency Mismatch
What it is: The amount of difference (Std. Err.) between the frequency response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance, is desired. A poor score indicates there may be 'holes' in the stereo image at certain frequencies.
Good value: <2
Noticeable difference: 0.1
:
1.96
Weighted Phase Mismatch
What it is: The amount of difference (Std. Err.) between the phase response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance is desired. A poor score indicates there may be inaccuracies in the stereo image reproduction at certain frequencies.
Good value: <16
Noticeable difference: 3
:
4.02

The imaging is very good. Their weighted group delay is at 0.19, which is very low. The GD graph also shows that the entire group delay response is below the audibility threshold. This ensures a tight bass and a transparent treble reproduction. Also, the L/R drivers of our test unit were well-matched in frequency, amplitude, and phase response. This is important for accurate placement and localization of objects, such as footsteps and instruments, in the stereo field.

2.9 Soundstage
What it is: Soundstage qualities are not inherent to the audio content, the headphones have to 'create' them rather than 'reproduce' them. They determine whether the sound is perceived to be coming from inside or in front of the head, how open and spacious the soundstage is, how much the headphones acoustically interact with the environment, and how strong the phantom center is.
When it matters: When an accurately produced, large and spacious soundstage, similar to that of a stereo loudspeaker setup is desired.
Sennheiser Momentum 2.0 On-Ear PRTF
PRTF Accuracy (Std. Dev.)
What it is: The standard deviation of the PRTF (Pinna-related transfer function) of the headphones compared to a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: An accurate pinna activation is mainly responsible for how natural and speaker-like the soundstage is perceived to be. The less error in the shape of the PRTF, the more natrual and speaker-like the perception of the soundstage will be. High amounts of error may indicate a soundstage that is unnatural or odd.
Good value: <2.5
Noticeable difference: 0.1
:
4.84 dB
PRTF Size (Avg.)
What it is: The average amplitude of the PRTF (Pinna-related transfer function) of the headphones compared to that of a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is responsible for the perceived size of the soundstage. The higher the value, the larger the perceived size of the soundstage. However, values above the reference (5.0dB) could result in a soundstage that is perceived as unnatural or odd.
Good value: >3.7
Noticeable difference: 0.1
:
-0.17 dB
PRTF Distance
What it is: The depth of the "10KHz notch" of the headphone's PRTF, which is caused by phase cancellations at the concha. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is mainly responsible for the perceived distance and elevation of the soundstage. A small distance value may result in a soundstage that is perceived to be located inside the head. Larger values may help pull the soundstage out from inside of the head and bring it to the front.
Good value: >13
Noticeable difference: 1
:
-4.41 dB
Openness
What it is: How open the headphones are, and how open and spacious they sound. This quality is monaural and can be perceived even with one ear. This test differentiates between acoustically and electronically produced crosstalk and only takes the acoustically generated crosstalk into account. This value is the inverse of the Noise Isolation test score, and could be indirectly related the acoustic impedance of the headphones.
When it matters: When a headphone with a sense of an open, and spacious soundstage is desired. A value of 10 indicates a fully open headphone, and a value of 0 indicates a fully closed headphone.
Good value: >7.5
Noticeable difference: 0.5
:
5.6
Acoustic Space Excitation
What it is: How loud the headphones are, and how much they excite their environment acoustically. If the headphones are loud and open enough, the sound leaking from the headphones will be affected by the environment (reflections/reverb) before reflecting back into the open headphones and to the listener's ears. This quality is monaural and can be perceived even with one ear. This value is the inverse of the Leakage test score.
When it matters: Headphones with higher excitation values, similar to openness, tend to have soundstages that are perceived as more open and spacious.
Good value: >7.5
Noticeable difference: 0.5
:
4.9
Correlated Crosstalk
What it is: How strong and solid the phantom center is. This is mostly a stereo quality and its effects on mono content are minimal. This test is sensitive to the phase of the crosstalk and whether it is produced acoustically or electronically.
When it matters: When a true reproduction of the stereo image is desired. A value of 0 indicates no crosstalk, or that the existing crosstalk is not correlated enough to affect the phantom center. A negative score means the crosstalk is out of phase with the original signal, resulting in a slightly wider stereo image at the expense of creating a 'hole' at the center of the stereo field. A positive score means the crosstalk is in phase and positively affecting the phantom center.
Good value: >1dB
Noticeable difference: 0.3dB
:
-0.12 dB

The soundstage of the Momentum 2.0 On-Ear is poor. These headphones don't interact with the pinna, which is due to their on-ear design. This can also be seen in their PRTF graph where there is very little activation. This, and their open-back design, results in a soundstage that will be perceived as small and located inside the listener's head.

6.4 Total Harmonic Distortion
What it is: The subtle, unwanted frequencies (harmonics) produced alongside the intended frequencies.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Score components:
Sennheiser Momentum 2.0 On-Ear Distortion
Weighted THD @ 90
What it is: The overall amount of harmonic distortion measured at 90dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at moderate listening levels.
Good value: <0.100
Noticeable difference: 0.1
:
4.385
Weighted THD @ 100
What it is: The overall amount of harmonic distortion measured at 100dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at loud listening levels.
Good value: <0.300
Noticeable difference: 0.1
:
33.031

The harmonic distortion performance is mediocre. The amount of THD produce in the bass range, is rather elevated, especially in the upper bass region. Also, the spike in THD around 4KHz could make the sound of the region a bit harsh and impure.

4.8

Isolation

Score components:

The Sennheiser Momentum 2.0 On-Ear do not have active noise cancellation like the HD1 Over-Ear Wireless. Only the passive isolation provided by the seal of the earcups prevents ambient noise from seeping into your audio. Unfortunately, the small ear cups do not seal the ears well enough to be a good option in loud environments. The distractions and ambient noise from a public transit while commuting or from your colleagues in a lively office will be audible, even when playing a little music. Unfortunately, since they also leak a bit, you won't be able to mask more ambient noise by playing your music at higher volumes without distracting those around you, especially in quieter conditions.

4.3 Noise Isolation
What it is: How much outside noise is blocked out by putting the headphones on.
When it matters: If the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
Score components:
Sennheiser Momentum 2.0 On-Ear Noise Isolation
Overall Attenuation
What it is: The overall amount of environmental noise reduction in dB.
When it matters: In loud envinronments like planes, trains, offices, etc.
Good value: <-20dB
Noticeable difference: 1dB
:
-7.3 dB
Bass
What it is: The overall amount of noise isolation in the bass range (20Hz-250Hz).
When it matters: When the outside noise is bass-heavy, like in airplanes.
Good value: <-15dB
Noticeable difference: 1dB
:
-0.05 dB
Mid
What it is: The overall amount of noise isolation in the mid-range (250Hz-2.5KHz).
When it matters: When the environment's noise is mid-heavy, like in an office.
Good value: <-15dB
Noticeable difference: 1dB
:
-4.34 dB
Treble
What it is: The overall amount of noise isolation in the treble range (2.5KHz-20KHz).
When it matters: When the environment's noise is treble-heavy. Although uncommon, areas with sharp sounds fall under this category.
Good value: <-30dB
Noticeable difference: 1dB
:
-19.24 dB
Self-Noise
What it is: The amount of noise created by the active electronics of the headphones (if applicable), measured from 300Hz-20KHz. Applies mostly to wireless and noise-cancelling headphones.
When it matters: If too loud, it could become distracting when listening to quiet material like podcasts and audiobooks.
Good value: <16dB
Noticeable difference: 1dB
:
0 dB

The Sennheiser Momentum 2.0 On-Ear have a sub-par isolation performance. These headphones don't have active noise cancelling and therefore don't provide any isolation in the bass range. This means they will let in all the low rumbling noises of airplane and bus engines. In the mid-range, which is important for blocking out speech, they provide an inadequate 4dB of isolation. In the treble range, occupied by sharp sounds like S and Ts, they isolate by more than 19dB, which is decent.

5.7 Leakage
What it is: The amount of sound bleeding out of the headphones.
When it matters: When the listener doesn't want people around them (in office, recording studio, etc.) to hear what is being listened to.
Score components:
Sennheiser Momentum 2.0 On-Ear Leakage
Overall Leakage @ 1ft
What it is: The amount of sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal.
When it matters: When you don't want people hear what you are listening to.
Good value: <35dB
Noticeable difference: 1dB
:
46.22 dB

The leakage performance of the HD1 On-Ear is sub-par. The significant portion of the leakage is spread between 500Hz and 4KHz, which is a relatively broad range. The overall level of the leakage is relatively loud too. With the music at 100dB SPL, the leakage at 1 foot away averages at 46dB SPL and peaks at 62dB SPL which is noticeably above the noise floor of an average office.

6.5

Microphone

What it is: The microphone section shows the quality of speech capture and transmission by the mic, as well as how well the microphone under test handles noisy environments.
When it matters: For your speech to be transmitted to and understood properly by the listener, the microphone needs to have a good recording quality. If the environment the microphone is being used in is noisy, a microphone with a good noise handling performance would be needed as well.
Score components:
Integrated
What it is: The microphone integrated in the ear cup or ear bud of a wireless headphone.
When it matters: For calls, gaming and voice over IP software or for any other use of the microphone.
Good value: Yes
:
No
In-line
What it is: The microphone inside the in-line remote of audio cables for wired and wireless headsets.
When it matters: In-line microphone are usually better than integrated mics. If you need better recording quality and noise handling for calls, gaming and voice over IP software then use the audio cable of your wired or wireless headphone if it has an inline microphone.
Good value: Yes
:
Yes
Boom
What it is: A typically better microphone, that's also adjustable and extends so that the mic is closer to your mouth.
When it matters: Much better recording quality and noise handling than in-line or integrated mics. Primarily used for gaming and voice over IP software.
Good value: Yes
:
No
Detachable Boom
What it is: A boom mic that is detachable from the headset.
When it matters: If you want to use your headphone outdoors without the bulk and hassle of the Boom mic.
:
N/A

The Sennheiser HD1 On-Ear have an average microphone. In quiet environments, speech recorded or transmitted with this mic sound relatively thin and lacking in presence, but it will be quite intelligible and open. In noisy situations, it will struggle to fully separate speech from background noise even in moderately loud environments, like a busy street.

7.0 Recording Quality
What it is: Microphone recording quality shows how natural, neutral, extended and intelligible speech would be with the device under test, in a quiet environment.
When it matters: A microphone with a good recording quality ensures that the person listening to you would hear a full, clear, and easily understandable speech. Therefore, it is important whenever a good quality of speech transmission and intelligibility is needed.
Score components:
Sennheiser Momentum 2.0 On-Ear Microphone Frequency Response
Recorded Speech
What it is: Actual audio recording of the headphone's microphone, recorded while placed on the dummy head, with speech being played back through the dummy head's mouth simulator.
When it matters: When a clean, full, and intelligible speech transmission is required.
:
LFE
What it is: Low-frequency extension shows how deep the bass response of the microphone is, and therefore, how deep and full your voice would sound to the listener. It is the lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: LFE is not a big factor in speech intelligibility and even speech recorded with a mic that has an LFE of 500Hz could still be easily understood. Therefore, it is mostly important if you are concerned with how deep and full your voice would be heard.
Good value: <150Hz
Noticeable difference: 30Hz
:
472.58 Hz
FR Std. Dev.
What it is: Frequency Response Standard Deviation shows how accurately and balanced sound is captured by the microphone at each frequency. FR Std. Dev. is calculated between LFE and HFE, and the rest of the spectrum is ignored.
When it matters: A good frequency response is desired when a natural and neutral speech quality is desired. As opposed to HFE which is more a metric for speech intelligibility, frequency response could be considered as a metric for a natural and neutral sound.
Good value: >3.5dB
Noticeable difference: 0.5dB
:
3.2 dB
HFE
What it is: High-frequency extension is the highest frequency at which the frequency response reaches -3dB of the target response. It shows how extended the treble response of the microphone is.
When it matters: HFE is one the most important factors in speech intelligibility. The higher the HFE, the brighter, more open, and more extended the speech quality will be which makes it a lot easier to understand by the listener.
Good value: >8KHz
Noticeable difference: 1KHz
:
14905.89 Hz
Weighted THD
What it is: The unwanted frequencies (harmonics) produced alongside the intended frequencies, which cause deformation of an output signal compared to its input.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Good value: <1.5
Noticeable difference: 1.0
:
1.012
Gain
What it is: Shows how much louder the microphone can go above our reference loudness level. The gain value is reported relative to our reference level, which is 94dB at a distance of 5cm from the mouth.
When it matters: A microphone with a high gain is important when the input signal (speech) is very quiet. For example when whispering, or talking on the phone in a library.
Good value: >18dB
Noticeable difference: 3dB
:
20.48 dB

The HD1 On-Ear's microphone has a decent recording quality. The LFE (low-frequency extension) of 473Hz indicates a recorded/transmitted speech that is noticeably thin. The HFE (high-frequency extension) of 15KHz is quite extended, suggesting an airy and open sound. However, the dip around 5Khz, negatively affects the detail and presence of speech, but it will still be easily intelligible.

6.0 Noise Handling
What it is: How well the microphone is able to separate speech from background noise, so that the transmission would include more voice and less noise.
When it matters: When a clean and intelligible speech transmission is desired in a noisy situation like talking on the phone on a busy street or on the bus.
Score components:
Sennheiser Momentum 2.0 On-Ear SpNR
Speech + Pink Noise :
Speech + Subway Noise :
SpNR
What it is: Speech to Noise Ratio is the difference in level between speech and background noise as heard by the listener
When it matters: If the microphone is going to be used in a noisy environment, it is important for it to be able to separate the speech from background noise, so the voice would be easily audible and understandable.
Good value: >24dB
Noticeable difference: 3dB
:
12.55 dB

The microphone of the HD1 On-Ear is mediocre at noise handling. They achieved a speech-to-noise ratio of 13dB in our SpNR test. This means they are best suited for quiet environments, since they will struggle to fully separate speech from ambient noise even in moderately loud situations.

0

Active Features

What it is: Headphones with active components that require a battery. This includes noise cancelling and wireless headphones that actively reduce noise or transmit audio via a wireless connection.
When it matters: How suitable the power and wireless specifications of an active headphone will be, depending on your listening habits. The range and/or discharge time of the active headphone you select will be important if you're often on the move or have long uninterrupted listening sessions.
Score components:

The Sennheiser HD1 On-Ear have no active features and therefore do not require a battery. They also do not have a dedicated app or software for added customization options.

N/A Battery
What it is: The power source of your headphones. All headphones with active features have a battery that will deplete over time.
When it matters: To continue using the active features of your headphones. Some models lose features or switch off completely when the battery is drained, which limits what you can do with them until the next charge.
Battery Type
What it is: The type of battery that the headphones use. Usually AAA or embedded, Li-ion rechargeable batteries.
When it matters: When your headphones run out of power. Rechargeable batteries usually charge via the headphones Micro-USB port whereas AAA batteries have to be replaced or charged with an external device.
:
N/A
Battery Life
What it is: The amount of time it takes for a headphones' battery to be completely drained. Battery life will vary depending on the active features used and volume level.
When it matters: For active headphones that connect wirelessly, have noise cancellation or other audio-enhancing features, that cease to work once the battery is dead.
Good value: >10hrs
Noticeable difference: 0.5hrs
:
N/A
Charge Time
What it is: The amount of time your active headphones have to be connected to a power source to charge from 0 to a 100%. However, charging time will vary depending on your power source.
When it matters: To be able to use the active features of your headphones. Especially, wireless ones that completely switch off and need to be recharged when the battery is dead.
Good value: 2h or less
Noticeable difference: 0.25h
:
N/A
Power Saving Feature
What it is: A feature that turns off the headphones, after a set time, when they're not in use.
When it matters: To prolong battery life when the headphones are not being used, or if you forget to manually turn off your headphones.
:
N/A
Audio while charging
What it is: Some active headphones remain usable while charging. They continue to stream audio and do not disable other active features.
When it matters: This makes sure that your headphones's battery are not being drained when your relatively close to a power source. However, this means wireless headphones will need a wired connection to the power source during the charging process.
:
N/A
Passive Playback
What it is: Active headphones that still work when all their active features are turned off or out of power.
When it matters: If you run out of power and do not have spare AA/AAA batteries or access to a power source to recharge your headphones.
:
N/A

These are passive headphones with no active components and no battery.

0 App Support
What it is: The additional app provided to enhance your listening experience. They typically deliver a set of practical features that give you more control over the sound, noise cancelling and effects that the headphones produce.
When it matters: An app with a lot of features allows you to customize your listening experience to suit your taste and preferences. For example, additions like an equalizer can give you more bass or treble and room effects can simulate a bigger Soundstage in closed back headphones.
Score components: Subjectively assigned
App Name : N/A
iOS : N/A
Android : N/A
Mac OS : N/A
Windows : N/A
Equalizer
What it is: Parametric, graphic or preset sound profiles that slightly alter the frequency response.
When it matters: If you want to tailor, your listening experience. Depending on what you're listening to you may want more or less bass for some tracks or more mid-range for vocals-heavy audio.
:
N/A
ANC control
What it is: Control over the Active noise canceling technology. This could be either a simple on/off button, and adjustable slider or even adaptive self-regulating noise cancellation.
When it matters: If you're in an environment where you need to monitor your surroundings or completely isolate yourself from ambient noise.
:
N/A
Mic Control : N/A
Room effects
What it is: Room effects that enhance the audio quality to make it more immersive.
When it matters: If you want to further tweak your listening experience. Adding room effects, can simulate a more spacious Soundstage or deliver a surround sound-like feel.
:
N/A
Playback control
What it is: An in-app player that gives you access to play/stop, track skipping or volume controls directly with the app.
When it matters: It's a shortcut that allows you to control your audio without leaving the application.
:
N/A
Button Mapping : N/A
Surround Sound : N/A

The headphones do not have a dedicated, compatible app for added customization.

5.3

Connectivity

What it is: The inputs and outputs of wired and wireless headphones, as well as their latency performance and range.
When it matters: To know how compatible your Bluetooth device, console or PC will be with your wired or wireless headset.
Score components:
  • 10% Bluetooth
  • 33% Wired
  • 10% Base/Dock
  • 22% Wireless Range
  • 25% Latency

The Sennheiser HD1 On-Ear only have a wired connection. They have practically no latency for watching movies and videos but do not have the convenient range of a wireless headphone. On the upside, their audio cable does come with an in-line remote and mic that will work with your PS4 controller but not with the Xbox since the cable is IOS specific.

0 Bluetooth
What it is: Bluetooth support for wireless headphones.
When it matters: To connect wirelessly to Bluetooth sources like your phone, tablet, console, PC and TV.
Score components:
  • 80% Multi-Device Pairing
  • 20% NFC
  • <1% PS4 Compatible
  • <1% Xbox One Compatible
Bluetooth Version : N/A
Multi-Device Pairing
What it is: A Bluetooth profile that allows some headphones to be simultaneously connected to multiple Bluetooth sources, and have full call and media support on both/all devices they are connected to.
When it matters: To quickly switch between your Bluetooth sources. For example, switching from your phone to your home or work PC and still have call and media support on both devices.
Good value: 2 devices.
:
N/A
NFC
What it is: Near Field Communication technology that allows you to quickly, pair your headphones with your Bluetooth and NFC-enabled device.
When it matters: This makes pairing with an NFC-enabled device a lot easier than the typical and often tedious hold-to-pair procedure that most wireless headphones have.
Good value: Yes
:
N/A
PS4 Compatible
What it is: Bluetooth compatibility with the PlayStation 4.
When it matters: To connect your headphones wirelessly with your PS4.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Bluetooth compatibility with the Xbox One.
When it matters: To connect your headphones wirelessly with your Xbox one.
Good value: Audio + Microphone
:
N/A

These headphones are wired and do not have a Bluetooth connection. If you want a good Bluetooth headset for more casual use, check out the Plantronics BackBeat Pro 2.

8.5 Wired
What it is: The type and compatibility of audio cables for wired and wireless headphones.
When it matters: For all devices with a regular audio jack (line-out) and also compatibility of the in-line remote/boom microphone with consoles and Personal computers.
Score components:
  • 13% Analog
  • 9% USB
  • 26% PS4 Compatible
  • 26% Xbox One Compatible
  • 26% PC Compatible
Cable Tested : iOS
Analog
What it is: A regular 1/8" TRS audio jack or a 1/4 or 1/16 TRS with a 1/8 TRS adapter.
When it matters: For all devices with a line out.
Good value: Yes
:
Yes
USB
What it is: A USB or USB adapter to connect to your devices for audio and microphone.
When it matters: A digital USB adapter usually offers a slight advantages over a regular audio jack, like a DAC, and amplifier module or software support and compatibility with PCs. However it may not be as compatible with consoles.
Good value: Yes
:
No
PS4 Compatible
What it is: PS4 compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PS4
Good value: Audio + Microphone
:
Audio + Microphone
Xbox One Compatible
What it is: Xbox One compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your Xbox One
Good value: Audio + Microphone
:
Audio Only
PC Compatible
What it is: PC compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PC.
Good value: Audio + Microphone
:
Audio + Microphone

These headphones come with a 1/8" TRRS audio cable with an in-line microphone that's compatible with the, PS4 and iOS devices but not the Xbox One. They will only provide audio when connected to your Xbox controller and will need a headset adapter or a compatible headphone jack to provide microphone support with your PC or tablet.

0 Base/Dock
What it is: The base station, dock or dongle transmitter of wireless headphones that receive data/audio via a proprietary frequency range.
When it matters: Knowing the inputs and outputs of the base/dock/dongle as well as its compatibility with consoles and Personal Computers. Also whether the base supports dock charging to easily recharge the headphones without any cables.
Score components:
  • 5% Optical Input
  • 22% Line In
  • 5% Line Out
  • 22% USB Input
  • 4% RCA Input
  • 9% PS4 Compatible
  • 9% Xbox One Compatible
  • 9% PC Compatible
  • 2% Power Supply
  • 13% Dock Charging
Wireless Type
What it is: The type of wireless connection used by the base station/dock to communicate with the headphones.
When it matters: For latency and range. For example Radio frequency has low latency but mediocre range when obstructed and proprietary docks have their own 2.x GHz or 5 GHz frequency which varies in performance.
:
N/A
Optical Input
What it is: Optical input for audio.
When it matters: Optical can carry a bit more data at faster speeds than typical wired connection which allows for more high quality, lossless audio.
Good value: Yes
:
N/A
Line In
What it is: The regular wired input via a 1/8" TRS audio jack.
When it matters: For any device that has a line out for audio transmission.
Good value: Yes
:
N/A
Line Out
What it is: A regular 1/8TRS audio jack output.
When it matters: If you need to share the audio source with other devices. A line out lets you connect other headphones or speakers to the dock/base station.
Good value: Yes
:
N/A
USB Input
What it is: A digital USB input instead of a typical 1/8 TRS line-in.
When it matters: A USB connection can provide both an audio input and power to the Dock or Base station.
:
N/A
RCA Input
What it is: Audio input using via an RCA connectors.
When it matters: Provides better stereo audio to the dock/base that's then transmitted to the headphones.
Good value: Yes
:
N/A
PS4 Compatible
What it is: Dock/Base station compatibility with the PlayStation 4.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Dock/Base station compatibility with the Xbox One.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
:
N/A
PC Compatible
What it is: Dock/Base station compatibility with your Personal Computer.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Power Supply
What it is: The connector type of the power source.
When it matters: The accessibility of the power source. For example a power supply with USB/USB-C connects to multiple devices, PC , PS4, Xbox One or even with your regular phone charger whereas a A/C adapter is less common.
Good value: USB/USB-C
:
N/A
Dock Charging
What it is: Charging the headphones via the dock/base station instead of a charging cable.
When it matters: It makes charging your headphones easier and gives you a sport to store your headphones when they are not in use.
Good value: Yes
:
N/A

The Audio-Technica ATH-M60x does not have a dock. If you need a headset with a dock that also has a wired connection for gaming or watching movies, then consider the SteelSeries Arctis 7.

0 Wireless Range
What it is: Headphones that offer a cable-free listening experience over a wireless network, typically via Bluetooth or radio frequency.
When it matters: If you don't want to be limited by the length of an audio cable. This means having the freedom to move around in your home or office with a much greater range than an audio cable could provide, especially, if the Bluetooth source is heavy or difficult to carry.
Score components:
Obstructed Range
What it is: The range that the wireless headphones can reach before dropping any audio when the Bluetooth source was placed in another room.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in an indoor environment. Although, the obstructed wireless range will slightly depend on your home or office layout.
Good value: >35ft
Noticeable difference: 5ft
:
N/A
Line of Sight Range
What it is: The range that the wireless headphones can reach before dropping any audio when in direct line of sight of the Bluetooth device.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in a large and open environment.
Good value: 170ft or more
Noticeable difference: 10ft
:
N/A

These headphones do not have a wireless range since they're wired. If you want a good wireless headset for critical listening, consider the Sony WH-1000XM2.

10 Latency
What it is: How long it takes for audio to play through your headphones once the audio signal has been sent from a source.
When it matters: When gaming or watching movies. High latency means you will hear the audio much later than the images you see on screen.
Score components:
Default Latency
What it is: The Base RF latency or the default sub-band coding (SBC) of most Bluetooth headphones.
When it matters: When watching videos a high latency can cause sync issues between the images you see and the audio you hear.
Good value: 50ms or less
Noticeable difference: 15ms
:
0 ms
aptX Latency
What it is: An audio coding algorithm (Codec) that improves bit rate efficiency. It reduces latency and improves sound quality over Bluetooth.
When it matters: For better sound quality if your often streaming music over Bluetooth. Also it slightly improves latency when watching videos with wireless headphones.
Good value: 50ms or less
Noticeable difference: 15ms
:
N/A
aptX(LL) Latency
What it is: Low latency variation of aptX that significantly reduces sync issues between video and sound when using Bluetooth headphones.
When it matters: When watching videos or gaming latency is a lot more noticeable than just listening to music.
Good value: 50ms or less
Noticeable difference: 5ms
:
N/A

These headphones do not have a wireless range since they're wired. If you want a good wireless headset for critical listening, consider the Bose QuietComfort 35 II.

In the box

Sennheiser Momentum 2.0 On-Ear In the box Picture

  • Sennheiser HD1 On-Ear Headphones
  • Audio cable
  • Carrying case
  • Carrying pouch

Compared to other Headphones

Sennheiser Momentum 2.0 On-Ear Compare Picture

The Sennheiser HD1 On-Ear are well-built headphones with decent audio reproduction. They can be a little boomy and slightly sharp on some higher frequencies but sound good enough for most casual listeners. Their lightweight yet sturdy design feels durable thanks to the metal and dense plastic used for the frame and ear cups. Unfortunately, they're not the best sounding or most comfortable on-ears we've tested, especially when compared to some of the headphones below.

Audio-Technica ATH-M50x

The Audio-Technica ATH-M50x  are a better headphone than the Sennheiser HD1 On-Ear. The ATH-M50x have a more comfortable over-ear fit than the Sennheiser. They're also better built and a have a much better sound quality that delivers a more powerful bass without drowning instruments and vocals or sounding boomy and cluttered like the Sennehisers. On the upside, the HD1 on-ear are a bit more portable and easier to carry around. They also come with an in-line remote which makes them a bit more suitable to use with your phone while commuting even if their isolation performance is not great.

Bose QuietComfort 35 II

The Bose QuietComfort 35 II are a much better headphone than the Sennheiser HD1 On-Ear. However, since the Bose are wireless and noise canceling, they're not really comparable to the Sennheisers. The QC35 II are a lot more suitable for commuting and traveling than the HD1 On-Ear since they have better noise isolation thanks to their ANC feature. They also have a more range than the HD1 since they're wireless, and they sound better with a more balanced representation of the treble ranges. The Bose are also a lot more comfortable too. On the other hand, since the HD1 are wired, so they have no latency when watching videos. However, you can also use the Bose with the provided audio cable for the same use case.

Sony WH-1000XM2

The Sony WH-1000XM2 are a much better headphone than the Sennheiser HD1 On-Ear, but they're also wireless and noise canceling which is not as comparable. The WH-1000XM2 are more suitable for commuting and traveling than the HD1 On-Ear since they are noise canceling and the HD1 are not. The Sonys also have a lot more features like a customizable EQ, codec options, and room effects. On the other hand, since the HD1 on-ear are wired, they have no latency when watching videos. They're also a bit more compact and portable than the Sonys.

Sennheiser PXC 550 Wireless

The Sennheiser PXC 550 Wireless are a better headset overall than the Sennheiser  HD1 On-Ear, but since the HD1 are wired-only headphones, you cannot make a direct comparison. The PXC 550 are more comfortable and have a lot more features like a customizable sound and noise cancellation. This makes them more versatile for most use cases and suitable for different environments, unlike the Sennheisers. They also sound better out- of the box but on the other hand,  the HD1 on-ear are wired, so they have no latency when watching videos. They're also a bit more compact and portable than the PXC 550 wireless. However, you can also use the Bose with the provided audio cable for the same use case.

Conclusion
SEE PRICE
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6.0Mixed Usage
What it is This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
Mediocre for mixed usage. The Sennheiser HD1 On-Ear have a decent sound and a sturdy build quality. They also have easy to use controls and are decently portable. Unfortunately, they won't be the most suitable headphones to use in loud noisy environments due to their poor isolation performance. They're also not as comfortable as some of the other on-ear designs we've tested and aren't stable enough for sports or physical activity. These headphones are best use as a critical listening headphone since they do not perform as well for other use cases.
6.8Critical Listening
What it is The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
Decent for critical listening. The Sennheiser Momentum 2.0 On-Ear have a slightly uneven but good enough sound quality for most. They pack an above-average amount of bass but tend to sound a bit boomy and cluttered since their mid-range is a little recessed. Their treble range is also a bit inconsistent and can sound a bit sharp on some S and T sounds but should be balanced enough to not be piercing on already bright tracks. Unfortunately, they won't be the ideal choice for more critical listeners since they have a fairly small soundstage due to their closed back on-ear design.
5.5Commute/Travel
What it is How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
Poor isolation performance for noisy commutes. They're fairly portable and have a decent control scheme but won't block much ambient noise in loud environments.
6.1Sports/Fitness
What it is How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
Mediocre for sports use. They're compact and breathable but are a little too unstable for high-intensity exercises and running.
5.6Office
What it is How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Poor for office use. The Sennheiser Momentum 2.0 On-Ear headphones will leak enough to be distracting to your colleagues and do not adequately block the chatter of a busy office.
5.6Home Theater
Score components:
Below-average for home theater use. They have a decent sound and no latency since they're wired. However, they have a short audio cable that limits their range and won't be ideal if you want to use them with your TV.
6.4Gaming
Score components:
Average for gaming. The Sennheiser HD1 on-ear have a decent sound and a low latency wired connection, but are not as convenient or as customizable as most wireless gaming headsets. They also have a mediocre at best microphone and an iOS specific audio cable that is only compatible with the PS4 controller and not the Xbox one.

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