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Reviewed on Aug 31, 2018 , Sam Vafaei, Yannick Khong

HiFiMan Ananda
HEADPHONES REVIEW

Usage Ratings - Version 1.2

Test Benches:

  • 1.2: Winter 2018
  • 1.1: Summer 2017
  • 1.0: Winter 2017
  • 0.9: Winter 2016
6.0
Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
8.5
Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
4.5
Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
5.3
Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
5.1
Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
6.1
TV
Score components:
6.0
Gaming
Score components:
Type : Over-ear
Enclosure : Open-Back
Wireless : No
Noise-Cancelling : No
Mic : No
Transducer : Planar Magnetic

The HiFiMan Ananda are great critical listening headphones and a good redesign of the Edition X. They sound practically the same as the Edition X but with a tad better mid-range and harmonic distortion. They also have the headband design and metal yokes of the Sundara, so they have a lower profile, and should be a bit more durable. Unfortunately, HiFiMan does not have the best track record with durability and like most open-back over-ears, they're only designed for critical listening.

Test Results
Design 6.6
Sound 8.6
Isolation 1.4
Microphone 0
Active Features 0
Connectivity 4.8
Pros
  • Excellent audio reproduction.
  • Comfortable, premium-looking design.
  • A better headband than the Edition X.
Cons
  • Poor isolation by design.
  • Bulky and cumbersome ear cups.

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6.6

Design

Score components:
HiFiMan Ananda Design Picture

The HiFiMan Ananda are a slightly better redesign of the Edition X. They have a better headband with a lower profile and more durable metal yokes similar to the Sundara. They also have new cables that stand out a bit more, with a unique transparent coating that looks great but doesn't feel as sturdy as the braided cables of the Edition X. However, the ear cups are fairly similar to the older model, and overall they have the same shape and size, although the Ananda are a bit more compact thanks to the new, rounded headband that doesn't protrude as much. Unfortunately, like most open back over-ears, they're bulky, cumbersome and aren't designed for anything else but critical listening. 

Style
HiFiMan Ananda Design Picture 2

The HiFiMan Ananda have the same look and feel as the Edition X, but with the same yoke redesign as the HiFiMan Sundara. This gives them a lower profile since the headband does not protrude as much as the Edition X's headband. They also look a bit more premium, since the yokes are now a solid metal frame that feels more durable but lacks swiveling joints. However, like most critical listening headphones of this caliber, they are somewhat cumbersome to wear even if you're just walking around in your house. They're also not meant or designed to use outdoors.

8.0 Comfort
What it is: Adjustability and degrees of freedom, pressure, stiffness and weight.
When it matters: When the headphones are going to be used for long durations.
Score components: Subjectively assigned
HiFiMan Ananda Comfort Picture
Weight : 0.9 lbs
Clamping Force
What it is: The force that the headphones exert on your head, once you have them on. This is purely a measurement of the force applied, which does not take into account the earpad's surface area and the resulting pressure you will feel, on or around your ears.
When it matters: The tighter the headphones, the more force they put on your head. This can get uncomfortable or cause pain and soreness during long listening sessions.
:
1.2 lbs

The HiFiMan Ananda are about as comfortable as the Edition X but have a slightly different yoke design that makes them feel a bit tighter on the head. They still have large, well-padded ear cups that will easily fit around all ear sizes and since the cups have a fairly large surface area, they somewhat reduce the clamping effect of the tight headband. Unfortunately, they are still fairly heavy and bulky headphones, and the cups will be a bit too large for some heads and will extend past the jaw, which may become uncomfortable for some during longer listening sessions.

0 Controls
What it is: The control scheme of the headphones, the number of functions provided, button layout and ergonomics as well as the quality of tactile feedback.
When it matters: If you want to control volume, pause your music or make phone calls without directly interacting with your audio device.
Ease of use : N/A
Feedback : N/A
Call/Music Control : No
Volume Control : No
Microphone Control : N/A
Channel Mixing
What it is: Being able to mix audio channels directly on the headphones.
When it matters: This is most useful when using a separate chat software so that you can mix in-game audio and chat audio depending on your needs.
:
N/A
Noise Canceling Control : N/A
Talk-Through : N/A
Additional Buttons : N/A

These headphones do not come with any control schemes, which is to be expected for an open-back critical listening headphone.

6.4 Breathability
What it is: How hot the headphones get when you wear them for an extended period of time.
When it matters: If you often have long listening sessions or use your headphones while doing physical activities like running or working out.
Score components:
HiFiMan Ananda Breathability After Picture
Avg.Temp.Difference : 5.9 C

The HiFiMan Ananda are open-back headphones that should be a bit more breathable than most closed-back over-ears. However, the larger size of their planar magnetic drivers obstructs airflow quite a bit, which means the HiFiMan will make your ears warmer during long listening sessions than similarly designed open-back models. The large ear cups are spacious enough that your ears do have a little breathing room, but they won't be the ideal headphones to listen in really warm conditions or for very long continuous listening sessions. They are also not made or designed for physical activity and will not be suitable for that use case.

5.5 Portability
What it is: The volume of space occupied by the headphones when folded into their most compact format.
When it matters: If you're often on the move and need to carry your headphones in a bag, purse , or pocket.
Score components:
HiFiMan Ananda Portability Picture
L : 7.9 "
W : 6 "
H : 4 "
Volume : 190 Cu. Inches
Stand required : N/A

The HiFiMan Ananda are slightly more compact than the Edition X. The redesigned headband does not protrude as much as on the previous model which saves a bit of space. However, like most open back critical listening over-ears, these headphones are not meant to be portable and are still too bulky to carry around on your person. They also do not come with a dedicated carrying case although the packaging box is well made and could be a good substitute.

0 Case
What it is: The provided carrying options to protect your headphones when transporting them.
When it matters: To prevent damaging your headphones, if you often carry them in your bag or pocket.
Score components: Subjectively assigned
Type : No case
L : N/A
W : N/A
H : N/A
Volume : N/A

Unfortunately, like the Edition X, the Anandas do not come with a dedicated case. However, you can use the box that they are packaged in as a case, but it adds a lot of bulk and won't be practical to carry around unless you have a really big bag or suitcase. As expected though, these are not headphones that you will be carrying around often.

8.0 Build Quality
What it is: Durability, material quality, cheap/expensive feel.
When it matters: When the headphones are going to be used by multiple users (classes/studios), by children, in tough conditions, on a daily basis, or for exercise.
Score components: Subjectively assigned
HiFiMan Ananda Build Quality Picture

The build quality of the HiFiMan Ananda is a little better than that of the similarly designed Edition X. They have the same dense and durable ear cups with a metal grill for the open-back design. The rest of the build, however, is a little different. The headband especially is now more similar to that of the HiFiMan Sundara, with metal yokes that should be a lot more durable than the plastic ones of the previous model. The cables provided are also different. The new cables are transparent and coated with a rubber-like sleeve that should be sturdy enough for most use cases but does not feel as durable as the braided ones of the Edition X. Also, as previously mentioned on other HiFiMan headphones we've tested, quality control is not always the best, so we will be monitoring these headphones for any significant issues that may require a score change. However, for now, they are one of the better built open-back headphones we've tested so far. They're made with premium materials and look very high-end.

6.0 Stability
What it is: How the headphones are designed to prevent them from slipping off your ears or falling off your head.
When it matters: If you plan on using the headphones while doing sports or other physical activities that requires a lot of movement.
Score components: Subjectively assigned
HiFiMan Ananda Stability Picture

These headphones are not designed to be most stable for physical activity. The ear cups have a large enough surface area that they will maintain their position during casual listening sessions and the redesign of the yokes, without swiveling hinges, makes them slightly more stable on the head than the Edition X. However, they are not meant and will not be suitable for sports or any use case that involves a lot of movement. On the upside, their audio cable is detachable but will most likely yank the headphones off your head if hooked by something.

Cable
HiFiMan Ananda Cable Picture
Detachable : Yes
Length : 5 ft
Connection : 1/8" TRS

These headphones come with two cables; a 1/8" TRS audio cable with a 1/8" to 1/4" adapter, and a 1/4" TRS audio cable.

Top
Headshots 1
Headshots 2
8.6

Sound

What it is: How accurately the audio is reproduced. The tests are performed with the headphones' most commonly used features enabled (noise-cancelling, wireless, etc.)
HiFiMan Ananda Frequency Response

The Hifiman Ananda is a great sounding pair of open-back over-ear headphones. They sound nearly identical to the Edition X and have the same excellent, well-balanced and decently extended bass, which is especially impressive for an open-back design. Their mid-range is also very good and a small improvement over the Edition X's, and they have a nearly flawless treble. Additionally, they perform quite consistently across multiple users, produce less distortion than the Edition X, and have a large and open soundstage. Overall, they are one of the best sounding headphones we have measured so far and are a great choice for a wide variety of genres from bass-heavy EDM and Hip-hop, to vocal-centric jazz/rock, and even classical. On the downside, they lack a bit of sub-bass and their lower mid-range is on the muddy side.

8.9 Bass
What it is: Frequency Response from 20Hz-250Hz
When it matters: When the material is heavy on bass frequencies, such as those of kick drums and bass guitar.
Score components:
HiFiMan Ananda Bass
Std. Err.
What it is: The amount of deviation (weighted standard error) in bass frequency response (20Hz-250Hz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) bass performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
1.58 dB
Low-Frequency Extension
What it is: The lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: Shows how extended the bass is.
Good value: <40Hz
Noticeable difference: 5Hz
:
10 Hz
Low-Bass
What it is: The average amount of over/under-emphasis in frequency response from 20Hz-60Hz.
When it matters: Kick drums and low frequency effects get their 'thump' from this range. Mostly felt than heard.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-2.63 dB
Mid-Bass
What it is: The average amount of over/under-emphasis in frequency response from 60Hz-120Hz.
When it matters: Melodic bass instruments have most of their fundamental frequencies in this range. This is where the 'body' and 'punch' of the bass sits.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-0.72 dB
High-Bass
What it is: The average amount of over/under-emphasis in frequency response from 120Hz-250Hz.
When it matters: Most instruments get their warmth and full-ness from this range. When over-emphasized, mixes tend to get muddy and boomy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.43 dB

The bass is great. The LFE (low-frequency extension) is at 10Hz, which is excellent. Low-bass, which is responsible for the thump and rumble common to bass-heavy music and sound effects is within 3dB of our neutral target. This lack won't be very audible, since sub-bass frequencies are mostly felt and are hard to hear. Overall, their low-bass performance is quite good especially considering these are open-back headphones, and producing low-bass is one of the more difficult things for open-back headphones. Mid-bass, responsible for the body of bass guitars and the punch of kick drums is flat and balanced. High-bass, responsible for warmth is overemphasized by 1.4dB, adding a tad of muddiness to the overall sound on some tracks.

8.7 Mid
What it is: Frequency Response from 250Hz-2KHz
When it matters: When the material is heavy on mid-range frequencies. This is the case for the majority of audio content.
Score components:
HiFiMan Ananda Mid
Std. Err.
What it is: The amount of deviation (weighted standard error) in mid frequency response (250Hz-2.5KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) mid performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
1.76 dB
Low-Mid
What it is: The average amount of over/under-emphasis in frequency response from 250Hz-500Hz.
When it matters: Most instruments have their fundamentals or low harmonics in this range. Over-emphasis in this range sounds muddy and cluttered. Under-emphasis, thins out the vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.81 dB
Mid-Mid
What it is: The average amount of over/under-emphasis in frequency response from 500Hz-1KHz.
When it matters: This range is occupied mostly by upper harmonics. Over-emphasis sounds forward and boxy. Under-emphasis pushes instruments to the back of the mix.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.4 dB
High-Mid
What it is: The average amount of over/under-emphasis in frequency response from 1KHz-2KHz.
When it matters: Most instruments, especially vocals, get their intensity and clarity from this range. Over-emphasis sounds honky and harsh, under-emphasis sounds weak and distant.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.28 dB

The mid-range of the HiFiMan Ananda is great. The response throughout the range is noticeably more even than the mid-range of the Edition X. Their mid-range is also very well-balanced which results in a clear an accurate reproduction of vocals and lead instruments. However, the subtle overemphasis in low-mid could add a bit of muddiness to the sound on certain tracks.

8.7 Treble
What it is: Frequency Response from 2KHz-20KHz
When it matters: When the material is heavy on high-range frequencies, such as voice, cymbals, and any other material where brightness, brilliance and airiness is desired.
Score components:
HiFiMan Ananda Treble
Std. Err.
What it is: The amount of deviation (weighted standard error) in treble frequency response (2.5KHz-20KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) treble performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
2.62 dB
Low-Treble
What it is: The average amount of over/under-emphasis in frequency response from 2KHz-5KHz.
When it matters: Almost all instruments rely on this range for their presence, detail, and articulation. Over-emphasis can sound harsh and painful. Under-emphasis hurts the comprehensibility of vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.03 dB
Mid-Treble
What it is: The average amount of over/under emphasis in frequency response from 5KHz-10KHz.
When it matters: This is the sibilance range. Cymbals, vocals, and lead instruments rely on this range for brightness and presence. Over-emphasis sounds piercing and painful, under-emphasis sounds dull and lispy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.78 dB
High-Treble
What it is: The average amount of over/under-emphasis in frequency response from 10KHz-20KHz.
When it matters: This range gives brilliance and airiness to the sound. Over-emphasis sounds hissy, under-emphasis sounds closed-up and lifeless.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-0.64 dB

The treble performance of the Ananda is great. The response throughout the range is decently even and very well-balanced. The small narrow dip around 5.5KHz will have a subtle negative effect on the detail of vocals and lead instruments, and the small bump between 6KHz and 10KHz bring a little bit of overemphasis to sibilances (S and T sounds).

Raw Frequency Response
What it is: The average uncompensated frequency response of the headphone. For in-ears and earbuds, this corresponds to the average of 5 measurements/re-seats on the dummy head (HMS). For over/on-ear headphones, this corresponds to the average of 5 measurements/re-seats on the HMS (Head Measurement System) for the mid and treble ranges, and 5 measurements/re-seats on 5 human subjects for the bass range.
When it matters: This is for those who want to see the raw and uncompensated frequency response of the headphone. Some of the more advanced users, are able to read and evaluate headphone frequency response in its raw form and without compensation. This will be especially useful to them if they have their own headphone compensation/target curve, which may differ from the compensation curve/target response used by RTINGS.com.
Score components:
8.5 Frequency Response Consistency
What it is: The amount of deviation of each frequency response pass, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Score components:
HiFiMan Ananda Consistency L HiFiMan Ananda Consistency R
Avg. Std. Deviation
What it is: The average amount of deviation in frequency response of 5 re-seats, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Good value: <0.5
Noticeable difference: 0.1
:
0.3 dB

The frequency response consistency is great. In the bass range, we measured less than 3dB of deviation in delivery across our human subjects, including our subject who wears glasses. This is subtle but noticeable, but a lot more consistent than the bass of some closed-back headphones like the HD 820. In the treble range, there's barely any deviation in their response below 10KHz, which is excellent.

8.9 Imaging
What it is: Imaging qualities are inherent to the audio content, the headphones have to 'reproduce' them rather than 'create' them. They determine how accurately the objects are positioned in the stereo image, and how transparent the imaging is.
When it matters: When accurate positioning of the objects in the stereo image, and clear and transparent imaging is desired.
HiFiMan Ananda Group Delay HiFiMan Ananda Phase Response
Weighted Group Delay
What it is: The average amount of group delay calculated based on a perceptual weighting filter. Group delay indicates how long it takes for each frequency to reach their maximum amplitude. This is a monaural quality and can be perceived even with one ear.
When it matters: Headphones with lower group delay have more transparent imaging and a tighter bass. Headphones with higher group delay in the bass range tend to have a wimpy and loose bass, and headphones with higher group delay in the treble range tend to have a less transparent imaging.
Good value: <0.5
Noticeable difference: 0.1
:
0.13
Weighted Amplitude Mismatch
What it is: The Left/Right balance of our test unit, that is, the amount of amplitude difference between the left and right drivers. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When a properly balanced stereo image and low manufacturing tolerance is desired. A poor score indicates a noticeable difference in level between the left and right drivers.
Good value: <1.5
Noticeable difference: 0.1
:
0.08
Weighted Frequency Mismatch
What it is: The amount of difference (Std. Err.) between the frequency response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance, is desired. A poor score indicates there may be 'holes' in the stereo image at certain frequencies.
Good value: <2
Noticeable difference: 0.1
:
1.56
Weighted Phase Mismatch
What it is: The amount of difference (Std. Err.) between the phase response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance is desired. A poor score indicates there may be inaccuracies in the stereo image reproduction at certain frequencies.
Good value: <16
Noticeable difference: 3
:
6.73

The HiFiMan Ananda have excellent imaging performance. Weighted group delay is at 0.13, which is very low. Also, the GD graph also shows that the entire group delay response is below the audibility threshold. This results in a tight bass and a transparent treble reproduction. Additionally, the L/R drivers of our test unit were exceptionally well-matched in frequency, amplitude, and phase response, which results in an accurate placement and localization of objects (voices, instruments, video game effects) in the stereo field.

8.4 Soundstage
What it is: Soundstage qualities are not inherent to the audio content, the headphones have to 'create' them rather than 'reproduce' them. They determine whether the sound is perceived to be coming from inside or in front of the head, how open and spacious the soundstage is, how much the headphones acoustically interact with the environment, and how strong the phantom center is.
When it matters: When an accurately produced, large and spacious soundstage, similar to that of a stereo loudspeaker setup is desired.
HiFiMan Ananda PRTF
PRTF Accuracy (Std. Dev.)
What it is: The standard deviation of the PRTF (Pinna-related transfer function) of the headphones compared to a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: An accurate pinna activation is mainly responsible for how natural and speaker-like the soundstage is perceived to be. The less error in the shape of the PRTF, the more natrual and speaker-like the perception of the soundstage will be. High amounts of error may indicate a soundstage that is unnatural or odd.
Good value: <2.5
Noticeable difference: 0.1
:
2.82 dB
PRTF Size (Avg.)
What it is: The average amplitude of the PRTF (Pinna-related transfer function) of the headphones compared to that of a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is responsible for the perceived size of the soundstage. The higher the value, the larger the perceived size of the soundstage. However, values above the reference (5.0dB) could result in a soundstage that is perceived as unnatural or odd.
Good value: >3.7
Noticeable difference: 0.1
:
5.87 dB
PRTF Distance
What it is: The depth of the "10KHz notch" of the headphone's PRTF, which is caused by phase cancellations at the concha. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is mainly responsible for the perceived distance and elevation of the soundstage. A small distance value may result in a soundstage that is perceived to be located inside the head. Larger values may help pull the soundstage out from inside of the head and bring it to the front.
Good value: >13
Noticeable difference: 1
:
15.9 dB
Openness
What it is: How open the headphones are, and how open and spacious they sound. This quality is monaural and can be perceived even with one ear. This test differentiates between acoustically and electronically produced crosstalk and only takes the acoustically generated crosstalk into account. This value is the inverse of the Noise Isolation test score, and could be indirectly related the acoustic impedance of the headphones.
When it matters: When a headphone with a sense of an open, and spacious soundstage is desired. A value of 10 indicates a fully open headphone, and a value of 0 indicates a fully closed headphone.
Good value: >7.5
Noticeable difference: 0.5
:
9.2
Acoustic Space Excitation
What it is: How loud the headphones are, and how much they excite their environment acoustically. If the headphones are loud and open enough, the sound leaking from the headphones will be affected by the environment (reflections/reverb) before reflecting back into the open headphones and to the listener's ears. This quality is monaural and can be perceived even with one ear. This value is the inverse of the Leakage test score.
When it matters: Headphones with higher excitation values, similar to openness, tend to have soundstages that are perceived as more open and spacious.
Good value: >7.5
Noticeable difference: 0.5
:
10
Correlated Crosstalk
What it is: How strong and solid the phantom center is. This is mostly a stereo quality and its effects on mono content are minimal. This test is sensitive to the phase of the crosstalk and whether it is produced acoustically or electronically.
When it matters: When a true reproduction of the stereo image is desired. A value of 0 indicates no crosstalk, or that the existing crosstalk is not correlated enough to affect the phantom center. A negative score means the crosstalk is out of phase with the original signal, resulting in a slightly wider stereo image at the expense of creating a 'hole' at the center of the stereo field. A positive score means the crosstalk is in phase and positively affecting the phantom center.
Good value: >1dB
Noticeable difference: 0.3dB
:
0.0 dB

The soundstage performance of the Ananda is great. Just like the Edition X, these headphones show a high and accurate amount of interaction with the pinna. This results in a natural and large soundstage. Also, the notch at 10KHz is quite deep, which helps with bringing the soundstage out of the listener's head and to the front. Additionally, the open-back design of these headphones contributes to them having a more open-sounding soundstage compared to closed-back headphones.

7.7 Total Harmonic Distortion
What it is: The subtle, unwanted frequencies (harmonics) produced alongside the intended frequencies.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Score components:
HiFiMan Ananda Distortion
Weighted THD @ 90
What it is: The overall amount of harmonic distortion measured at 90dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at moderate listening levels.
Good value: <0.100
Noticeable difference: 0.1
:
0.967
Weighted THD @ 100
What it is: The overall amount of harmonic distortion measured at 100dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at loud listening levels.
Good value: <0.300
Noticeable difference: 0.1
:
2.696

The harmonic distortion performance is good. This is one of the areas that the Ananda have a minor improvement compared to the Edition X. The overall amount of THD produced throughout the range is low and within good limits, especially at higher volumes. The THD graph also seems less noisy compared to that of the Edition X. However, the spike around 8KHz could make the sound of that region a little harsh and impure.

1.4

Isolation

Score components:

The HiFiMan Ananda, like most open back critical listening headphones, are not designed to isolate in noisy conditions. They purposefully let the noise of your surroundings seep into your audio for a more immersive soundstage but this also makes them very sensitive to noise and loud environments. They also have one of the highest leakage performances we've measured and almost sound like you're wearing speakers on your ears which will be distracting to anyone in your vicinity. The Ananda are best used in isolation where you can fully enjoy their open sound without being bothered by the noise in your environment and without distracting the people around you.

2.1 Noise Isolation
What it is: How much outside noise is blocked out by putting the headphones on.
When it matters: If the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
Score components:
HiFiMan Ananda Noise Isolation
Isolation Audio
What it is: The simulated noise isolation of the headphones, demonstrating how much outside noise is blocked out by putting the headphones on. This recording is created using an EQ and is not an actual recording. For headphones with ANC (active noise cancellation), the playback simulates the isolation with ANC enabled.
When it matters: When the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
:
Overall Attenuation
What it is: The overall amount of environmental noise reduction in dB.
When it matters: In loud envinronments like planes, trains, offices, etc.
Good value: <-20dB
Noticeable difference: 1dB
:
-1.16 dB
Bass
What it is: The overall amount of noise isolation in the bass range (20Hz-250Hz).
When it matters: When the outside noise is bass-heavy, like in airplanes.
Good value: <-15dB
Noticeable difference: 1dB
:
-0.09 dB
Mid
What it is: The overall amount of noise isolation in the mid-range (250Hz-2.5KHz).
When it matters: When the environment's noise is mid-heavy, like in an office.
Good value: <-15dB
Noticeable difference: 1dB
:
0.57 dB
Treble
What it is: The overall amount of noise isolation in the treble range (2.5KHz-20KHz).
When it matters: When the environment's noise is treble-heavy. Although uncommon, areas with sharp sounds fall under this category.
Good value: <-30dB
Noticeable difference: 1dB
:
-3.8 dB
Self-Noise
What it is: The amount of noise created by the active electronics of the headphones (if applicable), measured from 300Hz-20KHz. Applies mostly to wireless and noise-cancelling headphones.
When it matters: If too loud, it could become distracting when listening to quiet material like podcasts and audiobooks.
Good value: <16dB
Noticeable difference: 1dB
:
0 dB

The isolation provided by the HiFiMan Ananda is poor. Just like the Edition X, these headphones barely provide any isolation, which is expected and part of their open-back design. Therefore, they don't provide any isolation in the bass and mid ranges, and achieve only about 4dB of isolation in the treble range which is barely noticeable.

0 Leakage
What it is: The amount of sound bleeding out of the headphones.
When it matters: When the listener doesn't want people around them (in office, recording studio, etc.) to hear what is being listened to.
Score components:
HiFiMan Ananda Leakage
Leakage Audio
What it is: The simulated sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal. This recording is created using an EQ and is not an actual recording.
When it matters: When you don't want people hear what you are listening to.
:
Overall Leakage @ 1ft
What it is: The amount of sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal.
When it matters: When you don't want people hear what you are listening to.
Good value: <35dB
Noticeable difference: 1dB
:
70.69 dB

The leakage performance of the Ananda is poor. This is expected of open-back planar magnetic headphones and part of their design. Just like the Edition X, the drivers of the Ananda perform more like bi-directional speakers and leak sound at a high intensity even up to 20KHz. The significant portion of their leakage, therefore, is spread between 200Hz and 20KHz, which is a very broad range. The overall level of their leakage is quite loud too. With the music at 100dB SPL, their leakage at 1 foot away averages at 71dB SPL and peaks at 92dB SPL. These headphones are as loud and leaky as headphones come.

0

Microphone

What it is: The microphone section shows the quality of speech capture and transmission by the mic, as well as how well the microphone under test handles noisy environments.
When it matters: For your speech to be transmitted to and understood properly by the listener, the microphone needs to have a good recording quality. If the environment the microphone is being used in is noisy, a microphone with a good noise handling performance would be needed as well.
Score components:
Integrated
What it is: The microphone integrated in the ear cup or ear bud of a wireless headphone.
When it matters: For calls, gaming and voice over IP software or for any other use of the microphone.
Good value: Yes
:
N/A
In-line
What it is: The microphone inside the in-line remote of audio cables for wired and wireless headsets.
When it matters: In-line microphone are usually better than integrated mics. If you need better recording quality and noise handling for calls, gaming and voice over IP software then use the audio cable of your wired or wireless headphone if it has an inline microphone.
Good value: Yes
:
N/A
Boom
What it is: A typically better microphone, that's also adjustable and extends so that the mic is closer to your mouth.
When it matters: Much better recording quality and noise handling than in-line or integrated mics. Primarily used for gaming and voice over IP software.
Good value: Yes
:
N/A
Detachable Boom
What it is: A boom mic that is detachable from the headset.
When it matters: If you want to use your headphone outdoors without the bulk and hassle of the Boom mic.
:
N/A

The HifiMan Ananda do not come with a microphone. For a wired headphone with a good in-line microphone, check out the Bose SoundTrue Around-Ear II, the Bose QuietComfort 25 or the Apple EarPods.

0 Recording Quality
What it is: Microphone recording quality shows how natural, neutral, extended and intelligible speech would be with the device under test, in a quiet environment.
When it matters: A microphone with a good recording quality ensures that the person listening to you would hear a full, clear, and easily understandable speech. Therefore, it is important whenever a good quality of speech transmission and intelligibility is needed.
Score components:
Recorded Speech
What it is: Actual audio recording of the headphone's microphone, recorded while placed on the dummy head, with speech being played back through the dummy head's mouth simulator.
When it matters: When a clean, full, and intelligible speech transmission is required.
:
N/A
LFE
What it is: Low-frequency extension shows how deep the bass response of the microphone is, and therefore, how deep and full your voice would sound to the listener. It is the lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: LFE is not a big factor in speech intelligibility and even speech recorded with a mic that has an LFE of 500Hz could still be easily understood. Therefore, it is mostly important if you are concerned with how deep and full your voice would be heard.
Good value: <150Hz
Noticeable difference: 30Hz
:
N/A
FR Std. Dev.
What it is: Frequency Response Standard Deviation shows how accurately and balanced sound is captured by the microphone at each frequency. FR Std. Dev. is calculated between LFE and HFE, and the rest of the spectrum is ignored.
When it matters: A good frequency response is desired when a natural and neutral speech quality is desired. As opposed to HFE which is more a metric for speech intelligibility, frequency response could be considered as a metric for a natural and neutral sound.
Good value: >3.5dB
Noticeable difference: 0.5dB
:
N/A
HFE
What it is: High-frequency extension is the highest frequency at which the frequency response reaches -3dB of the target response. It shows how extended the treble response of the microphone is.
When it matters: HFE is one the most important factors in speech intelligibility. The higher the HFE, the brighter, more open, and more extended the speech quality will be which makes it a lot easier to understand by the listener.
Good value: >8KHz
Noticeable difference: 1KHz
:
N/A
Weighted THD
What it is: The unwanted frequencies (harmonics) produced alongside the intended frequencies, which cause deformation of an output signal compared to its input.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Good value: <1.5
Noticeable difference: 1.0
:
N/A
Gain
What it is: Shows how much louder the microphone can go above our reference loudness level. The gain value is reported relative to our reference level, which is 94dB at a distance of 5cm from the mouth.
When it matters: A microphone with a high gain is important when the input signal (speech) is very quiet. For example when whispering, or talking on the phone in a library.
Good value: >18dB
Noticeable difference: 3dB
:
N/A

The HiFiMan Ananda do not have a microphone so the recording quality has not been tested.

0 Noise Handling
What it is: How well the microphone is able to separate speech from background noise, so that the transmission would include more voice and less noise.
When it matters: When a clean and intelligible speech transmission is desired in a noisy situation like talking on the phone on a busy street or on the bus.
Score components:
Speech + Pink Noise : N/A
Speech + Subway Noise : N/A
SpNR
What it is: Speech to Noise Ratio is the difference in level between speech and background noise as heard by the listener
When it matters: If the microphone is going to be used in a noisy environment, it is important for it to be able to separate the speech from background noise, so the voice would be easily audible and understandable.
Good value: >24dB
Noticeable difference: 3dB
:
N/A

The Hifiman Ananda do not have a microphone so the noise handling has not been tested.

0

Active Features

What it is: Headphones with active components that require a battery. This includes noise cancelling and wireless headphones that actively reduce noise or transmit audio via a wireless connection.
When it matters: How suitable the power and wireless specifications of an active headphone will be, depending on your listening habits. The range and/or discharge time of the active headphone you select will be important if you're often on the move or have long uninterrupted listening sessions.
Score components:

The HifiMan Ananda do not have any active features and therefore do not require a battery. They also do not have a dedicated app or software support for added customization options. 

N/A Battery
What it is: The power source of your headphones. All headphones with active features have a battery that will deplete over time.
When it matters: To continue using the active features of your headphones. Some models lose features or switch off completely when the battery is drained, which limits what you can do with them until the next charge.
Battery Type
What it is: The type of battery that the headphones use. Usually AAA or embedded, Li-ion rechargeable batteries.
When it matters: When your headphones run out of power. Rechargeable batteries usually charge via the headphones Micro-USB port whereas AAA batteries have to be replaced or charged with an external device.
:
N/A
Battery Life
What it is: The amount of time it takes for a headphones' battery to be completely drained. Battery life will vary depending on the active features used and volume level.
When it matters: For active headphones that connect wirelessly, have noise cancellation or other audio-enhancing features, that cease to work once the battery is dead.
Good value: >10hrs
Noticeable difference: 0.5hrs
:
N/A
Charge Time
What it is: The amount of time your active headphones have to be connected to a power source to charge from 0 to a 100%. However, charging time will vary depending on your power source.
When it matters: To be able to use the active features of your headphones. Especially, wireless ones that completely switch off and need to be recharged when the battery is dead.
Good value: 2h or less
Noticeable difference: 0.25h
:
N/A
Power Saving Feature
What it is: A feature that turns off the headphones, after a set time, when they're not in use.
When it matters: To prolong battery life when the headphones are not being used, or if you forget to manually turn off your headphones.
:
N/A
Audio while charging
What it is: Some active headphones remain usable while charging. They continue to stream audio and do not disable other active features.
When it matters: This makes sure that your headphones's battery are not being drained when your relatively close to a power source. However, this means wireless headphones will need a wired connection to the power source during the charging process.
:
N/A
Passive Playback
What it is: Active headphones that still work when all their active features are turned off or out of power.
When it matters: If you run out of power and do not have spare AA/AAA batteries or access to a power source to recharge your headphones.
:
N/A

These headphones do not have any active components and do not require a battery.

0 App Support
What it is: The additional app provided to enhance your listening experience. They typically deliver a set of practical features that give you more control over the sound, noise cancelling and effects that the headphones produce.
When it matters: An app with a lot of features allows you to customize your listening experience to suit your taste and preferences. For example, additions like an equalizer can give you more bass or treble and room effects can simulate a bigger Soundstage in closed back headphones.
Score components: Subjectively assigned
App Name : N/A
iOS : N/A
Android : N/A
Mac OS : N/A
Windows : N/A
Equalizer
What it is: Parametric, graphic or preset sound profiles that slightly alter the frequency response.
When it matters: If you want to tailor, your listening experience. Depending on what you're listening to you may want more or less bass for some tracks or more mid-range for vocals-heavy audio.
:
N/A
ANC control
What it is: Control over the Active noise canceling technology. This could be either a simple on/off button, and adjustable slider or even adaptive self-regulating noise cancellation.
When it matters: If you're in an environment where you need to monitor your surroundings or completely isolate yourself from ambient noise.
:
N/A
Mic Control : N/A
Room effects
What it is: Room effects that enhance the audio quality to make it more immersive.
When it matters: If you want to further tweak your listening experience. Adding room effects, can simulate a more spacious Soundstage or deliver a surround sound-like feel.
:
N/A
Playback control
What it is: An in-app player that gives you access to play/stop, track skipping or volume controls directly with the app.
When it matters: It's a shortcut that allows you to control your audio without leaving the application.
:
N/A
Button Mapping : N/A
Surround Sound : N/A

The HiFiMan Ananda do not come with an app or software for added customization options. However, if your audio source has an EQ, then you can customize them that way.

4.8

Connectivity

What it is: The inputs and outputs of wired and wireless headphones, as well as their latency performance and range.
When it matters: To know how compatible your Bluetooth device, console or PC will be with your wired or wireless headset.
Score components:
  • 10% Bluetooth
  • 33% Wired
  • 10% Base/Dock
  • 22% Wireless Range
  • 25% Latency

The HiFiMan Ananda have a simple 1/8" TRS audio cable with no in-line remote. They will only provide audio when connected to your console or PC and have practically no latency since they are wired. However, this also means that they will not have the range and convenience of wireless headphones.

0 Bluetooth
What it is: Bluetooth support for wireless headphones.
When it matters: To connect wirelessly to Bluetooth sources like your phone, tablet, console, PC and TV.
Score components:
  • 80% Multi-Device Pairing
  • 20% NFC
  • <1% PS4 Compatible
  • <1% Xbox One Compatible
Bluetooth Version : N/A
Multi-Device Pairing
What it is: A Bluetooth profile that allows some headphones to be simultaneously connected to multiple Bluetooth sources, and have full call and media support on both/all devices they are connected to.
When it matters: To quickly switch between your Bluetooth sources. For example, switching from your phone to your home or work PC and still have call and media support on both devices.
Good value: 2 devices.
:
N/A
NFC
What it is: Near Field Communication technology that allows you to quickly, pair your headphones with your Bluetooth and NFC-enabled device.
When it matters: This makes pairing with an NFC-enabled device a lot easier than the typical and often tedious hold-to-pair procedure that most wireless headphones have.
Good value: Yes
:
N/A
PS4 Compatible
What it is: Bluetooth compatibility with the PlayStation 4.
When it matters: To connect your headphones wirelessly with your PS4.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Bluetooth compatibility with the Xbox One.
When it matters: To connect your headphones wirelessly with your Xbox one.
Good value: Audio + Microphone
:
N/A

These headphones are wired and do not have a Bluetooth connection. If you want a good-sounding wireless headset, then consider the Bose QuietComfort 35 II.

7.2 Wired
What it is: The type and compatibility of audio cables for wired and wireless headphones.
When it matters: For all devices with a regular audio jack (line-out) and also compatibility of the in-line remote/boom microphone with consoles and Personal computers.
Score components:
  • 13% Analog
  • 9% USB
  • 26% PS4 Compatible
  • 26% Xbox One Compatible
  • 26% PC Compatible
Cable Tested : Not OS specific
Analog
What it is: A regular 1/8" TRS audio jack or a 1/4 or 1/16 TRS with a 1/8 TRS adapter.
When it matters: For all devices with a line out.
Good value: Yes
:
Yes
USB
What it is: A USB or USB adapter to connect to your devices for audio and microphone.
When it matters: A digital USB adapter usually offers a slight advantages over a regular audio jack, like a DAC, and amplifier module or software support and compatibility with PCs. However it may not be as compatible with consoles.
Good value: Yes
:
No
PS4 Compatible
What it is: PS4 compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PS4
Good value: Audio + Microphone
:
Audio Only
Xbox One Compatible
What it is: Xbox One compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your Xbox One
Good value: Audio + Microphone
:
Audio Only
PC Compatible
What it is: PC compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PC.
Good value: Audio + Microphone
:
Audio Only

The HiFiMan Ananda have a simple 1/8" TRS audio cable with no in-line remote/microphone, so they will only provide audio when connected to your PS4, Xbox One or PC.

0 Base/Dock
What it is: The base station, dock or dongle transmitter of wireless headphones that receive data/audio via a proprietary frequency range.
When it matters: Knowing the inputs and outputs of the base/dock/dongle as well as its compatibility with consoles and Personal Computers. Also whether the base supports dock charging to easily recharge the headphones without any cables.
Score components:
  • 5% Optical Input
  • 22% Line In
  • 5% Line Out
  • 22% USB Input
  • 4% RCA Input
  • 9% PS4 Compatible
  • 9% Xbox One Compatible
  • 9% PC Compatible
  • 2% Power Supply
  • 13% Dock Charging
Wireless Type
What it is: The type of wireless connection used by the base station/dock to communicate with the headphones.
When it matters: For latency and range. For example Radio frequency has low latency but mediocre range when obstructed and proprietary docks have their own 2.x GHz or 5 GHz frequency which varies in performance.
:
N/A
Optical Input
What it is: Optical input for audio.
When it matters: Optical can carry a bit more data at faster speeds than typical wired connection which allows for more high quality, lossless audio.
Good value: Yes
:
N/A
Line In
What it is: The regular wired input via a 1/8" TRS audio jack.
When it matters: For any device that has a line out for audio transmission.
Good value: Yes
:
N/A
Line Out
What it is: A regular 1/8TRS audio jack output.
When it matters: If you need to share the audio source with other devices. A line out lets you connect other headphones or speakers to the dock/base station.
Good value: Yes
:
N/A
USB Input
What it is: A digital USB input instead of a typical 1/8 TRS line-in.
When it matters: A USB connection can provide both an audio input and power to the Dock or Base station.
:
N/A
RCA Input
What it is: Audio input using via an RCA connectors.
When it matters: Provides better stereo audio to the dock/base that's then transmitted to the headphones.
Good value: Yes
:
N/A
PS4 Compatible
What it is: Dock/Base station compatibility with the PlayStation 4.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Dock/Base station compatibility with the Xbox One.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
:
N/A
PC Compatible
What it is: Dock/Base station compatibility with your Personal Computer.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Power Supply
What it is: The connector type of the power source.
When it matters: The accessibility of the power source. For example a power supply with USB/USB-C connects to multiple devices, PC , PS4, Xbox One or even with your regular phone charger whereas a A/C adapter is less common.
Good value: USB/USB-C
:
N/A
Dock Charging
What it is: Charging the headphones via the dock/base station instead of a charging cable.
When it matters: It makes charging your headphones easier and gives you a sport to store your headphones when they are not in use.
Good value: Yes
:
N/A

These headphones do not have a base, dock or dongle since they are completely passive. If you need a headset with a dock that also has a wired connection for gaming or watching movies, then consider the SteelSeries Arctis 7.

0 Wireless Range
What it is: Headphones that offer a cable-free listening experience over a wireless network, typically via Bluetooth or radio frequency.
When it matters: If you don't want to be limited by the length of an audio cable. This means having the freedom to move around in your home or office with a much greater range than an audio cable could provide, especially, if the Bluetooth source is heavy or difficult to carry.
Score components:
Obstructed Range
What it is: The range that the wireless headphones can reach before dropping any audio when the Bluetooth source was placed in another room.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in an indoor environment. Although, the obstructed wireless range will slightly depend on your home or office layout.
Good value: >35ft
Noticeable difference: 5ft
:
N/A
Line of Sight Range
What it is: The range that the wireless headphones can reach before dropping any audio when in direct line of sight of the Bluetooth device.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in a large and open environment.
Good value: 170ft or more
Noticeable difference: 10ft
:
N/A

These headphones do not have a wireless range since they only connect via a regular audio cable with an in-line remote.

10 Latency
What it is: How long it takes for audio to play through your headphones once the audio signal has been sent from a source.
When it matters: When gaming or watching movies. High latency means you will hear the audio much later than the images you see on screen.
Score components:
Default Latency
What it is: The Base RF latency or the default sub-band coding (SBC) of most Bluetooth headphones.
When it matters: When watching videos a high latency can cause sync issues between the images you see and the audio you hear.
Good value: 50ms or less
Noticeable difference: 15ms
:
0 ms
aptX Latency
What it is: An audio coding algorithm (Codec) that improves bit rate efficiency. It reduces latency and improves sound quality over Bluetooth.
When it matters: For better sound quality if your often streaming music over Bluetooth. Also it slightly improves latency when watching videos with wireless headphones.
Good value: 50ms or less
Noticeable difference: 15ms
:
N/A
aptX(LL) Latency
What it is: Low latency variation of aptX that significantly reduces sync issues between video and sound when using Bluetooth headphones.
When it matters: When watching videos or gaming latency is a lot more noticeable than just listening to music.
Good value: 50ms or less
Noticeable difference: 5ms
:
N/A

The wired connection of these headphones has negligible latency which is suitable for gaming and home-theater use.

In the box

HiFiMan Ananda In the box Picture

  • HiFiMan Ananda Headphones
  • 1/8" to 1/4" adapter
  • Audio cables (x2)
  • Manual

Compared to other Headphones

HiFiMan Ananda Compare Picture

The HiFiMan Ananda are an excellent option for critical listeners and deliver a balanced and satisfying sound quality. They're a redesign of the Edition X and measure slightly better overall for sound, although it's not really noticeable even for trained ears. On the upside, they have the new yoke design of the recent HifiMan lineup, so they should be a bit more durable. They're great sounding critical listening headphones but they are pricier than some of the models compared below which may be a better value for some. See our recommendations for the best studio headphones.

HiFiMan Sundara

The HiFiMan Ananda are a better critical listening headphone than the HiFiMan Sundara, although not by much. The Ananda have a better overall frequency response that's a bit more balanced than the Sundara. They also have a better soundstage, imaging performance, and harmonic distortion but it's barely noticeable even for trained ears. On the other hand, the Sundara offer a better value for their price to sound quality. They're also a great sounding open-back headphones, with a slightly more compact design than the Ananda that most will prefer. However, they're not the most durable headphones and have a few issues with the drivers.

HiFiMan Edition X

The HiFiMan Ananda are slightly better critical listening headphones than the HiFiMan Edition X, although they sound practically the same for most listeners. The Ananda benefit from the new HiFiMan headband design, so they have stronger metal yokes that should be more durable. They also have a slightly better-measured performance in bass, mid, and harmonic distortion, although it's not very distinguishable even for trained ears. On the other hand, the Edition X have a slightly better treble response, but it's above 20KHz and won't be audible to most. The Edition X are also slightly more comfortable for some since they have swiveling hinges but since the ear cups and pads are practically the same on the Ananda, there isn't much difference in the overall comfort level.

Sennheiser HD 800 S

The HiFiman Ananda are very close in performance to the Sennheiser HD 800 S. The Sennheiser have a better, more durable build quality, although not by much. They also look a bit more premium and deliver a slightly more open-sounding audio reproduction, but that may also be because they sound a tad brighter. On the other hand, the Anandas have a good, well-balanced sound, with a bit more bass than the HD 800 S, thanks to their planar magnetic drivers. They also offer a slightly better value than the 800 S, but HiFiMan headphones are somewhat prone to durability issues.

Audeze LCD2-Classic

The HiFiMan Ananda are better critical listening headphones than the Audeze LCD2-CLASSIC. The Audeze look and feel more durable than the HiFiMan. They're a bit more compact, with thicker softter pads. and are more forward on instruments and vocals some may prefer although it may get a bit fatiguing on longer listening sessions. The HiFiMan on the other hand have a slightly better bass a more neutral mid-range and a better Soundstage. They're also slightly lighter despite their bulkier design.

Beyerdynamic DT 1990 PRO

The HiFiMan Ananda are better critical listening headphones than the Beyerdynamic DT 1990 PRO. They deliver a much more immersive soundstage thanks to their planar magnetic drivers. They're also slightly more comfortable than the DT 1990s and deliver a more balanced frequency response throughout, which will not sound as sharp on S and T sounds as the Beyerdynamic DT 1990. On the upside, the DT 1990 have a better more durable build quality that feels premium and come with more extra accessories. They also have a bit more bass overall.

+ Show more

Conclusion

6.0Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
Mediocre-at-best for mixed usage. The HiFiMan Ananda are great critical listening headphones, not designed for other use cases except maybe home theater. They're a bit better built than the Edition X, with a more durable yoke design and a slightly more premium look. They also deliver an excellent sound quality with a wide and spacious soundstage and a comfortable design that you can wear for hours. This makes them the ideal critical listening headphone but a poor choice to use in noisy environments since they do not block any noise. They're also bulky, cumbersome headphones that are not designed for outdoor use or physical activity so they are best used at home and in isolation where you can enjoy their sound quality and not distract anyone around you or be distracted by the ambient noise of your surroundings.
8.5Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
Great for critical listening. The HiFiMan Ananda are one of the best sounding headphones we've tested so far. They have a well-balanced sound that caters to all genres, with a good amount of bass and an accurate representation of the instruments and vocals in the mid-range. They also have an excellent soundstage that will feel large and open. Additionally, they're comfortable to wear for hours, although they're not quite as breathable as other open back over-ears. They're a great choice for any critical listener.
4.5Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
Not suitable for commuting. The open-back ear cups do not block any ambient noise and leak a lot. Also, they're not portable and do not have a control scheme for mobile devices.
5.3Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
Not meant for sports. They're heavy, bulky and not designed for physical activity.
5.1Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Sub-par for office use. Unless you work alone or in an isolated office, the leakage level will be too bothersome for those around you. Also, the open-back design does not block any noise so you will hear your environment fairly easily even when listening to music at higher-than-average volumes.
6.1TV
Score components:
Average for home theater. They're comfortable headphones, with an excellent and open sound quality. This makes them suitable for listening to music and watching videos, and they also have no latency since they're wired. They may be slightly limited by range although they do come with a longer than average 10ft audio cable. They won't be as convenient as wireless TV headphones to watch movies from your couch without needing an AUX extension cord.
6.0Gaming
Score components:
Mediocre for gaming. They're comfortable, they sound great and have a low latency wired design. However, they do not have a microphone for voice chat and no customization options, which are typical for most gaming headsets. Also, they do not have the convenience of a wireless design or multiple connection options for an optimized experience on Xbox One or PS4.

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