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Reviewed on Mar 01, 2019 , Simon Barbier, Yannick Khong, Marc Henney

AKG N200 Wireless
HEADPHONES REVIEW

Usage Ratings - Version 1.2

Test Benches:

  • 1.2: Winter 2018
  • 1.1: Summer 2017
  • 1.0: Winter 2017
  • 0.9: Winter 2016
6.9
Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
7.4
Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
6.9
Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
7.9
Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
6.9
Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
5.9
TV
Score components:
5.6
Gaming
Score components:
Type : In-ear
Enclosure : Closed-Back
Wireless : Yes
Noise-Cancelling : No
Mic : Yes
Transducer : Dynamic

The AKG N200 Wireless are above-average sounding wireless in-ears. They have a neutral and flat audio reproduction which is versatile for most music genres. They are decently comfortable, as they don’t enter your ear canal deeply and are well-built. Unfortunately, they don't isolate as much ambient noise as other in-ears, which won’t be ideal for commuting or use at the office. However, they don’t leak too much, so you’ll be able to block more noise when playing audio content at higher volumes without bothering people surrounding you. Most users should be satisfied with these headphones.

Test Results
Design 7.7
Sound 7.3
Isolation 6.1
Microphone 5.8
Active Features 5.2
Connectivity 3.9
Pros
  • Good audio reproduction.
  • Breathable and stable for sports.
  • Durable and fairly comfortable build.
Cons
  • Disappointing noise isolation performance.
  • Sub-par microphone.

Check Price

7.7

Design

Score components:
AKG N200 Wireless Design Picture

The AKG N200 are well-designed wireless in-ears. Their buds are small and fit well into most ears, and their stability fins help to prevent them from falling out during physical activity. They are decently comfortable as they don’t enter your ear canal too deeply and you shouldn’t break them from normal usage. They also come with a nice hard case and a cleaning tool, which is nice. The backs of the buds are magnetic, for easier cable management when resting around your neck. There’s nothing too fancy about these, but pretty much everything about their design is good.

Style
AKG N200 Wireless Design Picture 2

The AKG N200 Wireless are low-profile in-ears that have a very small bud design. They have small stability fins, which gives them sort of a sporty look but without being too flashy. Their cable is braided, but the in-line remote seems a bit more plasticky than the rest of their build.

7.0 Comfort
What it is: Adjustability and degrees of freedom, pressure, stiffness and weight.
When it matters: When the headphones are going to be used for long durations.
Score components: Subjectively assigned
AKG N200 Wireless Comfort Picture
Weight : 0.03 lbs
Clamping Force
What it is: The force that the headphones exert on your head, once you have them on. This is purely a measurement of the force applied, which does not take into account the earpad's surface area and the resulting pressure you will feel, on or around your ears.
When it matters: The tighter the headphones, the more force they put on your head. This can get uncomfortable or cause pain and soreness during long listening sessions.
:
0 lbs

These headphones are decently comfortable. They don’t enter your ear canal too deeply, and they come with a few tip options. The tips are also color-coded, so it’s easy to find the same size tips. The earbuds are small and fit nicely inside most ears, but unfortunately, you don’t get different fin size options.

7.5 Controls
What it is: The control scheme of the headphones, the number of functions provided, button layout and ergonomics as well as the quality of tactile feedback.
When it matters: If you want to control volume, pause your music or make phone calls without directly interacting with your audio device.
AKG N200 Wireless Controls Picture
Ease of use : Good
Feedback : Good
Call/Music Control : Yes
Volume Control : Yes
Microphone Control : No
Channel Mixing
What it is: Being able to mix audio channels directly on the headphones.
When it matters: This is most useful when using a separate chat software so that you can mix in-game audio and chat audio depending on your needs.
:
N/A
Noise Canceling Control : N/A
Talk-Through : N/A
Additional Buttons : No

The in-line remote of the AKG N200 is pretty straightforward. You get common functionalities like call/music management, volume control, and track skipping. You can also access your device’s voice assistant by double tapping the middle multi-function button. The remote is easy to use, and the feedback from physical buttons is good and clicky. You also get audio cues for maximum volume and when you trigger your voice assistant.

9.2 Breathability
What it is: How hot the headphones get when you wear them for an extended period of time.
When it matters: If you often have long listening sessions or use your headphones while doing physical activities like running or working out.
Score components:
AKG N200 Wireless Breathability After Picture
Avg.Temp.Difference : 0.8 C

Like most in-ears, the N200 don’t trap too much heat inside the ears and allow airflow. You shouldn’t feel too much of a difference when wearing these, even after long listening sessions. They are a good option for sports, as you shouldn’t sweat more than usual when using these.

9.1 Portability
What it is: The volume of space occupied by the headphones when folded into their most compact format.
When it matters: If you're often on the move and need to carry your headphones in a bag, purse , or pocket.
Score components:
AKG N200 Wireless Portability Picture
L : 2.2 "
W : 1.5 "
H : 1.0 "
Volume : 3.3 Cu. Inches
Transmitter required : N/A

Like most in-ears, they are very portable and will fit in most pockets and bags. They are easy to carry around your neck as their buds are magnetic and clip together. You can also fit them inside the included case, which is fairly small and will also fit in pockets.

7.5 Case
What it is: The provided carrying options to protect your headphones when transporting them.
When it matters: To prevent damaging your headphones, if you often carry them in your bag or pocket.
Score components: Subjectively assigned
AKG N200 Wireless Case Picture
Type : Hard case
L : 3.9 "
W : 2.6 "
H : 1.4 "
Volume : 14 Cu. Inches

The AKG N200 Wireless case is good. It’s a small case that protects the headphones well against scratches, minor water exposure, and impacts. It is compact and will fit in most pockets and bags.

7.5 Build Quality
What it is: Durability, material quality, cheap/expensive feel.
When it matters: When the headphones are going to be used by multiple users (classes/studios), by children, in tough conditions, on a daily basis, or for exercise.
Score components: Subjectively assigned
AKG N200 Wireless Build Quality Picture

The AKG N200 are well-built wireless in-ears. The small earbuds feel dense enough to survive a few drops without too much damage, and the braided cable seems solid too. The in-line remote feels a bit plasticky, but nothing to worry about if you’re careful with them. There’s also a cable cinch that makes cable management a bit easier. Additionally, the buds are magnetic, which makes them feel more high-end.

7.5 Stability
What it is: How the headphones are designed to prevent them from slipping off your ears or falling off your head.
When it matters: If you plan on using the headphones while doing sports or other physical activities that requires a lot of movement.
Score components: Subjectively assigned
AKG N200 Wireless Stability Picture

The AKG N200 Wireless are stable headphones, and you should be able to run with these without a problem. The fins help for added stability, but unfortunately, you don’t get any size options. On the upside, their wireless design gets rid of a cable being in your way, which is good.

Cable
AKG N200 Wireless Cable Picture
Detachable : N/A
Length : N/A
Connection : N/A

These headphones are wireless in-ears, and you don’t need a cable to connect them to your audio source. They also come with very short micro-USB charging cable.

Top
Headshots 1
Headshots 2
7.3

Sound

What it is: How accurately the audio is reproduced. The tests are performed with the headphones' most commonly used features enabled (noise-cancelling, wireless, etc.)
AKG N200 Wireless Frequency Response

The AKG N200 are above-average sounding, closed-back, in-ear headphones. They have a powerful, consistent, and extended bass and an excellent and flat mid-range. Their treble is also well-balanced. However, their mid-range is ever-so-slightly recessed, nudging the vocals to the back of the mix, and higher-frequency S and T sounds are a bit uneven. Overall, these are versatile headphones that will be suited for a wide variety of genres, from bass-heavy to vocal-centric music.

9.5 Bass
What it is: Frequency Response from 20Hz-250Hz
When it matters: When the material is heavy on bass frequencies, such as those of kick drums and bass guitar.
Score components:
AKG N200 Wireless Bass
Std. Err.
What it is: The amount of deviation (weighted standard error) in bass frequency response (20Hz-250Hz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) bass performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
0.71 dB
Low-Frequency Extension
What it is: The lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: Shows how extended the bass is.
Good value: <40Hz
Noticeable difference: 5Hz
:
13.54 Hz
Low-Bass
What it is: The average amount of over/under-emphasis in frequency response from 20Hz-60Hz.
When it matters: Kick drums and low frequency effects get their 'thump' from this range. Mostly felt than heard.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.42 dB
Mid-Bass
What it is: The average amount of over/under-emphasis in frequency response from 60Hz-120Hz.
When it matters: Melodic bass instruments have most of their fundamental frequencies in this range. This is where the 'body' and 'punch' of the bass sits.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.98 dB
High-Bass
What it is: The average amount of over/under-emphasis in frequency response from 120Hz-250Hz.
When it matters: Most instruments get their warmth and full-ness from this range. When over-emphasized, mixes tend to get muddy and boomy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.09 dB

The AKG N200 have excellent bass. Their low-frequency extension (LFE) is at 10Hz, which is great. Their entire bass range is flat and follows our neutral target curve very tightly. Overall, their bass is deep and thumpy without sounding heavy or boomy. Some people may find them a little bit bass-light, especially fans of very bass-heavy music.

8.9 Mid
What it is: Frequency Response from 250Hz-2KHz
When it matters: When the material is heavy on mid-range frequencies. This is the case for the majority of audio content.
Score components:
AKG N200 Wireless Mid
Std. Err.
What it is: The amount of deviation (weighted standard error) in mid frequency response (250Hz-2.5KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) mid performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
1.49 dB
Low-Mid
What it is: The average amount of over/under-emphasis in frequency response from 250Hz-500Hz.
When it matters: Most instruments have their fundamentals or low harmonics in this range. Over-emphasis in this range sounds muddy and cluttered. Under-emphasis, thins out the vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.17 dB
Mid-Mid
What it is: The average amount of over/under-emphasis in frequency response from 500Hz-1KHz.
When it matters: This range is occupied mostly by upper harmonics. Over-emphasis sounds forward and boxy. Under-emphasis pushes instruments to the back of the mix.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.98 dB
High-Mid
What it is: The average amount of over/under-emphasis in frequency response from 1KHz-2KHz.
When it matters: Most instruments, especially vocals, get their intensity and clarity from this range. Over-emphasis sounds honky and harsh, under-emphasis sounds weak and distant.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-0.45 dB

Excellent mid-range performance for the N200. The response is flat throughout the range which will result in an accurate reproduction of vocals and lead instruments. However, there is a small 2dB dip in mid-mid, which will slightly nudge the vocals to the back of the mix.

8.1 Treble
What it is: Frequency Response from 2KHz-20KHz
When it matters: When the material is heavy on high-range frequencies, such as voice, cymbals, and any other material where brightness, brilliance and airiness is desired.
Score components:
AKG N200 Wireless Treble
Std. Err.
What it is: The amount of deviation (weighted standard error) in treble frequency response (2.5KHz-20KHz) as compared to a target response that would sound perfectly balanced to most people.
When it matters: When a balanced and neutral (reference) treble performance is desired.
Good value: <4dB
Noticeable difference: 0.1dB
:
3.31 dB
Low-Treble
What it is: The average amount of over/under-emphasis in frequency response from 2KHz-5KHz.
When it matters: Almost all instruments rely on this range for their presence, detail, and articulation. Over-emphasis can sound harsh and painful. Under-emphasis hurts the comprehensibility of vocals and lead instruments.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
0.14 dB
Mid-Treble
What it is: The average amount of over/under emphasis in frequency response from 5KHz-10KHz.
When it matters: This is the sibilance range. Cymbals, vocals, and lead instruments rely on this range for brightness and presence. Over-emphasis sounds piercing and painful, under-emphasis sounds dull and lispy.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
-1.0 dB
High-Treble
What it is: The average amount of over/under-emphasis in frequency response from 10KHz-20KHz.
When it matters: This range gives brilliance and airiness to the sound. Over-emphasis sounds hissy, under-emphasis sounds closed-up and lifeless.
Good value: +/-3dB
Noticeable difference: 0.1dB
:
1.32 dB

The N200’s treble performance is great. The response is flat and even before 5KHz but gets a bit uneven after. Some sibilances (S and T sounds) around 8KHz could feel a bit lacking in detail and brightness while those around 10KHz could feel harsh and piercing. However, not everyone will hear these frequencies the same way, so they may not be as sibilant.

Raw Frequency Response
What it is: The average uncompensated frequency response of the headphone. For in-ears and earbuds, this corresponds to the average of 5 measurements/re-seats on the dummy head (HMS). For over/on-ear headphones, this corresponds to the average of 5 measurements/re-seats on the HMS (Head Measurement System) for the mid and treble ranges, and 5 measurements/re-seats on 5 human subjects for the bass range.
When it matters: This is for those who want to see the raw and uncompensated frequency response of the headphone. Some of the more advanced users, are able to read and evaluate headphone frequency response in its raw form and without compensation. This will be especially useful to them if they have their own headphone compensation/target curve, which may differ from the compensation curve/target response used by RTINGS.com.
9.6 Frequency Response Consistency
What it is: The amount of deviation of each frequency response pass, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Score components:
AKG N200 Wireless Consistency L AKG N200 Wireless Consistency R
Avg. Std. Deviation
What it is: The average amount of deviation in frequency response of 5 re-seats, from the average frequency response.
When it matters: Shows how consistently the headphones perform after re-positioning them.
Good value: <0.5
Noticeable difference: 0.1
:
0.08 dB

The AKG N200 Wireless, like most other in-ears, have excellent frequency response consistency. If the user can achieve a proper seal using the assortment of tips, then they should be able to get a very consistent bass and treble delivery every time they use the headphones.

8.9 Imaging
What it is: Imaging qualities are inherent to the audio content, the headphones have to 'reproduce' them rather than 'create' them. They determine how accurately the objects are positioned in the stereo image, and how transparent the imaging is.
When it matters: When accurate positioning of the objects in the stereo image, and clear and transparent imaging is desired.
AKG N200 Wireless Group Delay AKG N200 Wireless Phase Response
Weighted Group Delay
What it is: The average amount of group delay calculated based on a perceptual weighting filter. Group delay indicates how long it takes for each frequency to reach their maximum amplitude. This is a monaural quality and can be perceived even with one ear.
When it matters: Headphones with lower group delay have more transparent imaging and a tighter bass. Headphones with higher group delay in the bass range tend to have a wimpy and loose bass, and headphones with higher group delay in the treble range tend to have a less transparent imaging.
Good value: <0.5
Noticeable difference: 0.1
:
0.21
Weighted Amplitude Mismatch
What it is: The Left/Right balance of our test unit, that is, the amount of amplitude difference between the left and right drivers. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When a properly balanced stereo image and low manufacturing tolerance is desired. A poor score indicates a noticeable difference in level between the left and right drivers.
Good value: <1.5
Noticeable difference: 0.1
:
1.07
Weighted Frequency Mismatch
What it is: The amount of difference (Std. Err.) between the frequency response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance, is desired. A poor score indicates there may be 'holes' in the stereo image at certain frequencies.
Good value: <2
Noticeable difference: 0.1
:
0.92
Weighted Phase Mismatch
What it is: The amount of difference (Std. Err.) between the phase response of the left and right drivers of our test unit. This is not a design test, but a marker for manufacturing tolerance and ergonomics.
When it matters: When an even and stable stereo image, as well as a low manufacturing tolerance is desired. A poor score indicates there may be inaccuracies in the stereo image reproduction at certain frequencies.
Good value: <16
Noticeable difference: 3
:
1.41

These headphones have very good imaging. Their weighted group delay value is 0.21, which is among the lowest we have measured so far. This results in a tight and fast bass, and clear trebles. The L/R drivers of our test unit also showed very good matching, which helps with proper placement and localization of instruments and sound effects (like footsteps) in the stereo image. However, these results are only valid for our unit, and yours may perform differently.

1.7 Soundstage
What it is: Soundstage qualities are not inherent to the audio content, the headphones have to 'create' them rather than 'reproduce' them. They determine whether the sound is perceived to be coming from inside or in front of the head, how open and spacious the soundstage is, how much the headphones acoustically interact with the environment, and how strong the phantom center is.
When it matters: When an accurately produced, large and spacious soundstage, similar to that of a stereo loudspeaker setup is desired.
PRTF Accuracy (Std. Dev.)
What it is: The standard deviation of the PRTF (Pinna-related transfer function) of the headphones compared to a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: An accurate pinna activation is mainly responsible for how natural and speaker-like the soundstage is perceived to be. The less error in the shape of the PRTF, the more natrual and speaker-like the perception of the soundstage will be. High amounts of error may indicate a soundstage that is unnatural or odd.
Good value: <2.5
Noticeable difference: 0.1
:
N/A
PRTF Size (Avg.)
What it is: The average amplitude of the PRTF (Pinna-related transfer function) of the headphones compared to that of a reference loudspeaker's PRTF at 30°. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is responsible for the perceived size of the soundstage. The higher the value, the larger the perceived size of the soundstage. However, values above the reference (5.0dB) could result in a soundstage that is perceived as unnatural or odd.
Good value: >3.7
Noticeable difference: 0.1
:
N/A
PRTF Distance
What it is: The depth of the "10KHz notch" of the headphone's PRTF, which is caused by phase cancellations at the concha. This quality is monaural and can be perceived even with one ear. This test does not apply to in-ears and earbuds, due to the lack of pinna interaction.
When it matters: This value is mainly responsible for the perceived distance and elevation of the soundstage. A small distance value may result in a soundstage that is perceived to be located inside the head. Larger values may help pull the soundstage out from inside of the head and bring it to the front.
Good value: >13
Noticeable difference: 1
:
N/A
Openness
What it is: How open the headphones are, and how open and spacious they sound. This quality is monaural and can be perceived even with one ear. This test differentiates between acoustically and electronically produced crosstalk and only takes the acoustically generated crosstalk into account. This value is the inverse of the Noise Isolation test score, and could be indirectly related the acoustic impedance of the headphones.
When it matters: When a headphone with a sense of an open, and spacious soundstage is desired. A value of 10 indicates a fully open headphone, and a value of 0 indicates a fully closed headphone.
Good value: >7.5
Noticeable difference: 0.5
:
4.9
Acoustic Space Excitation
What it is: How loud the headphones are, and how much they excite their environment acoustically. If the headphones are loud and open enough, the sound leaking from the headphones will be affected by the environment (reflections/reverb) before reflecting back into the open headphones and to the listener's ears. This quality is monaural and can be perceived even with one ear. This value is the inverse of the Leakage test score.
When it matters: Headphones with higher excitation values, similar to openness, tend to have soundstages that are perceived as more open and spacious.
Good value: >7.5
Noticeable difference: 0.5
:
1.9
Correlated Crosstalk
What it is: How strong and solid the phantom center is. This is mostly a stereo quality and its effects on mono content are minimal. This test is sensitive to the phase of the crosstalk and whether it is produced acoustically or electronically.
When it matters: When a true reproduction of the stereo image is desired. A value of 0 indicates no crosstalk, or that the existing crosstalk is not correlated enough to affect the phantom center. A negative score means the crosstalk is out of phase with the original signal, resulting in a slightly wider stereo image at the expense of creating a 'hole' at the center of the stereo field. A positive score means the crosstalk is in phase and positively affecting the phantom center.
Good value: >1dB
Noticeable difference: 0.3dB
:
0.0 dB

The soundstage performance is poor, like most other in-ears and earbuds. Since activating the resonances of the pinna is a big factor in creating a large and in-front soundstage, the AKG N200, due to their lack of interaction with the pinna, will have a soundstage that is perceived and small and located inside the head. However, unlike open earbuds like the AirPods and the Pixel Buds, these earbuds have a closed design which further reduces the spaciousness and sense of openness of their soundstage.

6.7 Total Harmonic Distortion
What it is: The subtle, unwanted frequencies (harmonics) produced alongside the intended frequencies.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Score components:
AKG N200 Wireless Distortion
Weighted THD @ 90
What it is: The overall amount of harmonic distortion measured at 90dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at moderate listening levels.
Good value: <0.100
Noticeable difference: 0.1
:
4.361
Weighted THD @ 100
What it is: The overall amount of harmonic distortion measured at 100dB SPL. To make the score more perceptually relevant, more weight is given to the higher frequencies.
When it matters: How pure the sound is at loud listening levels.
Good value: <0.300
Noticeable difference: 0.1
:
8.153

The THD performance of the AKG N200 is average. THD is within good limits in the bass range but gets elevated in mid and treble ranges. There are also a few THD peaks around 1KHz, 5KHz, and 7.5KHz, which will make these frequencies sound harsh and impure, possibly resulting in listener fatigue after a while.

6.1

Isolation

Score components:

The AKG N200 have mediocre isolation. In the bass range they have almost no noticeable isolation, so the rumbles of a bus or airplane engine will easily seep into your audio. On the upside, they do decently well with higher frequency noise, and they have very good leakage performance, so you can mask some of the ambient noise in your environment by playing your music a little louder without bothering the people around you in an office setting.

5.1 Noise Isolation
What it is: How much outside noise is blocked out by putting the headphones on.
When it matters: If the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
Score components:
AKG N200 Wireless Noise Isolation
Isolation Audio
What it is: The simulated noise isolation of the headphones, demonstrating how much outside noise is blocked out by putting the headphones on. This recording is created using an EQ and is not an actual recording. For headphones with ANC (active noise cancellation), the playback simulates the isolation with ANC enabled.
When it matters: When the headphones are going to be used in a noisy envinronment (airplane, subway, etc.)
:
Overall Attenuation
What it is: The overall amount of environmental noise reduction in dB.
When it matters: In loud envinronments like planes, trains, offices, etc.
Good value: <-20dB
Noticeable difference: 1dB
:
-12.74 dB
Bass
What it is: The overall amount of noise isolation in the bass range (20Hz-250Hz).
When it matters: When the outside noise is bass-heavy, like in airplanes.
Good value: <-15dB
Noticeable difference: 1dB
:
-1.64 dB
Mid
What it is: The overall amount of noise isolation in the mid-range (250Hz-2.5KHz).
When it matters: When the environment's noise is mid-heavy, like in an office.
Good value: <-15dB
Noticeable difference: 1dB
:
-13.3 dB
Treble
What it is: The overall amount of noise isolation in the treble range (2.5KHz-20KHz).
When it matters: When the environment's noise is treble-heavy. Although uncommon, areas with sharp sounds fall under this category.
Good value: <-30dB
Noticeable difference: 1dB
:
-24.44 dB
Self-Noise
What it is: The amount of noise created by the active electronics of the headphones (if applicable), measured from 300Hz-20KHz. Applies mostly to wireless and noise-cancelling headphones.
When it matters: If too loud, it could become distracting when listening to quiet material like podcasts and audiobooks.
Good value: <16dB
Noticeable difference: 1dB
:
21.88 dB

They have mediocre isolation performance. In the bass range, where the rumble of bus and airplane engines sit, they achieve about 2dB of isolation, which is barely noticeable. In the mid-range, important for cutting out speech, they isolate by 13dB, which is above-average. In the treble range, occupied by sharp S and T sounds and A/C systems, they isolate by about 24dB, which is also above-average.

8.3 Leakage
What it is: The amount of sound bleeding out of the headphones.
When it matters: When the listener doesn't want people around them (in office, recording studio, etc.) to hear what is being listened to.
Score components:
AKG N200 Wireless Leakage
Leakage Audio
What it is: The simulated sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal. This recording is created using an EQ and is not an actual recording.
When it matters: When you don't want people to hear what you are listening to.
:
Overall Leakage @ 1ft
What it is: The amount of sound leakage heard 1 foot away from the user, while the user is listening to a 100dB SPL signal.
When it matters: When you don't want people hear what you are listening to.
Good value: <35dB
Noticeable difference: 1dB
:
32.05 dB

The leakage performance of the N200 is great. Like most other closed-back in-ears, these headphones don't leak in the bass and mid-ranges. The significant portion of their leakage is in the treble range and between 3KHz and 8KHz, which is a relatively narrow range. The overall level of the leakage is not loud, either. With music at 100dB SPL, the leakage at 1 foot away averages at 32dB SPL and peaks at around 57dB SPL, which is just above the noise floor of an average office.

5.8

Microphone

What it is: The microphone section shows the quality of speech capture and transmission by the mic, as well as how well the microphone under test handles noisy environments.
When it matters: For your speech to be transmitted to and understood properly by the listener, the microphone needs to have a good recording quality. If the environment the microphone is being used in is noisy, a microphone with a good noise handling performance would be needed as well.
Score components:
Integrated
What it is: The microphone integrated in the ear cup or ear bud of a wireless headphone.
When it matters: For calls, gaming and voice over IP software or for any other use of the microphone.
Good value: Yes
:
No
In-line
What it is: The microphone inside the in-line remote of audio cables for wired and wireless headsets.
When it matters: In-line microphone are usually better than integrated mics. If you need better recording quality and noise handling for calls, gaming and voice over IP software then use the audio cable of your wired or wireless headphone if it has an inline microphone.
Good value: Yes
:
Yes
Boom
What it is: A typically better microphone, that's also adjustable and extends so that the mic is closer to your mouth.
When it matters: Much better recording quality and noise handling than in-line or integrated mics. Primarily used for gaming and voice over IP software.
Good value: Yes
:
No
Detachable Boom
What it is: A boom mic that is detachable from the headset.
When it matters: If you want to use your headphone outdoors without the bulk and hassle of the Boom mic.
:
N/A

The overall performance of the N200’s in-line microphone is sub-par. Speech recorded with the mic will sound slightly thin and muffled. In noisy environments, they will struggle to separate speech from noise in even moderately loud environments like a busy street.

5.6 Recording Quality
What it is: Microphone recording quality shows how natural, neutral, extended and intelligible speech would be with the device under test, in a quiet environment.
When it matters: A microphone with a good recording quality ensures that the person listening to you would hear a full, clear, and easily understandable speech. Therefore, it is important whenever a good quality of speech transmission and intelligibility is needed.
Score components:
AKG N200 Wireless Microphone Frequency Response
Recorded Speech
What it is: Actual audio recording of the headphone's microphone, recorded while placed on the dummy head, with speech being played back through the dummy head's mouth simulator.
When it matters: When a clean, full, and intelligible speech transmission is required.
:
LFE
What it is: Low-frequency extension shows how deep the bass response of the microphone is, and therefore, how deep and full your voice would sound to the listener. It is the lowest frequency at which the frequency response reaches -3dB of the target response.
When it matters: LFE is not a big factor in speech intelligibility and even speech recorded with a mic that has an LFE of 500Hz could still be easily understood. Therefore, it is mostly important if you are concerned with how deep and full your voice would be heard.
Good value: <150Hz
Noticeable difference: 30Hz
:
276.97 Hz
FR Std. Dev.
What it is: Frequency Response Standard Deviation shows how accurately and balanced sound is captured by the microphone at each frequency. FR Std. Dev. is calculated between LFE and HFE, and the rest of the spectrum is ignored.
When it matters: A good frequency response is desired when a natural and neutral speech quality is desired. As opposed to HFE which is more a metric for speech intelligibility, frequency response could be considered as a metric for a natural and neutral sound.
Good value: >3.5dB
Noticeable difference: 0.5dB
:
3.91 dB
HFE
What it is: High-frequency extension is the highest frequency at which the frequency response reaches -3dB of the target response. It shows how extended the treble response of the microphone is.
When it matters: HFE is one the most important factors in speech intelligibility. The higher the HFE, the brighter, more open, and more extended the speech quality will be which makes it a lot easier to understand by the listener.
Good value: >8KHz
Noticeable difference: 1KHz
:
2152.7 Hz
Weighted THD
What it is: The unwanted frequencies (harmonics) produced alongside the intended frequencies, which cause deformation of an output signal compared to its input.
When it matters: When clean and pure sound reproduction is desired, though its effect is not as noticable as frequency response.
Good value: <1.5
Noticeable difference: 1.0
:
2.609
Gain
What it is: Shows how much louder the microphone can go above our reference loudness level. The gain value is reported relative to our reference level, which is 94dB at a distance of 5cm from the mouth.
When it matters: A microphone with a high gain is important when the input signal (speech) is very quiet. For example when whispering, or talking on the phone in a library.
Good value: >18dB
Noticeable difference: 3dB
:
21.37 dB

The recording quality of N200's microphone is sub-par. Speech recorded with the microphone will sound thin, muffled and lacking in detail. This is due to LFE being at 276Hz and HFE being at 2.1KHz. The HFE is lower than most Bluetooth microphones, which usually average around 3KHz. This will have a negative effect on the intelligibility of speech.

6.1 Noise Handling
What it is: How well the microphone is able to separate speech from background noise, so that the transmission would include more voice and less noise.
When it matters: When a clean and intelligible speech transmission is desired in a noisy situation like talking on the phone on a busy street or on the bus.
Score components:
AKG N200 Wireless SpNR
Speech + Pink Noise :
Speech + Subway Noise :
SpNR
What it is: Speech to Noise Ratio is the difference in level between speech and background noise as heard by the listener
When it matters: If the microphone is going to be used in a noisy environment, it is important for it to be able to separate the speech from background noise, so the voice would be easily audible and understandable.
Good value: >24dB
Noticeable difference: 3dB
:
13.32 dB

The noise handling capabilities of the in-line microphone is mediocre. They AKG N200 achieved a speech-to-noise ratio of 13dB, meaning they will have a hard time transmitting clean and noise-free speech even in environments that are moderately loud.

5.2

Active Features

What it is: Headphones with active components that require a battery. This includes noise cancelling and wireless headphones that actively reduce noise or transmit audio via a wireless connection.
When it matters: How suitable the power and wireless specifications of an active headphone will be, depending on your listening habits. The range and/or discharge time of the active headphone you select will be important if you're often on the move or have long uninterrupted listening sessions.
Score components:

The AKG N200 have a 6-hour battery life, which is average for wireless in-ears. You should have enough power to get through a normal workday but might need to charge them daily with that kind of usage. AKG also advertises a quick charge feature that gives 1 hour of playback for only 10 minutes of charging. Unfortunately, they don’t have a companion app with customization options.

5.8 Battery
What it is: The power source of your headphones. All headphones with active features have a battery that will deplete over time.
When it matters: To continue using the active features of your headphones. Some models lose features or switch off completely when the battery is drained, which limits what you can do with them until the next charge.
Battery Type
What it is: The type of battery that the headphones use. Usually AAA or embedded, Li-ion rechargeable batteries.
When it matters: When your headphones run out of power. Rechargeable batteries usually charge via the headphones Micro-USB port whereas AAA batteries have to be replaced or charged with an external device.
:
Rechargable
Battery Life
What it is: The amount of time it takes for a headphones' battery to be completely drained. Battery life will vary depending on the active features used and volume level.
When it matters: For active headphones that connect wirelessly, have noise cancellation or other audio-enhancing features, that cease to work once the battery is dead.
Good value: >10hrs
Noticeable difference: 0.5hrs
:
6.4 hrs
Charge Time
What it is: The amount of time your active headphones have to be connected to a power source to charge from 0 to a 100%. However, charging time will vary depending on your power source.
When it matters: To be able to use the active features of your headphones. Especially, wireless ones that completely switch off and need to be recharged when the battery is dead.
Good value: 2h or less
Noticeable difference: 0.25h
:
1.5 hrs
Power Saving Feature
What it is: A feature that turns off the headphones, after a set time, when they're not in use.
When it matters: To prolong battery life when the headphones are not being used, or if you forget to manually turn off your headphones.
:
No
Audio while charging
What it is: Some active headphones remain usable while charging. They continue to stream audio and do not disable other active features.
When it matters: This makes sure that your headphones's battery are not being drained when you're relatively close to a power source. However, this means wireless headphones will need a wired connection to the power source during the charging process.
:
No
Passive Playback
What it is: Active headphones that still work when all their active features are turned off or out of power.
When it matters: If you run out of power and do not have spare AA/AAA batteries or access to a power source to recharge your headphones.
:
No

They offer just above 6 hours of continuous playback, which is a bit lower than the 8 hours that were advertised. This should still be enough for most people for a full workday, but they might need daily charging. Unfortunately, they don’t have any power saving features. AKG also advertises a 1-hour playback time for a quick 10 minutes of charging, which can be useful for last minute commutes or workouts, but we don't test for this yet.

0 App Support
What it is: The additional app provided to enhance your listening experience. They typically deliver a set of practical features that give you more control over the sound, noise cancelling and effects that the headphones produce.
When it matters: An app with a lot of features allows you to customize your listening experience to suit your taste and preferences. For example, additions like an equalizer can give you more bass or treble and room effects can simulate a bigger Soundstage in closed back headphones.
Score components: Subjectively assigned
App Name : N/A
iOS : N/A
Android : N/A
Mac OS : N/A
Windows : N/A
Equalizer
What it is: Parametric, graphic or preset sound profiles that slightly alter the frequency response.
When it matters: If you want to tailor, your listening experience. Depending on what you're listening to you may want more or less bass for some tracks or more mid-range for vocals-heavy audio.
:
N/A
ANC control
What it is: Control over the Active noise canceling technology. This could be either a simple on/off button, and adjustable slider or even adaptive self-regulating noise cancellation.
When it matters: If you're in an environment where you need to monitor your surroundings or completely isolate yourself from ambient noise.
:
N/A
Mic Control : N/A
Room effects
What it is: Room effects that enhance the audio quality to make it more immersive.
When it matters: If you want to further tweak your listening experience. Adding room effects, can simulate a more spacious Soundstage or deliver a surround sound-like feel.
:
N/A
Playback control
What it is: An in-app player that gives you access to play/stop, track skipping or volume controls directly with the app.
When it matters: It's a shortcut that allows you to control your audio without leaving the application.
:
N/A
Button Mapping : N/A
Surround Sound : N/A

They are not compatible with an app with customization options to enhance your listening experience.

3.9

Connectivity

What it is: The inputs and outputs of wired and wireless headphones, as well as their latency performance and range.
When it matters: To know how compatible your Bluetooth device, console or PC will be with your wired or wireless headset.
Score components:
  • 10% Bluetooth
  • 33% Wired
  • 10% Base/Dock
  • 22% Wireless Range
  • 25% Latency

The AKG N200 are pretty straightforward Bluetooth-only in-ears. They don’t support NFC, and can only be connected to one device at a time, but they have great wireless range. Although they have latency issues, they perform better than most Bluetooth headphones, and they support aptX and AAC codecs, which could give you better overall performance with the right device or dongle.

6.0 Bluetooth
What it is: Bluetooth support for wireless headphones.
When it matters: To connect wirelessly to Bluetooth sources like your phone, tablet, console, PC and TV.
Score components:
  • 80% Multi-Device Pairing
  • 20% NFC
  • <1% PS4 Compatible
  • <1% Xbox One Compatible
Bluetooth Version : 4.1
Multi-Device Pairing
What it is: A Bluetooth profile that allows some headphones to be simultaneously connected to multiple Bluetooth sources, and have full call and media support on both/all devices they are connected to.
When it matters: To quickly switch between your Bluetooth sources. For example, switching from your phone to your home or work PC and still have call and media support on both devices.
Good value: 2 devices.
:
No
NFC
What it is: Near Field Communication technology that allows you to quickly, pair your headphones with your Bluetooth and NFC-enabled device.
When it matters: This makes pairing with an NFC-enabled device a lot easier than the typical and often tedious hold-to-pair procedure that most wireless headphones have.
Good value: Yes
:
No
PS4 Compatible
What it is: Bluetooth compatibility with the PlayStation 4.
When it matters: To connect your headphones wirelessly with your PS4.
Good value: Audio + Microphone
:
No
Xbox One Compatible
What it is: Bluetooth compatibility with the Xbox One.
When it matters: To connect your headphones wirelessly with your Xbox one.
Good value: Audio + Microphone
:
No

These headphones are Bluetooth compatible, but they can’t be paired with NFC, which would have been easier and quicker. They also can’t connect to multiple devices simultaneously, which is useful when you want to switch between your phone and work PC.

0 Wired
What it is: The type and compatibility of audio cables for wired and wireless headphones.
When it matters: For all devices with a regular audio jack (line-out) and also compatibility of the in-line remote/boom microphone with consoles and Personal computers.
Score components:
  • 13% Analog
  • 9% USB
  • 26% PS4 Compatible
  • 26% Xbox One Compatible
  • 26% PC Compatible
Cable Tested : N/A
Analog
What it is: A regular 1/8" TRS audio jack or a 1/4 or 1/16 TRS with a 1/8 TRS adapter.
When it matters: For all devices with a line out.
Good value: Yes
:
N/A
USB
What it is: A USB or USB adapter to connect to your devices for audio and microphone.
When it matters: A digital USB adapter usually offers a slight advantages over a regular audio jack, like a DAC, and amplifier module or software support and compatibility with PCs. However it may not be as compatible with consoles.
Good value: Yes
:
N/A
PS4 Compatible
What it is: PS4 compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PS4 controller.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Xbox One compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your Xbox One controller.
Good value: Audio + Microphone
:
N/A
PC Compatible
What it is: PC compatibility with a regular 3 or 4 pin 1/8 TRS audio cable.
When it matters: When you want to use a wired headphone with your PC.
Good value: Audio + Microphone
:
N/A

These Bluetooth-only headphones can’t be used wired.

0 Base/Dock
What it is: The base station, dock or dongle transmitter of wireless headphones that receive data/audio via a proprietary frequency range.
When it matters: Knowing the inputs and outputs of the base/dock/dongle as well as its compatibility with consoles and Personal Computers. Also whether the base supports dock charging to easily recharge the headphones without any cables.
Score components:
  • 5% Optical Input
  • 22% Line In
  • 5% Line Out
  • 22% USB Input
  • 4% RCA Input
  • 9% PS4 Compatible
  • 9% Xbox One Compatible
  • 9% PC Compatible
  • 2% Power Supply
  • 13% Dock Charging
Wireless Type
What it is: The type of wireless connection used by the base station/dock to communicate with the headphones.
When it matters: For latency and range. For example Radio frequency has low latency but mediocre range when obstructed and proprietary docks have their own 2.x GHz or 5 GHz frequency which varies in performance.
:
N/A
Optical Input
What it is: Optical input for audio.
When it matters: Optical can carry a bit more data at faster speeds than typical wired connection which allows for more high quality, lossless audio.
Good value: Yes
:
N/A
Line In
What it is: The regular wired input via a 1/8" TRS audio jack.
When it matters: For any device that has a line out for audio transmission.
Good value: Yes
:
N/A
Line Out
What it is: A regular 1/8TRS audio jack output.
When it matters: If you need to share the audio source with other devices. A line out lets you connect other headphones or speakers to the dock/base station.
Good value: Yes
:
N/A
USB Input
What it is: A digital USB input instead of a typical 1/8 TRS line-in.
When it matters: A USB connection can provide both an audio input and power to the Dock or Base station.
:
N/A
RCA Input
What it is: Audio input using via an RCA connectors.
When it matters: Provides better stereo audio to the dock/base that's then transmitted to the headphones.
Good value: Yes
:
N/A
PS4 Compatible
What it is: Dock/Base station compatibility with the PlayStation 4.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Xbox One Compatible
What it is: Dock/Base station compatibility with the Xbox One.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
:
N/A
PC Compatible
What it is: Dock/Base station compatibility with your Personal Computer.
When it matters: To be able to use all the features of the dock/base station with out losing audio or microphone capability.
Good value: Audio + Microphone
:
N/A
Power Supply
What it is: The connector type of the power source.
When it matters: The accessibility of the power source. For example a power supply with USB/USB-C connects to multiple devices, PC , PS4, Xbox One or even with your regular phone charger whereas a A/C adapter is less common.
Good value: USB/USB-C
:
N/A
Dock Charging
What it is: Charging the headphones via the dock/base station instead of a charging cable.
When it matters: It makes charging your headphones easier and gives you a sport to store your headphones when they are not in use.
Good value: Yes
:
N/A

The AKG N200 Wireless don’t have a dock. If you're looking for headphones with a dock for customization options, look at the Arctis Pro Wireless. If you want a charging dock, look at the Astro A50, and if you're looking for wireless headphones for watching TV, look at the Sennheiser RS 185.

8.9 Wireless Range
What it is: Headphones that offer a cable-free listening experience over a wireless network, typically via Bluetooth or radio frequency.
When it matters: If you don't want to be limited by the length of an audio cable. This means having the freedom to move around in your home or office with a much greater range than an audio cable could provide, especially, if the Bluetooth source is heavy or difficult to carry. Note that wireless range also depends on your Bluetooth sources' signal strength which may vary from device to device or depending on your phone model.
Score components:
Obstructed Range
What it is: The range that the wireless headphones can reach before dropping any audio when the Bluetooth source was placed in another room. We test our obstructed range with a Moto E4 Plus. Results may vary depending on your phone model or Bluetooth source.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in an indoor environment. Although, the obstructed wireless range will slightly depend on your home or office layout. Note that wireless range also depends on your Bluetooth sources' signal strength which may vary from device to device or depending on your phone model.
Good value: >35ft
Noticeable difference: 5ft
:
52 ft
Line of Sight Range
What it is: The range that the wireless headphones can reach before dropping any audio when in direct line of sight of the Bluetooth device.
When it matters: If you can't or prefer not to carry your Bluetooth source on you, while listening to your audio in a large and open environment.
Good value: 170ft or more
Noticeable difference: 10ft
:
143 ft

Their wireless range is very good. With 52ft of range when the source was obstructed by walls, you will be able to walk around a small office or go to the next-door room without getting too many audio cuts. You shouldn’t have any problem if you keep your audio source on or even near you. However, the wireless range is very dependent on your device’s signal strength, so your experience may vary.

5.3 Latency
What it is: How long it takes for audio to play through your headphones once the audio signal has been sent from a source.
When it matters: When gaming or watching movies. High latency means you will hear the audio much later than the images you see on screen.
Score components:
Default Latency
What it is: The Base RF latency or the default sub-band coding (SBC) of most Bluetooth headphones.
When it matters: When watching videos a high latency can cause sync issues between the images you see and the audio you hear.
Good value: 50ms or less
Noticeable difference: 15ms
:
138 ms
aptX Latency
What it is: An audio coding algorithm (Codec) that improves bit rate efficiency. It reduces latency and improves sound quality over Bluetooth.
When it matters: For better sound quality if your often streaming music over Bluetooth. Also it slightly improves latency when watching videos with wireless headphones.
Good value: 50ms or less
Noticeable difference: 15ms
:
112 ms
aptX(LL) Latency
What it is: Low latency variation of aptX that significantly reduces sync issues between video and sound when using Bluetooth headphones.
When it matters: When watching videos or gaming latency is a lot more noticeable than just listening to music.
Good value: 50ms or less
Noticeable difference: 5ms
:
N/A

The latency of the N200 is low for Bluetooth headphones, which usually average around 200-220ms of delay. They also support the aptX and AAC codecs, but we couldn’t test AAC as our dongle doesn’t support it in our current test bench. This means you shouldn’t notice the delay as much as on other headphones. Also, some devices and apps may offer some sort of compensation, so you might not even notice it at all for videos. However, 112ms is still too high for gaming.

In the box

AKG N200 Wireless In the box Picture

  • AKG N200 headphones
  • 4 tip sizes
  • Cleaning tool
  • Micro-USB charging cable
  • Carrying case
  • Manuals

Compared to other Headphones

AKG N200 Wireless Compare Picture

The AKG N200 are decent, mixed usage, wireless in-ears that set themselves apart by their great audio reproduction. However, their fit doesn’t isolate much ambient noise and won’t be ideal for commuting. If you’re concerned about blocking out ambient noise during your commute, but also care about portability, look at our recommendations for the best noise-canceling earbuds and in-ears. See also our recommendations for the best wireless earbuds under $100 and the best earbuds for bass.

Bose SoundSport Wireless

The Bose SoundSport Wireless and the AKG N200 Wireless are two similar headphones that have good audio quality, but the Boses have a small edge over the AKGs. Their semi-open design makes them more open-sounding, but this also means they barely isolate any noise. Also, the Boses have a slightly more comfortable earbud-like design. However, their cable feels thin and flimsy, and controls are hard to register, while the AKG feel well-built due to their braided cable and dense magnetic earbuds.

Jaybird Tarah Pro Wireless

The Jaybird Tarah Pro are more versatile headphones than the AKG N200. While the AKG have a slightly better sound quality, the Tarah Pro have a better isolating fit, which makes them better for commuting and at the office. The Jaybird also have unique rotating earbuds that let you wear the cable normally or over your ear. They are also compatible with the Jaybird MySound app which offers a good EQ. They also have longer battery life and a proper IPX7 rating, which is great for sports.

JBL Endurance Sprint Wireless

The JBL Endurance Sprint are more versatile headphones than the AKG N200 Wireless. They have better isolation performance, which is useful in your daily commute or at the office. Their ear-hook design is great for sports, and you also have a touch-sensitive control scheme, though it seems to be overly sensitive. The JBLs also have better battery life. However, the AKG N200 have physical buttons that offer better feedback and are easier-to-use. They also feel better-built even if they don’t have an IP rating like the Sprint, and they feel more comfortable for most since they don’t enter your ear canal as deeply. Their wireless range is significantly better, and they also have less latency.

Sony WI-SP600N Wireless

If neutral sound is your most important criteria, then the AKG N200 Wireless are the better option against the Sony WI-SP600N. They also have better wireless range and noticeably lower latency. On the other hand, the Sonys are noise-canceling and will be a better choice for commuting if you need to block out ambient noise. They also have a companion app with a 5-band EQ to customize their sound to your liking.

Conclusion

6.9Mixed Usage
What it is: This is the combination of the different use cases to evaluate how versatile the headphones are. Therefore an everyday headphone should be well-rounded enough to adapt to most situations and environments without significant losses in sound quality, design ergonomics or isolation.
Score components:
Decent for mixed usage. The AKG N200 Wireless have good audio reproduction for critical listeners and are well-built headphones, but unfortunately, they don't isolate ambient noise as well as other in-ears, which won’t be the best for commuting or use at the office. On the upside, they are very stable and breathable which is good for sports. Like most Bluetooth headphones, their latency may be too high for watching TV and gaming, and their microphone is sub-par for online games with friends.
7.4Critical Listening
What it is: The level of audio fidelity a headphone can reproduce. Therefore a balanced and true representation of bass, mids, treble, soundstage and imaging, as well as a comfortable listening experience, is essential for critical listening.
Score components:
Above-average for critical listening. They are one of the best neutral sounding in-ears we’ve measured so far. They have a powerful, consistent, and extended bass and an excellent and flat mid-range. Their treble is also well-balanced. However, their mid-range is ever so slightly recessed, nudging the vocals to the back of the mix, and higher-frequencies S and T sounds are a bit uneven. They are versatile for a wide variety of music genres, but unfortunately, don’t have an app to customize their sound to your liking.
6.9Commute/Travel
What it is: How well the headphones handle the loud environments involved in commuting or traveling. Therefore your listening experience should be comfortable, hassle-free and as isolated from noise as possible.
Score components:
Decent for commuting. Their noise isolation isn’t the best and barely block out any low-frequency noises like bus engines. However, they don’t leak much so you’ll be able to block more noise by raising your volume without disturbing people around you. They will also be easy to carry around and come with a nice carrying hard case. However, the in-ear fit might not be the most comfortable for long bus rides or flights.
7.9Sports/Fitness
What it is: How well-adapted the headphones are, to use while doing sports or strenuous exercise. Therefore the headphones should not be too cumbersome and deliver a stable and comfortable listening experience.
Score components:
Good for sports. The AKG N200 Wireless are breathable headphones that won’t make you sweat more than usual, and they stay in place inside your ears during physical activity due to their stability fins. Unfortunately, they don’t come with different fin sizes. On the upside, they are very easy to carry around, and their in-line remote offers good and easy-to-use controls.
6.9Office
What it is: How well the headphones can deliver a comfortable and isolated listening experience in an office-like environment. They should not leak much and should block the noise of a busy office.
Score components:
Decent for the office. The AKG N200 Wireless don’t isolate too much noise but do a decent job against ambient chatter. Unfortunately, their 6-hour battery life might feel a bit short for a full workday and will probably need daily charging. They also can’t be connected to two devices simultaneously. They are fairly comfortable, but some may need to take a few breaks because of their in-ear design.
5.9TV
Score components:
Sub-par for watching TV. Their design won’t be ideal to watch movies with as you might feel ear soreness and their latency may be a bit high for video content. However, it is lower than the average Bluetooth headphones and they also support aptX and AAC, which might give you better overall performance. Also, since some apps and devices seem to offer some sort of compensation, you might not notice the delay as much.
5.6Gaming
Score components:
Poor for gaming. While their latency might be fine for video content, it is too high for gaming. Their microphone is also sub-par for online gaming with friends. They also can’t be customized like gaming headsets.

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